Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

    Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh.The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him. Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.

    A brilliant tale of ineptitude, self-righteousness, and human folly, it combines the mordant wit of W. Somerset Maugham with a sense of humor reminiscent of P.G. Wodehouse.When Dr. Sydney Prout is named the head of the United Nations mission to Elephant Island, he believes he is more than ready to meet the challenge of guiding its primitive inhabitants into the post-Colonial era, and eventually, full independence. But neither his many academic credentials nor the Journal of Race Relations have prepared Dr. Prout to reckon with the unrepentant bloody-mindedness of the natives, or anticipate the inventive ways their tribal philosophers will incorporate the most unlikely aspects of modern civilization into their religious lore and traditional way of life.Author Owen Stanley is an Australian explorer, a philosopher, and a poet who speaks seven languages. He is at much at home in the remote jungles of the South Pacific as flying his Staudacher aerobatic plane, deep-sea diving, or translating the complete works of Charles Darwin into Tok Pisin.

    Ethan Jarlewski and five co-workers whose surnames begin with "J" are bureaucratically marooned in jPod, a no-escape architectural limbo on the fringes of a massive Vancouver game design company. The jPodders wage daily battle against the demands of a boneheaded marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan's personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod's universe is amoral, shameless, and dizzyingly fast-paced like our own. Praise for JPod: "JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away."-New York Times Book Review"It's to [Coupland's] credit that in JPod he's still nimble enough to take the post-modern man-too young for Boomer nostalgia and too old for youthful idealism-and drown his sorrows in a willful, joyful satire that revels in the same cultural conventions that it sends up."-Rocky Mountain News "It's time to admire [Coupland's] virtuoso tone and how he has refined it over 11 novels. The master ironist just might redefine E. M. Forster's famous dictate 'Only connect' for the Google age."-USA Today "Zeitgeist surfer Douglas Coupland downloads his brain into JPod."-Vanity Fair

    Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe," he grapples with the riddles andcontradictions that three eccentric policeman present to him.The last of O'Brien's novels to be published, The Third Policeman joins O'Brien's other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland's great comic geniuses.

    In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    My name is Robert, and I haven’t been dead for sixty-three days now.If he hadn’t bought those crummy towels, Rob would be six feet under. But his poor shopping sense accidentally set off a convoluted chain of events that meant he lived when all those others died in the pub explosion. Okay, maybe it wasn’t the ugly towels that saved his life. Perhaps it was some other random action, some other small movement that was the utterly trivial yet vitally important factor. And that’s the real problem.Now, with his wedding fast approaching, Rob suddenly finds himself paralyzed with indecision–about Every. Little. Thing. He just can't be sure which seemingly innocuous choice will mean the difference between life and death: Should he wash the fork or the knife first? Should he step out of the shower with his left leg or his right leg? Red sweater or blue? One thing is certain: His fiancée, Jo, is at her wits’ end.To save his relationship and his sanity, Rob embarks on a quest to find out why he’s still breathing. When he meets up with others who have had similar lifesaving near misses, he figures the answer must be close. But fate may just catch them yet, for Rob’s search to understand why he’s still alive might well turn out to be the very thing that kills them all.Filled with the barbed and sparkling dialogue that made Things My Girlfriend and I Have Argued About a cult hit, Mil Millington’s Love and Other Near-Death Experiences is a hilarious existential romantic comedy about second guesses and second chances.

    As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths.First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

