“In its stern and quiet way Sandra Lim’s The Wilderness is one of the most thrilling books of poetry I have read in many years” (Louise Glück).From “Aubade”From the last stars to sunrise the world is dark and enduringand emptiness has its place.Then, to wake each day to the world’s unwaveringlimits, you have to think about passion differently, again.

    No one would be any the wiser, as long as he didn’t give anyone a reason to start asking questions. These days, that’s not so easy, with everyone on social media, and CCTV on every street corner. So Daniel Mackmain keeps his head down and keeps himself to himself. But now a girl has been murdered and the Derbyshire police are taking a closer look at a loner who travels from place to place, picking up work as he goes. Worse, Dan realises the murder involves the hidden world he was born into. When no one else can see the truth, who will see justice done? A modern fantasy rooted in the ancient myths and folklore of the British Isles.

    There’s a village sixty miles outside London. It’s no different from many other villages in England: one pub, one church, red-brick cottages, council cottages and a few bigger houses dotted about. Voices rise up, as they might do anywhere, speaking of loving and needing and working and dying and walking the dogs.This village belongs to the people who live in it and to the people who lived in it hundreds of years ago. It belongs to England’s mysterious past and its confounding present. But it also belongs to Dead Papa Toothwort, a figure schoolchildren used to draw green and leafy, choked by tendrils growing out of his mouth. Dead Papa Toothwort is awake. He is listening to this twenty-first-century village, to his English symphony. He is listening, intently, for a mischievous, enchanting boy whose parents have recently made the village their home. Lanny.

    In the trunk of the car rests a cache of diaries dating back 200 years, tied and retied with strings through generations. The diaries carry the rules for survival that have been handed down from mother to daughter since the 19th century. But how can Hannah escape an enemy with the ability to look and sound like the people she loves? Stephen Lloyd Jones's debut novel is a sweeping thriller that extends from the present day, to Oxford in the 1970s, to Hungary at the turn of the 19th century, all tracing back to a man from an ancient royal family with a consuming passion -- a boy who can change his shape, insert himself into the intimate lives of his victims, and destroy them. If Hannah fails to end the chase now, her daughter is next in line. Only Hannah can decide how much she is willing to sacrifice to finally put a centuries-old curse to rest.

    Every town has its local legends, and countless books, movies, and TV shows are haunted by their presence. But our obsession with ghosts runs deeper than we know—and is embedded in the very fabric of American history. Writer and historian Marc Hartzman dons the mantle of tour guide, taking readers on a fascinating journey through supernatural history, including: • The Fox Sisters and the rise of Spiritualism • The supernatural obsessions of famous figures like Sir Arthur Conan Doyle • Famous haunted sites like the Eastern State Penitentiary in Philadelphia and the LaLaurie House in New Orleans • Famous ghosts like the Bell Witch of Tennessee and the Greenbrier Ghost of West Virginia • Paranormal investigators like Ed and Lorraine Warren Deeply researched and highly entertaining, with archival images and black and white illustrations, Chasing Ghosts will satisfy believers and skeptics alike.

    Now she’s returned home to Gray’s Island to reconnect with the son she left behind. Her boy, Jeremy, now a sullen teenager, is wrongly accused of rape, and mother and son are thrown together in a desperate attempt to prove his innocence. She’s aided by Colin McGinty, a recovering alcoholic and 9/11 widower, also recently returned to the island in the aftermath of his grandfather’s death. Colin’s grandfather, a famous artist, is best known for his haunting portrait, “Woman in Red,” which happens to be of Alice’s grandmother. In a tale that weaves the past with the present, we come to know the story behind the portrait, of the forbidden wartime romance between William McGinty and Eleanor Styles, and the deadly secret that bound them more tightly than even their love for each other. A secret that, more than half a century later, is about to be unburied, as Alice and Colin are drawn into a fragile romance of their own and the ghost of an enemy from long ago surfaces in the form of his grandson, the very man responsible for sending Alice to prison.

     Least of all said idiot; Brian Trelawney, the most hapless car salesman in the whole of Cornwall. With no redeeming features bar his towering height, Brian finds himself thrust into a strange and often terrifying world of vampires, banshees and all other Things That Go Bump In The Night. Trained, after a fashion, by the eccentric Masters, and equipped with strange weapons, Brian is sent into battle as the unwitting savior of mankind. Accompanied by his friend Neil, a man oddly enough far more appropriate for the role of Helsing, Brian must bumble his way through his first mission; placating a terrifying banshee whose keening wailing is keeping the residents of Bodmin from their beauty sleep. ++Warning: This book contains copious harsh language and mind-numbing stupidity, all wrapped up in a crunchy supernatural shell.++