All four canonical Gospels declare that the Torah and the Prophets and the Psalms mysteriously prefigure Jesus. The author of the Fourth Gospel states this claim succinctly: in his narrative, Jesus declares, If you believed Moses, you would believe me, for he wrote about me (John 5:46). Yet modern historical criticism characteristically judges that the New Testament's christological readings of Israel's Scripture misrepresent the original sense of the texts; this judgment forces fundamental questions to be asked: Why do the Gospel writers read the Scriptures in such surprising ways? Are their readings intelligible as coherent or persuasive interpretations of the Scriptures? Does Christian faith require the illegitimate theft of someone else's sacred texts?Echoes of Scripture in the Gospels answers these questions. Richard B. Hays chronicles the dramatically different ways the four Gospel writers interpreted Israel's Scripture and reveals that their readings were as complementary as they were faithful. In this long-awaited sequel to his Echoes of Scripture in the Letters of Paul, Hays highlights the theological consequences of the Gospel writers' distinctive hermeneutical approaches and asks what it might mean for contemporary readers to attempt to read Scripture through the eyes of the Evangelists. In particular, Hays carefully describes the Evangelists' practice of figural reading--an imaginative and retrospective move that creates narrative continuity and wholeness. He shows how each Gospel artfully uses scriptural echoes to re-narrate Israel's story, to assert that Jesus is the embodiment of Israel's God, and to prod the church in its vocation to engage the pagan world.Hays shows how the Evangelists summon readers to a conversion of their imagination. The Evangelists' use of scriptural echo beckons readers to believe the extraordinary: that Jesus was Israel's Messiah, that Jesus is Israel's God, and that contemporary believers are still on mission. The Evangelists, according to Hays, are training our scriptural senses, calling readers to be better scriptural people by being better scriptural poets.--J�rg Frey, Chair of New Testament Studies, University of Z�rich "Novum Testamentum"

    It is more than a portrait gallery of heroes of the faith. It is even more than a theological and prophetic backdrop to the New Testament. Beyond these, the Old Testament is inspired revelation of the very nature, character, and works of God. As renowned Old Testament scholar Bruce Waltke writes in the preface of this book, the Old Testament’s every sentence is “fraught with theology, worthy of reflection.”This book is the result of decades of reflection informed by an extensive knowledge of the Hebrew language, the best of critical scholarship, a deep understanding of both the content and spirit of the Old Testament, and a thoroughly evangelical conviction. Taking a narrative,chronological approach to the text, Waltke employs rhetorical criticism to illuminate the theologies of the biblical narrators. Through careful study, he shows that the unifying theme of the Old Testament is the “breaking in of the kingdom of God.” This theme helps the reader better understand not only the Old Testament, but also the New Testament, the continuity of the entire Bible, and ultimately, God himself.

    This beloved classic will give new meaning to the ageless Shepherd Psalm, enriching your trust in and love for the Lord who watches closely over you.

    Marty, author of the popular "The Whole Bible Story," provides readers with a thoroughly readable, easy-to-understand history of Israel leading up to the time of Christ. Each chapter ties closely to the events of the New Testament as Marty carefully answers such questions as -Who were the Pharisees and why was Jesus upset with them? -Why didn't anyone like the Samaritans? -When and why did the Jews start worshiping in "synagogues" rather than the Temple? The book will include call-out boxes, summaries, and other tools to make this the most accessible book available on the topic.

    Douglas Wilson's fresh, lucid treatment of this wonderful book, enables us to see that its message is not a confused riddle but an incisive indictment of "the wisdom of this world." We learn that what we can "modernity" is simply a term for men sinning in old ways with new toys and tools. There is truly nothing new "under the sun;" man's problems today are exactly what they have been since the Fall. And the answer to man's problem is just as old, yet forever new - "the fear of the Lord is the beginning of wisdom."

    They are front-loaded with all manner of vital topics--such as God's work of creating the world and mankind; what it means to be human; why our present experience is so different from what we find in Genesis 2; how we come to know God and to be sure of his love. Collins employs a literary-theological method informed by contemporary discourse analysis in order to read passages as coherent wholes. He shows how later biblical and inter-testamental writers have used Genesis 1-4 and reflects on how these chapters shape a Christian worldview today.

