Now, imagine you could take it out and look at it whenever you wanted to!” Turn of the century Brighton. A spark is ignited when wide-eyed Lottie Pye enters Mr Parker’s photographic studio and discovers the new medium that will shape her life, becoming a passion.2009: Disgraced politician Sir James Hastings has resigned himself to living out his retirement in a secluded Surrey village. He doesn’t react when he learns that the mother who abandoned him as a baby has died at the age of 108: he presumed she had died many years ago. Brought up by his father, a charismatic war-hero turned racing driver, young James, torn between self-blame and longing, eventually dismissed her as the ‘villain’ of his childhood. But, when he inherits her life’s work – a photography collection spanning over six decades - he is forced to confront his past. Assisted by student Jenny Jones, who has recently lost her own mother to cancer, Sir James is persuaded to look at the photographs as if he is seeing through his mother’s eyes. And there he discovers an extraordinary tale of courage and sacrifice.

    But soon, secrets will be revealed that dramatically alter the tone of this holiday weekend, and all will have to confront a web of betrayals and lies spanning four decades…Each from a different background, the godchildren grew up enthralled by their godfather: Charlie, fascinated by Marcus's wealth; Mary, whose life is blighted by tragedy; Jamie, feckless but utterly charming; Saffron, stunningly beautiful but unaware of her power over men; Abigail, insecure and gauche; and Stuart, who is torn between admiration and hatred for his capitalist godfather.  Godchildren is an epic tale; powerful, engrossing, and impossible to put down. With his trademark blend of wicked satire and impeccable writing, Coleridge has created gloriously jaw dropping portrait of the British upper crust.

    As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't.But when a young woman is found strangled at Barnabas Hall, they're forced to.Rich Oxford is not Ryan's natural habitat. St Barnabas's irascible Provost does not appreciate his forceful line of questioning. But what was the dead woman doing in the Provost's study? Is it just a coincidence that on the night of her murder the college was entertaining Sheik al-Medina, a Gulf state ruler linked to human-rights abuses in his own country and acts of atrocity in others?As tensions rise, things aren't going well. Ray is in despair. Ryan is in disciplinary measures. But their investigation gradually disentangles the links between a Syrian refugee lawyer now working in the college kitchens, a priceless copy of the Koran in the college collection and the identity of the dead woman.A Killing in November introduces an unlikely duo from different sides of the tracks in Oxford in a deftly plotted murder story full of dangerous turns, troubled pasts and unconventional detective work.

    

    She packs all of her belongings into her old car and drives north from Tampa, FL for several hours until she comes upon an out-of-the-way restaurant, accen-tuated by a huge golden halo instead of the more well-recognized golden arches. Th e Heavenly Grille Café is operated by three angels who take Amanda under their wings (no pun intended): Max was once a Roman Gladiator; Bertie was a loud and boisterous housewife who died unexpectedly in 1911, leaving behind a husband and two children; and Doug was a strong, handsome soldier who died serving his country in 1953. Amanda meets another young woman, Kris DeVone, who is completely opposite to herself in character and personality. While Amanda is a happy, secure Christian with tremendous faith, Kris has done everything in her power to be the ultimate "bad" girl, and does not believe in God. Amanda befriends Kris, who is seven months pregnant and has been abandoned by her live-in boyfriend. Th e women become best friends and move in together so that Amanda can help take care of the baby girl, Charlotte Grace, who is born in September 2011. By the time Christmas rolls around, both of their worlds have been turned upside down with the shocking kidnapping of Charlotte Grace. Th e next two months provide insight into Kris’ eventual relationship with God, the angels’ inability to change destiny, and a look into the lives of the kidnappers, Jack and Susan Peterson, and the reason behind why they committed such a horrible crime.

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

    Instead of enjoying a relaxing Memorial Day weekend at Kelleys Island on Lake Erie, this dynamic duo finds themselves in the middle of a murder investigation. They need to find out who burned down their friend's store, discover the identity of the charred corpse found in the wreckage, and clear Francie's husband, Hamm, before he is charged with the crime. Fueled up with their favorite snacks of wine and cheese, these adventure-loving ladies manage to keep their eyes open for a bargain, come up with a plan, and even indulge in a bit of romance, all while dodging increasingly dangerous attempts to silence them for good. Grab your sunglasses, your favorite cocktail, a copy of Sunny Side Up, and head to the lake with them for an unforgettable weekend adventure.

