Letter Composed During a Lull in the Fighting captures the many moments that comprise a soldier's life: driving down the Texas highway; waiting for the unknown in the dry Iraq heat; writing a love letter; listening to a mother recount her dreams. Written with evocative language and discernment, Powers's poetry strives to make sense of the war and its echoes through human experience.Just as The Yellow Birds was hailed as the "first literary masterpiece produced by the Iraq war," this collection will make its mark as a powerful, enduring work (Los Angeles Times).

    He is also co-author of Nice Hat. Thanks. with Joshua Beckman, with whom he has participated in performances at the Museum of Modern Art in New York City and the Henry Art Gallery in Seattle. He received the Pushcart Prize and his first book, A Hummock in the Malookas, was selected for the National Poetry Series by Mary Oliver. He lives in Brooklyn, New York, and teaches at New York University.

    Both personal and philosophical, her work can be read as a spirit-guide for those mourning the loss of a loved one and as a series of fundamental ponderings on the inevitability of death and separation. At first refusing to let go, desperate to feel the presence of her friend, the poet seeks solace in a belief in the spirit world. But life, not death, becomes the issue when she begins to see physical existence as "an interruption" that preoccupies us with shapes and borders. "Shape makes life too small," she realizes. Comfort at last comes in the idea of "reverse seeing": that even if she cannot see forward into the spirit world, her friend can see "backward into this world" and be with her.Death Tractates is the companion volume to a philosophical poetic work entitles Bright Existence, which Hillman was in the midst of writing when her friend died. Published by Wesleyan University Press in 1993, it shares many of the same Gnostic themes and sources.

    Once again this bilingual volume, translated in this edition for the first time in English, reveals the importance of the great Romanian-German poet, who lived for most of his life in France. Translator Pierre Joris has achieved a great feat in bringing these three volumes into the English language.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    His father had requested the courts to look into evidences that would prove his son’s innocence, but the letter only goes on to show why Bhagat Singh is a true revolutionary who paved a new path for Indian Independence.

     What is a junkbox? A person who is just so all consumed by addiction and drugs that they do not care about what goes into their body. They don't shower, they barely eat, and the only sleep they get is a result from a high dose shot of some "high quality" heroin. Herb Stepherson was born in Jonesboro, Georgia. He is the middle child of three boys. He is thirty-one years old and spent his youth like most young boys in central Georgia, riding bikes and playing sports—baseball in particular. Since 2002, he has been involved in the fight for his life. He has been battling the nightmares of addiction for the past fourteen years. His first drug use was at fifteen, which was alcohol and from there quickly progressed to prescription pain medication and ultimately cocaine and heroin. Heroin and cocaine took him to the absolute edges of humanity. He ended up homeless, eating food out of dumpsters, and strung out in some of the roughest neighborhoods in Chicago, in the dead of winter. The winter months are brutal in the Midwest. Herb slept in abandon buildings, airport terminals, and under bridges clinging to two basic needs: more heroin and to be numbed from the wreckage that this drug was creating in his life. All the while trying his best to keep hope alive that maybe one day he would finally be able to conquer this demon of addiction and recover. Today, Herb celebrates life as a young man in recovery! He is an intervention coordinator, a budding young writer, a loving and active father to his five-year-old son, Lucas, and speaks on behalf of numerous agencies in his community hoping to shed some light on the true battles with heroin addiction. So, why are you doing this, Herb? Why are you displaying all these horribly intimate pieces of your life for all the world to see? Don't you know that the world looks down on the whole addiction thing? I am doing this because I hate the disease. I'm displaying all these things because someone has to. The silence, the taboo, and the shame have to end. Don't hate the addict. Hate the disease. I'm writing all this to expose what this thing is doing to people. To our brothers, sisters, moms, and dads. I'm doing this because I want everyone to know that I have indeed suffered from this thing. I'm doing this because there is too much focus on the problem and not enough on the solution. I know that the world looks down on the whole addiction thing, which is another reason I am doing this. For more information, visit: JunkboxDiaries.com HerbStepherson.com Dedication: This book is dedicated to many people. It is dedicated to anyone and everyone who has ever been touched by the nightmare the disease of addiction is. To all the mothers, fathers, brothers, sisters, sons, and daughters who have lost someone to the disease of addiction. This book is dedicated to the addicts out there—clean or using. There is hope. This book is for anyone and everyone who thinks that addicts are lost causes. This book is for the purpose of silencing the taboo, shame, and guilt that still shrouds the disease and the addict.

    In a series of secular prayers, Cynthia Cruz alludes to a girlhood colored by abuse and a brother’s death. A beautifully understated sense of menace and damage pervades this vivid, nonlinear tale.

    From online dating to beauty pageants, Greek mythology to road trips, Leigh Stein gives us resilient young women in longing and in love. Post-confessional—like Sylvia Plath raised on MTV, or Anne Sexton on Twitter—the poems seduce with a narrative hook or startle with a pop culture reference, all the while wrestling fresh meaning out of our fantasy-saturated modern lives.

    Since 1988, The Best American Poetry anthology series has been “one of the mainstays of the poetry publication world” (Academy of American Poets). Each volume in the series presents some of the year’s most remarkable poems and poets. Now, the 2020 edition is guest edited by Utah’s Poet Laureate Paisely Rekdal, called “a poet of observation and history...[who] revels in detail but writes vast, moral poems that help us live in a world of contraries” by the Los Angeles Times. In The Best American Poetry 2020, she has selected a fascinating array of work that speaks eloquently to the “contraries” of our present moment in time.

    Hunanyan, the #1 bestselling author of Black Book of Poems, comes his highly-anticipated second collection of poetry.

    Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.[from barnesandnoble.com]

    These handpicked poems will take readers through a kaleidoscope of issues, ranging from relationships to city life.After the success of his first collection of poems, titled Selected Poems, Gulzar presents a collection of 60 more poems through his book Neglected Poems, a translated version authored by Pavan Varma.Gulzar’s compelling writing makes readers take a look at their lives in a deeper way. Through the poems in this book, he explores major cities like Delhi, Mumbai, Kolkata, Chennai and New York. He also takes a fresh philosophical take on human relationships and the psychological impact that they have on people when they end. Gulzar also focuses on the themes of nature and day-to-day life in this collection of poems.The translation of Gulzar’s work from Urdu to English is sure to delight people with a love for beautifully constructed verses. He is known for his trademark style and the translated version doesn’t take the sheen away from the original verses.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.