    Knight and Amy-Jill Levine deliver a broad and engaging introduction to the Old Testament—also known as the Tanakh or Hebrew Bible—offering a wealth of compelling historical background and context for the sacred literature that is at the heart of Judaism and Christianity. John Shelby Spong, author of Re-Claiming the Bible for a Non-Religious World writes, "Levine and Knight have combined to write a book on the Bible that is as academically brilliant as it is marvelously entertaining. By placing our scriptures into their original Jewish context they have opened up startling and profound new insights. This is a terrific book."

    Here the story of Israel, scourged by judgment and exile and hopeful of restoration, is framed by its witnesses, heaven and earth. How will Israel be brought through its school of suffering and be propelled toward its divine destiny as the vanguard of a new heaven and earth? In the visionary world of Isaiah, the varied themes and imagery of the Old Testament converge and blend to transcend their plainest meanings as they project an extraordinary climax of the story of Israel and of the world. Barry Webb calls Isaiah the "Romans" of the Old Testament, where all the threads come together and the big picture of God's purposes for his people and for his world are most clearly set forth. Attuned to the magnificent literary architecture of Isaiah, Webb escorts us through this prophecy and trains our ears and hearts to resonate with its great biblical-theological themes.

    Chisholm Jr. in "Interpreting the Historical Books." A valuable resource for pastors and students, "Interpreting the Psalms" begins by explaining the nature of Hebrew poetry and the purpose of the Psalms. An accomplished scholar of the Psalms, Mark Futato next explores issues related to properly interpreting Israel's songbook, and concludes with a sample of moving from interpretation to proclamation. A glossary is included.

    It is designed to guide the student of the Bible through the text and its problems, enrich their understanding of the individual biblical books, and explore the way the Bible came to be written. Reading the Old Testament combines the latest scholarship with sensitivity to religious issues and Israel's ever deepening understanding of God's ways. The author gives special attention to recent archeological discoveries in the Middle East and how these affect our understanding of the Old Testament. The book contains numerous maps, charts, and drawings. Reading the Old Testament is particularly illuminating about the way Israel's religious experience was translated into written records. No other introduction offers the same thorough treatment of the Exile and the post-exilic periods as crucial times in the formation of the Old Testament. +

    Vos handles this under three main divisions: the Mosaic epoch of revelation, the prophetic epoch of revelation, and the New Testament. Such an historical approach is not meant to supplant the work of the systematic theologian; nevertheless, the Christian gospel is inextricably bound up with history, and the biblical theologian thus seeks to highlight the uniqueness of each biblical document in that succession. The rich variety of Scripture is discovered anew as the progressive development of biblical themes is explicated.

    Ellis R. Brotzman explains the significance of scripts and writings of the ancient Near East, the Dead Sea Scrolls, and Hebrew manuscripts for students of Hebrew exegesis.

    This Counterpoints volume introduces three predominant interpretive genres and their implications for biblical understanding. Each contributor identifies their position on the genre of Genesis 1-11, addressing why it is appropriate to the text, and contributes examples of its application to a variety of passages.The contributors and views include:James K. Hoffmeier: Theological History Gordon J. Wenham: Proto-History Kenton K. Sparks: Ancient HistoriographyGeneral editor and Old Testament scholar Charles Halton explains the importance of genre and provides historical insight in the introduction and helpful summaries of each position in the conclusion. In the reader-friendly Counterpoints format, this book helps readers to reflect on the strengths and weaknesses of each view and draw informed conclusions in this much-debated topic.

    True worship, however, is our response to God's gracious revelation; in order to be acceptable to God, worship must be experienced on God's terms. Respected Old Testament scholar Daniel Block examines worship in the Bible, offering a comprehensive biblical foundation and illuminating Old Testament worship practices and principles. He develops a theology of worship that is consistent with the teachings of Scripture and is applicable for the church today. He also introduces readers to a wide range of issues related to worship. The book, illustrated with diagrams, charts, and pictures, will benefit professors and students in worship and Bible courses, pastors, and church leaders.

    Contributors include: Craig Blomberg with the historical-critical/grammatical approach, Richard Gaffin with the redemptive-historical approach, Scott Spencer with the literary/postmodern approach, Robert Wall with the canonical approach and Merold Westphal with the philosophical/theological approach.