Inspired by stories from her Brazilian-born mother, Traci Brimhall’s third collection—a lush and startling “autobiomythography”—is reminiscent of the rich imaginative worlds of Latin American magical realists. Set in the Brazilian Amazon, Saudade is one part ghost story, one part revival, populated by a colorful cast of characters and a recurring chorus of irreverent Marias.

    As his police superiors start shutting down his investigation, Fuentes suspects most of his colleagues are on the payroll of narco kingpin, El Santo.Meanwhile, despairing union activist, Pilar, decides to take social justice into her own hands. But if she wants to stop the killings, she's going to have to ignore all her instincts and accept the help of Fuentes. When the name of Mexico's saintly orphan rescuer, Padre Márcio, keeps resurfacing, Pilar and Fuentes begin to realise how deep the cover-up goes.

    Led by Pedro Carmona and Carlos Ortega, the opposition represented a cross-section of society furious with Chavez's economic policies, specifically his mishandling of the Venezuelan oil industry. But as the day progressed the march turned violent, sparking a military revolt that led to the temporary ousting of Chavez. Over the ensuing, turbulent seventy-two hours, Venezuelans would confront the deep divisions within their society and ultimately decide the best course for their country —and its oil—in the new century.An exemplary piece of narrative journalism, The Silence and the Scorpion provides rich insight into the complexities of modern Venezuela.

    It began as a series of reports from the civic drama of the 2014 elections. But beyond the municipal circus, writer and commentator Shawn Micallef discovered the much bigger story of a city emerging into greatness. He walked and talked with candidates from all over Greater Toronto, and observed how they energized their communities, never shying away from the problems that exist within them -- poverty, violence, racism, and drugs -- but advocating solutions that bring people together. Shawn Micallef introduces us to those fighting for a more inclusive vision of Toronto and reveals the promise and potential for a city that has been suffering through a severe identity crisis but is now on a steep upturn. Toronto, he says, is set fair to be a new urban model for cities all over the world. Micallef reveals Toronto in all its rich variety. It is hard, he says, to grasp the vast size and scope of Toronto until you spend a few hours walking through unfamiliar neighbourhoods. Each reveals another adjacent to it, and then another, and another. The city goes on and on, into unheralded ravines and oblique views of the downtown skyline. Hiding in all that geography is not only great beauty, but a force for change that's been building for decades as people arrived here from every corner of the globe. Frontier City is a revelatory view of the Toronto of today and an inspiring vision of the Toronto of the near future.From the Hardcover edition.

    Admired around the globe for his athleticism, skill, and fierce competitiveness, Messi has, at the age of 24, already shattered records at one of the most storied clubs in the world, FC Barcelona. Now, in this comprehensive biography, Messi fans can learn more about his life and career. Argentine journalist Leonardo Faccio describes how Messi, as a talented youth player in Buenos Aires, left his home for Spain in search of the medical help his family could not afford to treat his rare hormone deficiency. Small of stature, but possessing tremendous natural gifts, Messi developed into a star at Barcelona’s famed Masia soccer school. In this book, Faccio has written not only a biography of an enigmatic celebrity, but a meditation on athletic genius, drawing on interviews with Messi himself, as well as with everyone from his family, teammates, childhood friends—even his favorite butcher. In-depth and intimate, soccer fans who enjoy watching Messi come alive on the field will delight as he comes alive on the page.

    He takes us to the eccentric paras (neighbourhoods) and clubs of the north and the south; past buildings crumbling silently into spectacular ruins; deep inside Park Street’s iconic restaurants and watering holes; through roads choked by political rallies; to rundown cinema halls haunted by lonely men; and into the lairs of soothsayers and tantric love gurus.Part personal essay, part documentary, part cultural history, Grand Delusions is utterly distinctive and full of surprises. Both intimate and provocative, it shines new light on a great and fascinating city.‘As someone whose formative years were spent in Kolkata, I read Indrajit Hazra’s book with keen interest—and delight. He conveys his deep knowledge of Kolkata’s history and culture with style and wit, deftly capturing the city’s glories and disenchantments, its ironies and its anxieties. The personal and the political are beautifully blended. I thought I knew Kolkata very well—now, after reading Hazra, I shall visit it afresh with new eyes, and greater understanding.’— Ramachandra Guha

    Struggling to make sense of the extreme poverty, and touched by the warmth and resilience of those she meets, she partners with a local community to develop a food program that now serves thousands of meals each week to children and others in need. On That Day, Everybody Ate, which now includes a post-earthquake update, tells the story of her remarkable journey.

    'Bandit Roads' is Richard Grant's account of his dangerous journey through the hostile region.

    It's true that Milwaukee's German accent was unmistakable in the 1880s; it was the Beer Capital of the World; and it's the home of the steam shovels that dug the Panama Canal the engines that powered the New York City subway system, and the motorcycles that made Harley-Davidson an American legend.But the stereotypes don't begin to convey the richness of Milwaukee's past. They don't describe the five citizens killed by the state militia as they marched for the eight-hour day. The Jewish community leader who wrote The Settlement Cookbook. The Italian priest who led the local crusade for civil rights in the 1960s. The railroad promoter who bribed an entire state legislature. The Socialists who made Milwaukee the best-governed big city in America. Allis-Chalmers and Pabst Blue Ribbon. Summerfest and Irish Fest. Golda Meir. Carl Sandburg. Robin Yount.The Making of Milwaukee tells all those stories and a great many more. Well-written, superbly organized, and lavishly illustrated, it is sure to be the standard reference for many years to come.

