With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive.Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    When she was young, and had been first taught the art of conjuring by the necromancer, her father, she was always practicing her skill, whizzing about from one kingdom to another upon her black stick, and conferring her fairy favors upon this Prince or that.

    Now penniless and banished to a room in the attic, Sara is demeaned, abused, and forced to work as a servant. How this resourceful girl's fortunes change again is at the center of A Little Princess, one of the best-loved stories in all of children's literature. This unique and fully annotated edition appends excerpts from Frances Hodgson Burnett's original 1888 novella Sara Crewe and the stage play that preceded the novel, as well as an early story, "Behind the White Brick," allowing readers to see how A Little Princess evolved. In his delightful introduction, U. C. Knoepflmacher considers the fairy-tale allusions and literary touchstones that place the book among the major works of Victorian literature, and shows it to be an exceptionally rich and resonant novel.

    Widely regarded as a masterpiece of 19th century stories for children. Includes four black and white illustrations by Maria L. Kirk. Suitable for ages 8 and up.

    "Hope for the Flowers" is an inspiring allegory about the realization of one's true destiny as told through the lives of caterpillars Stripe and Yellow, who struggle to "climb to the top" before understanding that they are meant to fly.

    But he's just a commoner, and no match for royalty. Heck, he lives in a cave with a troll! And now he's discovered another reason to put his love-soggy heart on ice: Queen Olympia is scheming to take over the kingdom--and she'll bump off her own daughter to do it. Can Christian foil her diabolical plans?

    In this modern twist on the classic story, Cinderella, who would rather just be Ella, meets her fairy godmother, goes to a ball, and makes friends with a prince. But that is where the familiar story ends. Instead of waiting to be rescued, Cinderella learns that she can save herself and those around her by being true to herself and standing up for what she believes.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    She has never quite fit in at Triton Junior High, but who would've guessed that Athena is actually a goddess? Principal Zeus's daughter, to be exact.When she's summoned to Mount Olympus Academy, Athena thinks she might actually fit in for the first time in her life. But in some ways, school on Mount Olympus is not that different from down on Earth, and Athena is going to have to deal with the baddest mean girl in history: Medusa!

    Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.

    M. Barrie's Peter Pan!In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!

    North—a daredevil swordsman whose prowess with double scimitars was legendary. Like any swashbuckling young warrior, North seeks treasure and adventure, leading him to the fiercely guarded village of Santoff Claussen, said to be home to the greatest treasure in all the East, and to an even greater wizard, Ombric Shalazar. But when North arrives, legends of riches have given way to terrors of epic proportions! North must decide whether to seek his fortune…or save the village.When our rebellious hero gets sucked into the chaos (literally), the fight becomes very personal. The Nightmare King and his evil Fearlings are ruling the night, owning the shadows, and sending waves of fear through all of Santoff Clausen. For North, this is a battle worth fighting...and, he's not alone. There are five other Guardians out there. He only has to find them in time.

    This reissue of a favorite classic, with the original story and illustrations as they first appeared in 1922, will work its magic for all who read it.