But one night, at a symposium in Moscow concerning the release of secret Soviet archives, he is approached by Papu Rapava, a former Kremlin bodyguard with a story to tell. No one but the desperate Kelso would believe the tale, for what Rapava describes is a sort of Holy Grail among researchers: an actual diary left by Joseph Stalin himself. Such an artifact, if it's genuine -- and if Kelso can survive the fascist Vladimir Mamantov, who wants it for his own agenda -- would be the coup of a lifetime for the discredited researcher.Before Kelso can learn the location of the diary, Rapava disappears, and Kelso's search for the former bodyguard leads him to the man's daughter, a whore selling herself in the new Moscow of drugs, corruption, and the Russian mafia. With an unscrupulous American journalist hot on their heels, a major of the new KGB close behind, and the shadowy Mamantov following them all, the two follow a trail that leads from Moscow's seedy underbelly to the industrial city of Archangel, where Russia once built her fleets of submarines, to a remote camp on the edge of the Siberian nothingness, and finally to a shocking conclusion that bites like the wind blowing off the tundra. What Kelso sees as the coup of his career might turn out to be the catalyst for an actual coup in Russia. There is a legacy behind the diary, a legacy of evil and death, and Fluke Kelso is unwittingly about to unleash it on the world.

    When long-hidden secrets about the atrocities he committed in Vietnam come to light, a candidate for the U.S. Senate retreats with his wife to a lakeside cabin in northern Minnesota. Within days of their arrival, his wife mysteriously vanishes into the watery wilderness.

    Christine Palmer, a young American doctor sailing solo across the Atlantic, makes an incredible discovery - a man narrowly clinging to his life in the frigid waters. But there is much more to this desperate survivor than meets the eye. David Slaton is a Kidon - a highly-trained, highly-precise, and highly-dangerous assassin. The Kidon is both the hunter and the hunted, and he and Christine are in grave danger. Will they win in this race against time?With the precision of a sharpshooter, author Ward Larsen weaves an intricate tale of espionage and intrigue.

    Since she left home, Sonya has lived on the run, free of any ties, while her soft-spoken sister, Trisha, has created a perfect suburban life, and her ambitious sister, Marin, has built her own successful career. But as these women come together, their various methods of coping with a terrifying history can no longer hold their memories at bay.Buried secrets rise to the surface as their father—the victim of humiliating racism and perpetrator of horrible violence—remains unconscious. As his condition worsens, the daughters and their mother wrestle with private hopes for his survival or death, as well as their own demons and buried secrets. Told with forceful honesty, Trail of Broken Wings reveals the burden of shame and secrets, the toxicity of cruelty and aggression, and the exquisite, liberating power of speaking and owning truth.

    Warring Indian tribes still populate America's western territories, even as lawless gold-rush towns begin to mark the landscape, and two paleontologists pillage the Wild West, hunting for dinosaur fossils while surveilling, deceiving, and sabotaging each other.Into this treacherous territory plunges William Johnson, a student who has joined world-renowned paleontologist Othniel Charles Marsh on his latest expedition. But when Marsh becomes convinced that William is spying for his nemesis, Edwin Drinker Cope, he abandons him in Cheyenne, Wyoming, a locus of crime and vice.William joins forces with Cope and soon stumbles upon a discovery of historic proportions. With this extraordinary treasure, however, comes exceptional danger, and Johnson's newfound resilience will be sorely tested..

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    But as the sun beats down, long-hidden secrets begin to surface. Her heart beats faster for the attention of handsome Edward, but is his heart already taken?Australia, six-weeks laterThe world is at war, the cruise liner docks, and Lily's desire for Edward is untameable. But something else is awry on this ship and Lily is determined to find out ....

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

    After his uniform and possessions raise suspicions, MI5 operative and family friend Ben Cresswell is covertly tasked with determining if the man is a German spy. The assignment also offers Ben the chance to be near Lord Westerham’s middle daughter, Pamela, whom he furtively loves. But Pamela has her own secret: she has taken a job at Bletchley Park, the British code-breaking facility.As Ben follows a trail of spies and traitors, which may include another member of Pamela’s family, he discovers that some within the realm have an appalling, history-altering agenda. Can he, with Pamela’s help, stop them before England falls?Inspired by the events and people of World War II, writer Rhys Bowen crafts a sweeping and riveting saga of class, family, love, and betrayal.

    He soon inserts himself into the town's daily life, taking a job in the local butcher shop and befriending the owner and his wife and their son. But the passion that develops between the man and the wife of the town's wealthiest citizen sets in motion a series of events that not only upset the quiet town but threaten to destroy both him and the woman.

    Then, at her childhood home in Queens, Majella discovers the diary of her maternal ancestor Ginny—and is shocked to read a story of murder in her family history. With the famine upon her, Ginny Doyle fled from Ireland to America, but not all of her family made it. What happened during those harrowing years, and why does Ginny call herself a killer? Is Majella genetically fated to be a bad mother, despite the fierce tenderness she feels for her baby? Determined to uncover the truth of her heritage and her own identity, Majella sets out to explore Ginny’s past—and discovers surprising truths about her family and ultimately, herself.

    In an instant, her world changes forever. Her anger at his being late turns to horror when a catastrophic gas leak poisons the city air. Anjali miraculously survives. Her marriage does not.A smart, successful schoolteacher, Anjali is now remarried to Sandeep, a loving and stable professor. Their lives would be nearly perfect, if not for their young son’s declining health. But when Anjali’s first husband suddenly reappears in her life, she is thrown back to the troubling days of their marriage with a force that impacts everyone around her.Her first husband’s return brings back all the uncertainty Anjali thought time and conviction had healed–about her decision to divorce, and about her place in a society that views her as scandalous for having walked away from her arranged marriage. As events unfold, feelings she had guarded like gold begin to leak away from her, spreading out into the world and challenging her once firm beliefs. Rich in insight into Indian culture and psychology, A Breath of Fresh Air resonates with meaning and the abiding power of love. In a landscape as intriguing as it is unfamiliar, Anjali’s struggles to reconcile the roles of wife and ex-wife, working woman and mother, illuminate both the fascinating duality of the modern Indian woman and the difficult choices all women must make.From the Hardcover edition.

    Donna Stone has one…and it happens to be government-sanctioned. She earned it the hard way: her husband was killed the day she delivered her third child. To avenge his death, she leads a secret life – as an assassin. But espionage makes for strange bedfellows – and brings new meaning to that old adage, "Honey, I’m home…"

    It is a story of ordinary men and supermen and an elegy of human will. It reveals heroic logic, a gifted story, phantasmal details…《风声》讲述抗日战争时期的一段特工往事，以“交响乐”式叙事方式娓娓道来。是一部关于凡人与超人的小说，是人类意志的悲歌。透露”了英雄的逻辑，天才的故事，鬼魅的细节，妖魔的风影……