Pull up a chair, grab a glass of your favorite, and listen to the stories spun by time travelers, cybernetic aliens, telepaths...and a bunch of regular folks on a mission to save the world, one customer at a time.Callahan's Crosstime Saloon contains the following stories, virtually all of which were published in Analog Science Fiction and Fact: * "The Guy With the Eyes" * "The Time-Traveler" * "The Centipede's Dilemma" * "Two Heads Are Better Than One" * "The Law Of Conservation of Pain" * "Just Dessert" * "A Voice is Heard in Ramah..." * "Unnatural Causes" * "The Wonderful Conspiracy"

    Powers Unlocked. An Alliance is Born.Ten thousand years ago, the Furies nearly exterminated all life in the universe before being defeated by a coalition of worlds led by the Olympians.Or so everyone thought.Now they're back, and a new reign of terror has begun.

    Enter a world of mystics and unicorns, angels and kings -- all realized with the same dazzling style and imagination that has made Stephen R. Donaldson a modern master of the fantasy genre.Daughter of Regals is a fantasy novella concerning a unique royal line and an unusual conception of magic.The Conqueror Worm is a deliciously creepy "horror" piece in which havoc is wreaked by one lowly centipede.Ser Visal's Tale begins as a simple story told over several flagons of wine at the local inn, this novella ends with a surprising twist.Gilden-Fire is the famous chapter about Korik of the Bloodguard and his mission to Seareach that was part of the original manuscript of The Illearth War, but omitted from the published version.

    I'm Mike Williams, but you can call me 'Magnet'. Everyone else does. It's short for 'Chick Magnet', which is good old-fashioned military humour at its finest. At age fifteen, my face picked a fight with the propeller of my family's boat, on a shoal near Broome, off Western Australia. It was an accident, but, needless to say, the propeller won.Twelve years later, I was a not-so-ruggedly-handsome fighter pilot assigned to the TFR Sydney. Not the Captain, or flight leader, or anything similarly exciting. Nobody special, just one mostly-unmemorable pilot among the many nameless, faceless masses.I'm Magnet. This is the beginning of my story.A 5500 word story in the Lacuna universe, set during the events of Lacuna: The Sands of Karathi but suitable to read as a stand-alone story. Parts of the Lacuna universe:MagnetImperfectFaithThe Lacuna series:Lacuna: Demons of the VoidLacuna: The Sands of Karathi (New Release!)Lacuna: The Spectre of Oblivion (Coming December, 2012!)

    Contents:Impediment (1942)Technical Error (1944)Uncommon Sense (1946)Assumption Unjustified (1946)Answer (1947)Dust Rag (1956)Bulge (1968)Mistaken for Granted (1974)A Question of Guilt (1976)Stuck with It (1976)

    G. Wells, and Jules Verne to Ray Bradbury, Ursula K. Le Guin, and William Gibson. In The Best American Science Fiction and Fantasy award-winning editor John Joseph Adams delivers a diverse and vibrant collection of stories published in the previous year. Featuring writers with deep science fiction and fantasy backgrounds, along with those who are infusing traditional fiction with speculative elements, these stories uphold a longstanding tradition in both genres—looking at the world and asking, What if . . . ?  The Best American Science Fiction and Fantasy 2015 includes  Kelly Link, Neil Gaiman, Karen Russell T. C. Boyle, Sofia Samatar, Jo Walton, Cat Rambo Daniel H. Wilson, Seanan McGuire, Jess Rowand others  JOE HILL, guest editor, is the New York Times best-selling author of the novels Heart-Shaped Box, Horns, and NOS4A2 and the short story collection 20th Century Ghosts. He is also the writer of the comic book series Locke & Key.   JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds, Wastelands, and The Living Dead. He is also the editor and publisher of the digital magazines Lightspeed and Nightmare and is a producer of Wired’s podcast The Geek’s Guide to the Galaxy.

    Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.

     The Hugo Award-winning author of such groundbreaking and innovative novels as "Accelerando, Halting State," and "Saturn's Children" delivers a rich selection of speculative fiction- including a novella original to this volume- brought together for the first time in one collection, showcasing the limitless imagination of one of the twenty-first century's most daring visionaries.

    Except the minor non-player character in the world Riley is building makes her own impossible decision—veering wildly off course and exploring the boundaries of the map. When the curious Riley extracts her code for closer examination, an emotional relationship develops between them. Soon Riley has all new plans for her spontaneous AI, including bringing Max into the real world. But what if Max has real-world plans of her own?Blake Crouch’s Summer Frost is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity's ancestral habitat. She's spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

    John Varley's unique blend of startling technology and genuinely human characters has won him every major science fiction award several times over for both his novels and his short fiction.Blue Champagne collects eight thought-provoking stories from one of the genre's undisputed masters, including the Hugo Award-winner "The Pusher," and the Hugo and Nebula award-winner "Press Enter."

    A transplanted Texan who lived in Kansas City (and later Independence, Missouri) before his premature death in November, 1977, Tom sent the science fiction and fantasy world reeling with such tales as "Twilla", "Under the Hollywood Sign", "Beyond the Cleft", "Dinosaurs", and the unforgettable Nebula Award-winning "San Diego Lightfoot Sue."He was a writer with an extraordinary understanding of the dark things that walk in daytime as well as the light that shines despite deepening shadows. Whether he was writing about a young man's coming of age or life at the end of the world, he brought not only a sense of realism to his stories but a transcendent beauty and sensitivity. Within these pages you will find terror and love, desire and innocence, dreams and death, as only Tom Reamy could present them.

    Quite a number of disparate threads wove into the final narrative. One important thread was my feeling that a story involving time travel should have a nonlinear narrative to reflect the discontinuous way the characters experience time. I also wanted to see if it was possible to write a story in which real physics is presented. Very little of modern SF goes beyond the early quantum mechanics of Heisenberg and Schrodinger, work which is admittedly remarkable and beautiful, but by no means the end of the story. Here I tried to invoke some of the strangeness and beauty— I might even say sense of wonder—of the physics of Paul Adrien Maurice Dirac. In 'Ripples' I decided to explore the inconsistency between Dirac's relativistic quantum mechanics and the mathematics of infinity developed by Cantor and others (as far as I can tell, a quite real inconsistency). The Dirac sea is also real, not an invention of mine— despite the very science-fictional feel of an infinitely dense sea of negative energy that surrounds and permeates us."

    Here, science fiction's most beloved and highly honored writers revisit their best-known worlds in perhaps the greatest concentration of science fiction ever in one volume.

    (David) Marusek . . . may have a relatively modest body of work (just ten short stories in print over the span of 13 years), but each of these pieces has so far proven to be as concentrated and potent as a dwarf star.S--Dave Itzkoff, The New York Times