De Waal also looks at their understanding of core Christian concepts, such as sin, sorrow, salvation, and the cross. Written accessibly, this book is excellent for parish study as well as individual reading.

    Wiesel brilliantly evokes the world of medieval European Jewry, a world of profound scholars and closed communities ravaged by outbursts of anti-Semitism and decimated by the Crusades. The incomparable scholar Rashi, whose phrase-by-phrase explication of the oral law has been included in every printing of the Talmud since the fifteenth century, was also a spiritual and religious leader: His perspective, encompassing both the mundane and the profound, is timeless.Wiesel’s Rashi is a heartbroken witness to the suffering of his people, and through his responses to major religious questions of the day we see still another side of this greatest of all interpreters of the sacred writings. Both beginners and advanced students of the Bible rely on Rashi’s groundbreaking commentary for simple text explanations and Midrashic interpretations. Wiesel, a descendant of Rashi, proves an incomparable guide who enables us to appreciate both the lucidity of Rashi’s writings and the milieu in which they were formed.

    The moment she meets her brother's childhood friend at the ball, the romantic feelings that she had for him start to revive. However, Nora can hardly imagine that the very handsome gentleman would fall in love with her after years of friendship. As if this were not enough, the same night, Gerard witnesses an embarrassing misunderstanding that makes an earthshaking change in Nora's life. Will she cover up a scandal that might destroy her reputation? Will she manage to win Gerard's heart, or her only wish to be loved will remain unfulfilled?Lord Gerard Colbourne is a kind and refined Baron. Since his father's death one year ago, he has been responsible for controlling their poor estates and being a guard of his mother and sister. Following his mother's advice to find a bride, Gerard attends a ball that will remain indelibly printed on his mind forever. Much to his surprise, he finds himself into a scheme of a ruse relationship to save his good friend's younger sister. How far will Gerard go to rescue her? Will he protect Nora only for the sake of friendship, or will he realize that in her eyes, he has found more than what he bargained for?Over the course of their plan, a deep and tender affection is growing between Nora and Gerard. However, a series of unexpected events will lead to a social war between families, and another misunderstanding that threatens to keep them apart. What will Nora and Gerard sacrifice for their love? Will they endure all the obstacles that emerge, or will they be condemned to live in pain forever?

    I had the urge to poison a monk.' Along the way, it touches on bad books, ideal readers, historical form, and the metaphysics of the detective story.

    Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

    Heinlein was sixty-six, at the height of his literary career; J. Neil Schulman was twenty and hadn't yet started his first novel. Because he was looking for a way to meet his idol, Schulman wangled an assignment from the New York Daily News--at the time the largest circulation newspaper in the U.S.--to interview Heinlein for its Sunday Book Supplement. The resulting taped interview lasted three-and-a-half hours. This turned out to be the longest interview Heinlein ever granted, and the only one in which he talked freely and extensively about his personal philosophy and ideology. "The Robert Heinlein Interview" contains Heinlein you won't find anywhere else--even in Heinlein's own "Expanded Universe." If you wnat to know what Heinlein had to say about UFO's, life after death, epistemology, or libertarianism, this interview is the only source available. Also included in this collection are articles, reviews, and letters that J. Neil Schulman wrote about Heinlein, including the original article written for The Daily News, about which the Heinleins wrote Schulman that it was, "The best article--in style, content, and accuracy--of the many, many written about him over the years." This book is must-reading for any serious student of Heinlein, or any reader seeking to know him better.

    These are dictionaries, school primers, cookbooks, and how-to guides, spanning the full range of our 245-year history, which sold tens of millions of copies and set out specific archetypes for the ideal American, from the self-made entrepreneur to the devoted homemaker to the humble farmer. Taken together, these books help us understand how a powerful minority successfully constructed meaning for the majority in times of change or upheaval. Americanon looks at how these ubiquitous texts have molded common language, culture, and customs—attempting to impose a single definition of American on a diverse nation. Deeply researched and gorgeously told, Americanon is a brilliant and curious history of American mythmaking. Jess McHugh brings alive a cast of core American figures—Benjamin Franklin, Dale Carnegie, Emily Post, and more—to demystify the origins of the great American fable.

    It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    Alter takes the old yet simple step of reading the Bible as a literary creation.

    

    In this important study, Richard D. Altick moves us toward an understanding of the social, intellectual, and theological crises that Carlyle and Dickens, Tennyson and Arnold were daily struggling to solve. And the issues were many: the revolution in class structure and class attitudes; the rise of utilitarianism and the evangelical spirit; the crisis in religion, including the Oxford movement and Darwinism; the democratization of culture; the place of art and the artist in an industrial, bourgeois society; the effects of industrialism, especially on the way people live. Altick brings to the discussion of these complicated questions the lively and sensitive intelligence that his many readers have come to expect. He includes contemporary illustrations and a full reference index.

    Here, too, are the stories of the extraordinary emperors and generals who brought the empire into being and ultimately presided over its demise. We witness the glittering city of Constantinople from its rise to greatness through its deadly conclusion. Though Byzantium has faded away, its everlasting contributions to our world today are revealed in this fascinating history.

    Essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theater, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film, the struggles between high and popular culture, and changing attitudes towards human identity, life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

    1260-1327) are some of the most powerful medieval attempts to achieve a synthesis between ancient Greek thought and the Christian faith. Writing with great rhetorical brilliance, Eckhart combines the neoplatonic concept of oneness - the idea that the ultimate principle of the universe is single and undivided - with his Christian belief in the Trinity, and considers the struggle to describe a perfect God through the imperfect medium of language. Fusing philosophy and religion with vivid originality and metaphysical passion, these works have intrigued and inspired philosophers and theologians from Hegel to Heidegger and beyond.

    They've raised their family with not much money but lots of love. When World War Two breaks out they know that nothing will be quite the same again. As the Blitz starts to take its toll and the close-knit community in Carter Lane endures the sorrows and partings which they had dreaded above all else, they find comfort in one another and solace in the knowledge that their wounds will eventually heal - as time goes by. AS TIME GOES BY by is a vivid portrayal of an East End community struggling to survive the horror of the Blitz.