    Pop songs were written about him. Women whom he had never met offered to leave their husbands for him. The gigantic peppermills brandished in Parisian restaurants became known, for reasons people at the time could only hint at, as "Rubirosas."Porfirio Rubirosa was the last great playboy: the roué par excellence, a symbol of powerful masculinity, ubiquity, and easy-come-easy-go money."Work?" he shot back at an interviewer, scandalized at being asked what he did with his days. "It's impossible for me to work. I just don't have the time."His natural habitat was the polo field, the nightclub, the Formula One racecourse, the bedroom.He had an eye for beautiful women, particularly when they came with great wealth: He managed to marry in turn two of the richest women on the planet. Rumor had him bedding hundreds of famous and infamous women, including Christina Onassis, Eva Perón, and Zsa Zsa Gabor, who gleefully posed for paparazzi after he had blacked her eye in a fit of jealousy on the eve of his marriage to another woman.But he was a man's man, too, a notable polo player and race-car driver with a gift for friendship, chumming around with the likes of Joe Kennedy, Frank Sinatra, Oleg Cassini, Aly Khan, and King Farouk.When above-board, heiress-type income was scarce, he diverted himself with jewel-thievery, shadowy diplomatic errands, and any other illicit scam that came his way.Whatever legitimate power he wielded came to him from the hands of Rafael Trujillo, one of the most bloodthirstily power-mad dictators the New World has ever seen. A nation quivered at Trujillo's name for decades, yet Rubi flouted his strictures without concern, as if Trujillo's iron grip could never crush him. And he was right.When Rubi died at the age of fifty-six, wrapping his sports car around a tree in the Bois de Boulogne, an era went with him -- of white dinner jackets at El Morocco; of celebrity for its own sake when this was still a novelty; of glamour before it was available to the masses.In The Last Playboy, Shawn Levy brings Rubi's giddy, hedonistic story to Technicolor life.

    Goldman covers all of the major developments: • The rise and decline of the city’s downtown and ethnic neighborhoods • The impact of racial change and suburbanization• The role and function of the arts in the life of the community• Urban politics, urban design, and city planningWhile describing the changes that so drastically altered the form, function, and character of the city, Goldman, through detailed descriptions of special people and special places, gives a sense of intimacy and immediacy to these otherwise impersonal historical forces. City on the Edge unflinchingly documents and describes how Buffalo has been battered by the tides of history. But it also describes the unique characteristics that have encouraged an innovative cultural climate, including Buffalo’s dynamic survival instinct that continues to lead to a surprisingly and inspiringly high quality of community life. Finally, it offers a road map, which—if followed—could point the way to a new and exciting future for this long-troubled city.

    Dostoevsky's crocodile, cruelly displayed in a traveling sideshow, gobbles whole a pretentious high-ranking civil servant. But the functionary survives unscathed and seizes his new unique platform to expound to the fascinated public. Dostoevsky's Crocodile is a matchless, hilarious satire.Hernandez's Crocodile, on the other hand, while also terribly funny, is a heartbreaker. A pianist struggling to make ends meet as a salesman finds success when he begins to weep before clients and audience alike, but then he can't stop the crocodile tears.

    Author Robert Sabbag tells the tale of Allen Long, who got involved in this unsavory business in the 1970s because he wanted to provide high-quality cannabis for his buddies and also for the sheer adventure of it. Some readers will find Long a disconcerting protagonist--he's a drug smuggler, after all--though it may appeal to advocates of drug legalization and readers of High Times. Sabbag essentially romanticizes Long's activities, such as when he writes about the "rather consoling absence of gunplay" that marked the business of marijuana smuggling in its primitive past. The storytelling is adequate, but parts of Loaded are plainly padded. Here's a bit of sample dialogue: "This is really great pot." "You like that?" "I don't think I've ever smoked anything better." A better and more hardheaded book on Colombian drug smuggling is Mark Bowden's Killing Pablo. --John Miller

    From a history of anti-Asian racism to a deconstruction of the city's urban sprawl; from an examination of local food trends to a survey of the city's politically radical past, Vancouver Special is a love letter to the city, taking a no-holds-barred look at Lotusland with verve, wit, and insight.

    A Mexican drug cartel dismembers the body of a rival and then stitches his face onto a soccer ball. These are the sorts of grisly tales that dominate the media, infiltrate movies and TV shows, and ultimately shape Americans' perception of Mexico as a dangerous and scary place, overrun by brutal drug lords.Without a doubt, the drug war is real. In the last six years, over 60,000 people have been murdered in narco-related crimes. But, there is far more to Mexico's story than this gruesome narrative would suggest.While thugs have been grabbing the headlines, Mexico has undergone an unprecedented and under-publicized political, economic, and social transformation. In her groundbreaking book, Two Nations Indivisible, Shannon K. O'Neil argues that the United States is making a grave mistake by focusing on the politics of antagonism toward Mexico. Rather, we should wake up to the revolution of prosperity now unfolding there.The news that isn't being reported is that, over the last decade, Mexico has become a real democracy, providing its citizens a greater voice and opportunities to succeed on their own side of the border. Armed with higher levels of education, upwardly-mobile men and women have been working their way out of poverty, building the largest, most stable middle class in Mexico's history.This is the Mexico Americans need to get to know. Now more than ever, the two countries are indivisible. It is past time for the U.S. to forge a new relationship with its southern neighbor. Because in no uncertain terms, our future depends on it.