Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    Second Edition. POKER is Tomaz Salamun's first book of poetry, originally published in 1966 in Slovenia. This edition, vibrantly translated by award-winning poet Joshua Beckman in collaboration with the author, makes POKER available in its entirety in English. Poker was a finalist for the PEN American prize for poetry in translation. " ...the poetry of Tomaz Salamun is truly one of the wonders of the literary world"—John Bradley (in Rain Taxi)."...the wonderfully mystical, synaesthetic, and visionary poems of this book make a strange yet immediate sense"—Noah Eli Gordon (in The Poetry Project Newsletter).

    Collects the best of Anne Sexton's memoirs and prose reflections on her development as a poet

    At once grotesque and vertiginous, Itō interweaves mythologies, language, sexuality, and place into a genre-busting narrative of what it is to be a migrant.

    They ask us to think about our relationship to desire and exploitation. They are both nostalgic for, and exhausted by, the pursuit of an endless summer.‘The intricate politics woven into Tibble’s poetry give her writing strength and purpose.’ —Winnie Siulolovao Dunn, Cordite Poetry Review‘Tibble speaks about beauty, activism, power and popular culture with compelling guile, a darkness, a deep understanding and sensuality.’ —Hinemoana Baker‘The poetry is utterly agile on the beam of its making. There is brightness, daring and sure-footedness.’ —Paula Green, NZ Poetry Shelf‘It demonstrates the power of all paradigm-shifting books – which is to fold up previously knotty stumbling blocks like they are furniture left out in the rain, and then replace it with an enlarged space.’ —John Freeman, LitHubTayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington. Her first book, Poūkahangatus, won the Jessie Mackay Best First Book of Poetry Award in 2019.

    We Were Young explores the heartbreaks, hangovers, and hang ups associated with growing up.

    The linked poems in Klink's third collection, Raptus, search through a failed relationship, struggling with the stakes of compassion, the violence of the outside world, and the wish to anchor both in something true.

    It is a recipe for womanhood that changes with the whim of the seasons and the political climate. It is a feverish fistful of musings, a comedy of errors, an instruction manual, a compass, an overheard conversation in the ladies' loo, whispered secrets over a (second) bottle of wine. It is a lamentation, an homage to fellow women, at once a celebration of things to come and a mourning of things lost. It is a redefinition of what it is to be magical and otherwordly. It exposes the complex and contradictory impulses of the human spirit, the ugly tangle of emotions we must deal with in ourselves and also as a wider society. With frankness, humour and a decided fuck-you to fear, Vanessa digs deeper than she ever has to find something resembling sorcery.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    Fairchild’s The Art of the Lathe is a collection of poems centering on the working-class world of the Midwest, the isolations of small-town life, and the possibilities and occasions of beauty and grace among the machine shops and oil fields of rural Kansas.

    Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive with sensory activity, abiding by the pulse and impulse of a pure, restless emotion. This provocative, playful sensibility has ensured that his poems have a rare and unmistakable immediacy, effortlessly crystalizing thought in all its moods and tenses.An essential contribution to American letters, I am Flying into Myself gathers a selection of Knott’s previous volumes of poetry, published between 1960 and 2004, as well as verse circulated online from 2005 until a few days before his death in 2014. His work—ranging from surrealistic wordplay to the anti-poem, sonnets, sestinas, and haikus—all convenes in this inventive and brilliant book, arranged by his friend the poet Thomas Lux, to showcase our American Rimbaud, one of the true poetic innovators of the last century.I Am Flying into Myself: Selected Poems, 1960-2014 celebrates one of poetry’s most determined outsiders, a vitally important American poet richly deserving of a wider audience.

    The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends.What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

    More than 150 poems from her seven books of poetry written between 1963 and 1982.

    Possessing rapid-fire comedic timing, Shapero touches on subjects such as religion, perpetual war, birth, and death—exposing humanity’s often faulty sense of what’s important and displaying a willingness to self-incriminate. These poems exhibit an expansive, searching sensibility that balks at the standard-issue hopes and fears of modern American culture.

       Hoop dreams aren’t just for players. The fever that grips college basketball prospects hoping to strike big-time NBA gold afflicts coaches, parents, and sneaker executives as well. Every one of them has a stake in keeping America’s wildly dysfunctional, incredibly lucrative youth basketball machine up and running—no matter the consequences. In Play Their Hearts Out, George Dohrmann offers an up-close and unforgettable look inside the maw of that machine. He shares what he learned from his years spent embedded with a group of talented young recruits from Southern California as they traveled the country playing in elite Amateur Athletic Union (AAU) events. It’s a cutthroat world where boys as young as eight or nine are subjected to a dizzying torrent of scrutiny and exploitation. Coaches vie to have them on their teams. Sneaker companies ply them with free shoes and gear. “All-star camps” are glorified cattle auctions, providing make-or-break opportunities to secure the promise of an elusive college scholarship.   At the book’s heart are the personal stories of two compelling figures: Joe Keller, an ambitious AAU coach with a master plan to find and promote “the next LeBron”—thereby paving his own path to power and riches; and Demetrius Walker, a fatherless latchkey kid who falls under Keller’s sway and struggles to live up to the unrealistic expectations his supposed benefactor has set for him. As their fortunes take shape and the pressure mounts—Demetrius finds himself profiled in Sports Illustrated at age fourteen, while Keller cultivates his business empire—Dohrmann weaves in the stories of numerous other parents, coaches, and players. Some of them see their prospects evaporate as a result of poor decisions and worse luck. Others learn how to thrive in a corrupt system by playing the right angles. Written with incomparable detail and insight, Play Their Hearts Out is a thoroughly unique narrative that reveals the inner workings of an American game, exposing the gritty reality that lies beneath so many dreams of fame and glory.