That’s bad enough. But what can he do if some of the monsters he sees turn out to be real?

    You better pass it, feller. You’re joining the circus. Ain’t that the best news you ever got?"Delivered by a trio of psychotic clowns, this ultimatum plunges Jamie into the horrific alternate universe that is the centuries-old Pilo Family Circus, a borderline world between Hell and Earth from which humankind’s greatest tragedies have been perpetrated. Yet in this place—peopled by the gruesome, grotesque, and monstrous—where violence and savagery are the norm, Jamie finds that his worst enemy is himself. When he applies the white face paint, he is transformed into JJ, the most vicious clown of all. And JJ wants Jamie dead!

    Bloodsplattering, brain-impaling, flesh-devouring horror. You’ve probably read your fair share of zombie stories. But this time it’s different. No longer can you sit idle as a bunch of fools make all the wrong moves. All hell is about to break loose—and YOU have a say in humanity’s survival. You have choices to make. Moral dilemmas. Strategic decisions. Weapons. Vehicles. Will you be a hero? Or will you cover your own ass at all costs? Can you withstand the coming hours, days, weeks, and months? Or will you die amidst the chaos and violence of a zombie uprising? Or, worst of all, will you become one of them?

    Except, as Peter and Helen Radley know but their children have yet to find out, the Radleys happen to be a family of abstaining vampires. When one night Clara finds herself driven to commit a bloodthirsty act, her parents decide to explain a few things.

    One minute, people are going about their lives, and the next—not. In the wake of the inexplicable purge, only a handful of young misfits remains.When it all went down, “Wizard of Odd” Dev Brinkman was seeking shelter from the taunts of his classmates. Goth girl Lucy Abernathy had lost her best friend and had no clue where to turn. And Twinkie-loving quarterback “Marcus” Haddad was learning why you never discuss politics and religion in polite company—or online.As if life when you’re sixteen isn’t confusing enough, throw in the challenges of postapocalyptic subsistence, a case of survivor’s guilt turned up to seven billion, and the small task of rebuilding humankind…No one said doomsday would be a breeze. But for Dev, Lucy, and Marcus, the greatest hope—and greatest threat—will come when they find each other.

    But their decadent and reclusive cousins, the malicious wheelchair-bound Claimayne and his sister, Ariel, do not welcome Scott and Madeline’s return to the childhood home they once shared. While Scott desperately wants to go back to their shabby South-of-Sunset lives, he cannot pry his sister away from this haunted “House of Usher in the Hollywood Hills” that is a conduit for the supernatural.Decorated by bits salvaged from old hotels and movie sets, Caveat hides a dark family secret that stretches back to the golden days of Rudolph Valentino and the silent film stars. A collection of hypnotic eight-limbed abstract images inked on paper allows the Maddens to briefly fragment and flatten time—to transport themselves into the past and future in visions that are both puzzling and terrifying. Though their cousins know little about these ancient “spiders” which provoke unpredictable temporal dislocations, Ariel and Claimayne have been using for years—an addiction that has brought Claimayne to the brink of selfish destruction.As Madeline falls more completely under Caveat’s spell, Scott discovers that to protect her, he must use the perilous spiders himself. But will he unravel the mystery of the Madden family’s past and finally free them. . . or be pulled deeper into their deadly web?

      Now she’s out and determined to uncover who put her in that cellar and why.   When Clementine was a child, dangerous and inexplicable things started happening in New South Bend. The townsfolk blamed the fiendish people out in the Willows and burned their homes to the ground. But magic kept Clementine alive, walled up in the cellar for ten years, until a boy named Fisher sets her free. Back in the world, Clementine sets out to discover what happened all those years ago. But the truth gets muddled in her dangerous attraction to Fisher, the politics of New South Bend, and the Hollow, a fickle and terrifying place that seems increasingly temperamental ever since Clementine reemerged.

    Now, with The Great and Secret Show he rises to new heights. In this unforgettable epic he wields the full power and sweep of his talents. "Succinctly put," says Barker, "it's about Hollywood, sex and Armageddon." Memory, prophecy and fantasy; the past, the future, and the dreaming moment between are all one country living one immortal day. To know that is Wisdom. To use it is the Art. Armageddon begins with a murder in the Dead Letter Office in Omaha. A lake that has never existed falls from the clouds over Palomo Grove, CA. Young passion blossoms, as the world withers with war. The Great and Secret Show has begun on the stage of the world. Soon the final curtain must fall. In this, the First Book of the Art, Barker has created a masterpiece of the imagination that explores the uncharted territory within our secret lives and most private hearts. Sprawling, ambitious, triumphantly magical and satisfying, The Great and Secret Show is what the rest of life is all about.

    The passengers are told the repairs will take till tomorrow, so... What will they do tonight? Good fortune strikes! Just down the road, there's a carnival! The passengers exit the bus: a pregnant British tart, three low-life fishermen on their way back to Florida, and various other disheartened souls hoping to find greener pastures elsewhere. But the last man off is a writer and sightseer from Rhode Island, a man named Howard Phillips Lovecraft... O'SLAUGHNASSEY'S TRAVELLING SHOW! RIDES! CONCESSIONS! ODDITIES OF NATURE! COME ONE, COME ALL! A carnival sounds like the perfect cure to a boring night, and Howard embarks with vigor. A genuine mermaid! A living cadaver! A man with three eyes! Why, there's even a girl with hands for feet! Howard knows that such "spectacles" are all too often frauds, but...what's he got better to do? What Howard doesn't realize is this: the carnival's frolicky fun will quickly degrade into a waking nightmare of unspeakable carnal depravity and sick-in-the-head violence beyond anything he could ever conceive. And when he finally flees the wretched scene... Something awaits him a thousand times worse.