               Told with Clive James's trademark dry wit, The      Silver Castle is a tragicomic morality tale for our time. Part Candide, part Oliver Twist, part Huckleberry Finn, The Silver Castle defies its reader to remain aloof from the suffering of the world's swarming poor while it inspires laughter over the human condition generally. It is a novel of wonder despite its unrelenting realism--      indeed, only wonderment is possible in the face of Sanjay's knack for survival and more than occasional good fortune.           In his astonishing odyssey from the gutter to the soundstages and salons of Bollywood, Sanjay meets up with every variant of sinner and would-be savior, and along the way he trades on his "heart-breaking" physical beauty and canny lingual facility to grab at luck wherever it may be had--in the pocket of a tourist, as a guide for the Western news crews who regularly descend on Bombay to update their stock footage of grinding poverty, or in the bed of an older male protector or a past-her-prime cinema princess.           Throughout, Sanjay's spirit is sustained by the movies, and by his first behind-the-scenes glimpse, as a young trespasser on the set of the Silver Castle, of the magical artifice of filmmaking. It is a true vision of an utterly false reality, the source of Sanjay's subsequent triumphs and of his ultimate misfortune. But what happens to Sanjay in the end is not a singular event. As this deeply humane novel convincingly argues, Sanjay's fate is the world's.Back Ad:Perhaps it would have been better for [Sanjay] if he had never seen the Silver Castle, never felt a guiding hand, never blinked at an unstained smile. Then he would not have missed these things. It is just possible, however, that the memory of his first visit to Long Ago sustained him. Imagination and energy are part of each other, and few of us, even though we live in circumstances far more favourable, would ever get to where we are going unless a picture of it, however inaccurate, was already in our minds. If we had to, we too would have to dodge the rain between rubbish dumps, on the long journey back to the taste of a cheese roll, the tang of sparkling water, trumpets that crackle and toe-nails stained with plums. We don't have to, but Sanjay did.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.

    Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing.When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge, and sets about to kill every member of his family. Readers have a front row seat as Grace picks off the family one by one – and the result is as and gruesome as it is entertaining in this wickedly dark romp about class, family, love… and murder.But then Grace is imprisoned for a murder she didn’t commit.Outrageously funny, compulsive and subversive, perfect for fans of Killing Eve and My Sister, the Serial Killer.

    ever wanted to quit your job...?‘I’d Sooner Starve’ is the amazing true story of one man's quest to escape his monotonous nine-to-five existence and open a charming delicatessen and restaurant in a delightful market town.With honesty, humour and breathtaking naïveté, it records his steep learning curve, radical lifestyle change and the immediate revelation that the customer is not always right!Amidst tales of bulimia, public menstruation, endless abuse and hilarious customer encounters, this eye-opening story unveils what happens after you walk into the boss and say: “I quit!”‘I’d Sooner Starve’ is a shockingly comical tale of culinary highs, customer lows and one woman's unhealthy fixation with thigh-warmed Stilton…‘An absolute hoot!’ ~ Anonymous celebrity chef‘This hits the nail on the head so much I can't believe it! So much so, I can't possibly put my name to it!’~ UK chef‘I am delighted that Mark has written this book. Maybe now people will believe me when I tell them the stories!’ ~ Matt, co-ownerI'd Sooner Starve - the book the celebrity chefs were too afraid to endorse!

    'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party . . .' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they at first appear.There but for the was hailed as one of the best books of 2011 by Jeanette Winterson, A.S. Byatt, Patrick Ness, Sebastian Barry, Boyd Tonkin, Erica Wagner and Nick Barley. 'Dazzlingly inventive' A.S. Byatt 'Whimsically devastating. Playful, humorous, serious, profoundly clever and profoundly affecting' Guardian 'A real gem' Erica Wagner, The Times 'Eccentric, adventurous, intoxicating, dazzling. This is a novel with serious ambitions that remains huge fun to read' Literary Review 'If you liked Smith's earlier fiction, you will know that she enjoys setting up a situation before chucking in a literary Molotov cocktail then describing what happens' Sunday Express 'Wonderful, word-playful, compelling' Jeanette Winterson 'Smith can make anything happen, which is why she is one of our most exciting writers today' Daily Telegraph 'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard

    Poems, sketches, cartoons, short prose pieces and doctored photos.

    lose 7 poundsb. stop smokingc. develop Inner Poise"123 lbs. (how is it possible to put on 4 pounds in the middle of the night? Could flesh have somehow solidified becoming denser and heavier? Repulsive, horrifying notion), alcohol units 4 (excellent), cigarettes 21 (poor but will give up totally tomorrow), number of correct lottery numbers 2 (better, but nevertheless useless)..."Bridget Jones' Diary is the devastatingly self-aware, laugh-out-loud daily chronicle of Bridget's permanent, doomed quest for self-improvement — a year in which she resolves to: reduce the circumference of each thigh by 1.5 inches, visit the gym three times a week not just to buy a sandwich, form a functional relationship with a responsible adult, and learn to program the VCR.Over the course of the year, Bridget loses a total of 72 pounds but gains a total of 74. She remains, however, optimistic. Through it all, Bridget will have you helpless with laughter, and — like millions of readers the world round — you'll find yourself shouting, "Bridget Jones is me!"