    

    She’s still recovering from a devastating car accident that has left her haunted by recurring, smoke-filled nightmares. Worse still, she can’t shake the ominous feeling her dreams contain a warning. In the beginning, Bryn’s husband Guy couldn’t have been more supportive. But after moving into a new house together, disturbing incidents occur and Guy grows evasive, secretive. What the hell is going on, she wonders? Then, a woman hired to cater their dinner party is brutally murdered.As Bryn’s world unravels—and yet another woman in town is slain —she must summon her old strength to find answers and protect her own life. Her nightmares may in fact hold the key to unlocking the truth and unmasking the murderer.With unexpected, riveting twists, The Secrets You Keep is an utterly compelling psychological thriller that once again showcases Kate White’s extraordinary storytelling talent.

    call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is a drug addict, a thief, a liar—and in trouble, again. Lexie has always bailed Annie out, given her money, a place to sleep, sent her to every kind of rehab. But this time, she’s not just strung out—she’s pregnant and in premature labor. If she goes to the hospital, she’ll lose custody of her baby—maybe even go to prison. But the alternative is unthinkable.As weeks unfold, Lexie finds herself caring for her fragile newborn niece while her carefully ordered life is collapsing around her. She’s in danger of losing her job, and her fiancé only has so much patience for Annie’s drama. In court-ordered rehab, Annie attempts to halt her downward spiral by confronting long-buried secrets from the sisters’ childhood, ghosts that Lexie doesn’t want to face. But will the journey heal Annie, or lead her down a darker path?Both candid and compassionate, Before I Let You Go explores a hotly divisive topic and asks how far the ties of family love can be stretched before they finally break.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Now married, her happiness is threatened when beautiful and emotionally unstable Simone, suffering from crippling postpartum depression, commits an unforgivable crime for which Roxanne comes to believe she is partially responsible. In the glare of national media attention brought on her sister, Roxanne fights to hold her marriage together as she is drawn back into the pain of her troubled past and relives the fraught relationship she and Simone shared with their narcissistic mother. At the same time, only she can help Simone's nine year old daughter, Merell, make sense of the family's tragedy. Cathartic, lyrical, and unflinchingly honest, The Good Sister is a novel of four generations of women struggling to overcome a legacy of violence, lies and secrecy, ultimately finding strength and courage in their love for each other.

    She hears escape.Once in France, April quickly learns the apartment is not merely some rich hoarder's repository. Beneath the cobwebs and stale perfumed air is a goldmine, and not because of the actual gold (or painted ostrich eggs or mounted rhinoceros horns or bronze bathtub). First, there's a portrait by one of the masters of the Belle Epoque, Giovanni Boldini. And then there are letters and journals written by the very woman in the painting, Marthe de Florian. These documents reveal that she was more than a renowned courtesan with enviable decolletage. Suddenly April's quest is no longer about the bureaux plats and Louis-style armchairs that will fetch millions at auction. It's about discovering the story behind this charismatic woman.It's about discovering two women, actually.With the help of a salty (and annoyingly sexy) Parisian solicitor and the courtesan's private diaries, April tries to uncover the many secrets buried in the apartment. As she digs into Marthe's life, April can't help but take a deeper look into her own. Having left behind in the States a cheating husband, a family crisis about to erupt, and a career she's been using as the crutch to simply get by, she feels compelled to sort out her own life too. When the things she left bubbling back home begin to boil over, and Parisian delicacies beyond flaky pâtisseries tempt her better judgment, April knows that both she and Marthe deserve happy finales.Whether accompanied by croissants or champagne, this delectable debut novel depicts the Paris of the Belle Epoque and the present day with vibrant and stunning allure. Based on historical events, Michelle Gable's A Paris Apartment will entertain and inspire, as readers embrace the struggles and successes of two very unforgettable women.

    Nightly air raids become grimly mundane. The tightening vice of rationing curtails every comfort. Men leave to fight and die. And five women forge an unlikely bond of friendship that will change their lives forever.Alice Osbourne, the stolid daughter of the late vicar, is reeling from the news that Richard Fairfax broke their engagement to marry Evangeline Fontaine, an American girl from the Deep South. Evangeline’s arrival causes a stir in the village—but not the chaos that would ensue if they knew her motives for being there. Scrappy Elsie Pigeon is among the poor of London who see the evacuations as a chance to escape a life of destitution. Another new arrival is Tanni Zayman, a young Jewish girl who fled the horrors of Europe and now waits with her newborn son, certain that the rest of her family is safe and bound to show up any day. And then there’s Frances Falconleigh, a madcap, fearless debutante whose father is determined to keep her in the countryside and out of the papers.As the war and its relentless hardships intensify around them, the same struggles that threaten to rip apart their lives also bring the five closer together. They draw strength from one another to defeat formidable enemies—hunger, falling bombs, the looming threat of a Nazi invasion, and a traitor in their midst—and find remarkable strength within themselves to help their friends. Theirs is a war-forged loyalty that will outlast the fiercest battle and endure years and distance.When four of the women return to Crowmarsh Priors for a VE Day celebration fifty years later, television cameras focus on the heartwarming story of these old women as war brides of a bygone age, but miss the more newsworthy angle. The women’s mission is not to commemorate or remember—they’ve returned to settle a score and avenge one of their own.

    Rarely are self-certified wasters called to the battle between good and evil. It’s the job of Jack Connolly, failed television celebrity turned religious messiah to convince Joseph otherwise. As the past, present and future converge, an important question becomes paramount: Is the oncoming apocalypse even real? Add in a new girlfriend who thinks Joseph is someone else entirely and a housemate with an unhealthy Roger Moore obsession and it all starts to get a bit tricky.