    Riding along the banks are the mercenaries hired to protect it - from raiders, bandits and, most of all, the stretchers, elf-like natives who kill any intruders into their territory. The mercenaries know this is dangerous, deadly work. But it is what they do.In the boat the drunk governor of the territories and his sons and daughters make merry. They believe that their status makes them untouchable. They are wrong. And with them is a mysterious, beautiful young woman, who is the key to peace between warring nations and survival for the Empire. When a callow mercenary saves the life of the Governor on an ill-fated hunting party, the two groups are thrown together. For Fisk and Shoe - two tough, honourable mercenaries surrounded by corruption, who know they can always and only rely on each other - their young companion appears to be playing with fire. The nobles have the power, and crossing them is always risky.And although love is a wonderful thing, sometimes the best decision is to walk away. Because no matter how untouchable or deadly you may be, the stretchers have other plans.

    Intelligence is a universal disease, but never fear... Rotten Little Animals just may be the cure we've been praying for." - Cody Goodfellow, author of Radiant Dawn and Silent Weapons For Quiet Wars. "Looney Tunes amped up on cocaine, sex and soft, silky fur and feathers. Shamel's debut is wildly entertaining and destined to become an instant bizarro classic." - Gina Ranalli "This book has three of my favorites things: Kittens, Zombies, and Snuff Films." - Jeff Burk "It begins as a zombie film, transforms into a deranged puppet show, and ends with a car chase. If you ever wondered what a Pixar exploitation film would be like, you need Rotten Little Animals." - Cameron Pierce "Written with the humor of Adult Swim, but with enough psychological profundity to matter. Shamel is a bright motherfucker!" - Forrest Armstrong Animals are people too! And that is messed up. So they have independent cinema. See what happens when an animal film crew kidnap a human boy and make a movie of the abduction. Read things about Nature that just aren't natural. Fear your pets from this day forward. With zombie-cat attacks, gun-blasting massacres, drugged-out puppet shows, exploding car chases, camera-chickens, bat acrobats, wild sex, martini parties and torture-ROTTEN LITTLE ANIMALS is a crazy ride through the underground animal film scene and on to the Big Time.

    Kiernan’s short fiction was first published in 1995. Over the intervening decade and a half, she has proven not only one of dark fantasy and science fiction’s most prolific and versatile authors, but, to quote Ramsey Campbell, “One of the most accomplished writers in the field, and very possibly the most lyrical.” S. T. Joshi has written, “Kiernan’s witchery of words creates a mesmerizing effect that we haven’t seen since the days of Lovecraft and Bradbury.”Two Worlds and In Between: The Best of Caitlín R. Kiernan (Volume One) presents a stunning retrospective of the first ten years of her work, a compilation of more than two hundred thousand words of short fiction, including many of her most acclaimed stories, as well as some of the author’s personal favorites, several previously uncollected, hard-to-find pieces, and her sf novella, The Dry Salvages, and a rare collaboration with Poppy Z. Brite. Destined to become the definitive look at the early development of Kiernan’s work, Two Worlds and In Between is a must for fans and collectors alike, as well as an unprecedented introduction to an author who, over the course of her career, has earned the praise of such luminaries as Neil Gaiman, Peter Straub, Charles De Lint, and Clive Barker.

    But somehow, someway, I came back. I always come back. My name is Phoenix Bones, and I hunt monsters." ---------------- The first novel in the International Monster Hunter series introduces Phoenix Bones, self-trained bane of the things that go bump in the night. Phoenix knows what horrors lurk in the shadows. When he overhears a police scanner report of a teenage girl missing from her bedroom without a trace, he knows something sinister is afoot. His worst fears are confirmed when the trail leads him to a ghastly scene in the catacombs of Paris ... and the vile trappings at the heart of the vampire underground's evil plans.

    . .In the dead of night, your past mistakes will haunt you . . .In the dead of night, you hear a discordant tune . . .In the dead of night, the nightingale sings . . . Simon Strantzas, master of the subtle and the bizarre, returns with a dozen strange tales and eerie mysteries. From the shores of a remote oil-stained sound to deep within the familiar heart of suburbia, these are the songs of broken people who cannot find a way to fix themselves, who must search the dark for salvation. Like a siren, the nightingale sings them onward to face their end. But it sings for you too. A requiem in your honor. Because, for you, it is already too late.Table of ContentsIn the Nightingale, Waiting for the Curtain to Rise, an Introduction by John LanganOut of TouchHer Father’s DaughterThe Deafening Sound of SlumberUnreasonable DoubtTend Your Own GardenThe NightingalePale Light in the JungleAn Indelible Stain upon the SkySomething NewMr. KnealeEverything FloatsWhen Sorrows ComeAfterword

    Features stories by Neil Gaiman, Melissa Marr, Cassandra Clare, Holly Black, Garth Nix, and many more.