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    Written almost entirely in Vimalananda's own words, it presents events from his life, tenets of his philosophy, and highlights from his spiritual practices. Designed partly to shock and partly to comfort, but wholly as an offering to his Beloved, Aghora is as clear a picture as possible of a man who was a riddle wrapped up in an enigma. Vimalananda insisted that this book be published only after his demise, that he might be spared pursuit by those whose curiosity might be inflamed by some of the sensational events described within. He believed in devoting his all to the pursuit of the direct perception of Reality, and advised others to be similarly dedicated to attaining personal experience of God. To readers he offered this warning: "Don't take anything I say as gospel truth. I am human, I make mistakes. Test on yourselves what I've told you. Try it out, experience it, and then you will know whether or not I'm telling you the truth."

    Hindu myth shows him appearing at the beginning of creation as a giant pillar of fire from which this world sprang forth. Yet he is also the most approachable of gods, for he is the lover of lovers and the devotee of his devotees. Of the 1,008 names of Shiva, Pashupati, Lord of Animals, is one of the most common. His special relation to animals along with his trickster nature reveal the deep connection of Shiva to shamanism and other gods such as the Norse Odin and the Celtic Cernunnos that came out of the Paleolithic traditions.Ethnologist Wolf-Dieter Storl was first captivated by Shiva when he was in India as a visiting scholar at Benares Hindu University. In this book he invites readers to join in the lively and mythical world of Shiva, or Mahadev, God of All Gods. Shiva is a study in contrasts: As the lord of dance he looses himself in ecstatic abandon; with his consort Parvati he can make love for 10,000 years. Both men and women worship him for his ability to unite and balance masculine and feminine energies. But as the ascetic Shankar he sits in deep meditation, shunning women, and none dare disturb him lest he open his third eye and immolate the entire universe. Lord of intoxicants and poisons, he is the keeper of secret occult knowledge and powers, for which he is worshipped by yogis and demons alike. Shiva dances both the joy of being and the dance of doom--but in every aspect he breaks through the false ego to reveal the true self lying within. This is his true power.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    Critiquing the sensibility which equates Indian tradition with Hinduism, and Hinduism with Brahmanism which considers the Vedas as the foundational texts of Indian culture and discovers within the Aryan heritage the essence of Indian civilisation it shows how even secular minds remain imprisoned within the Brahmanical vision. It looks at the alternative traditions nurtured within Dalit movements, which have questioned this way of looking at Indian society and history. Written in a lucid and readable style, the author elucidates how Dalit politics and the Dalit vision require going beyond even the term Dalit and how it has contributed to being symbolic of the most oppressed and exploited sections within the graded hierarchies of caste. Alongside the ascendance of Hinduism, the book traces the invasive trends of resistance and revolt in the tenets of Buddhism and radical bhakti, in the anti-patriarchal stands of early feminists, in the pervasive radicalism of the Dalit activists from Phule and Periyar, Ramabai and Tarabai, to Kabir, Tukaram and Ambedkar, even for that matter Buddha himself. This book brings to the reader the failures and triumphs of the many efforts that have aimed to dissolve the oppressive facets of Hinduism and its caste ideology, and continue to organise in newer ways for 'another' possible world where equality and human freedom reign supreme. It also makes visible the logic of Dalit politics and the rise of the Bahujan Samaj Party, as a major alternative to the rise of Hindutva. This important and essential reading will be an invaluable primer on the subject to students of Dalit and caste studies and politics.

     Built on a deep body of Vedic knowledge, the ancient system of social structure and spiritual duty known as Dharma has modern applications for people seeking their life’s purpose. Author Simon Chokoisky explains the five Dharma archetypes--Warrior, Educator, Merchant, Laborer, and Outsider--and how your life’s purpose goes hand-in-hand with your Dharma type. Providing tests to determine your type, he outlines the benefits, challenges, emotional and learning styles, and social, interpersonal, and health dynamics associated with each type. Chokoisky reveals how the Dharma types function as an operating system for your identity, helping you map your life and play to your innate strengths, whether in choosing a prosperous career or field of study or in facing health challenges and meeting fitness goals. By accepting and understanding the nature of your type, you begin to align with your true purpose and, regardless of fate, find joy and meaning in life.

    He was an eminent lawyer, one of the framers of India's Constitution and a seasoned statesman. Coming under the inspiring influence of Sri Aurobindo during his student days, Munshi had been an ardent fighter for India's freedom, working at different stages in close association with Jinnah, Tilak, Besant, Mahatma Gandhi, Sardar Patel, Rajagopalachari and Pandit Nehru. His achievements as Home Minister of Bombay in 1937, as India's Agent-General in Hyderabad before the Police action, as India's Food Minister and as Governor of Uttar Pradesh had been characterised by rare courage and decisive energy. Acknowledged as the foremost writer in modern Gujarati literature, he has to his credit a vast and varied literature including novels, dramas, memoirs and history in Gujarati, as also several historical and other works in English, notably Gujarat and Its Literature, Imperial Gurjaras, Creative Art of Life, To Badrinath, The End of an Era, Krishnavatara, Bhagavad Gita and Modern Life, Saga of Indian Sculpture, Bhagawan Parashurama, Tapasvini, Prithvi Vallabh, The Master of Gujarat and Lomaharshini.

    Dr. Flood traces the development of Hindu traditions from ancient origins and the major deities to the modern world. Hinduism as both a global religion and a form of nationalism are discussed. Emphasis is given to the tantric traditions, which have been so influential; to Hindu ritual, more fundamental than belief or doctrine; and to Dravidian influences. It introduces some debates within contemporary scholarship.

    This text was a concise primer, written to introduce spiritual seekers to the Recognition philosophy in less formally philosophical, more approachable language. What Kshemaraja created turned out to be one of the world’s great spiritual masterpieces, breathtaking in its brevity but stunning in its power. It came to be considered equivalent to scripture itself by later generations, because of its undeniable inspiration. This book expounds the subtleties of this spiritual and philosophical classic. One of the most powerful and revelatory spiritual masterpieces of world history, the Pratyabhijnahrdayam is one of the primary sources for the study and practice of nondual Tantrik Yoga, and it has never been accurately translated or fully explained until now.

    A translation and commentary of the central Hindu religious classic - The Bhagavad Gita

    The great poem is also called Tulsi-krit Ramayan (literally, 'Tulsi-created Ramayan' or, more loosely, 'The Ramayan of Tulsidas'.Tulsidas (who is also sometimes called Tulsidas-ji or simply Tulsi) began writing the scripture in Vikram Samvat 1631 (1574 CE) in Avadhpuri, Ayodhya. The exact date is stated within the poem as being the ninth day of the month of Chaitra, which was the birthday of Lord Ram, Ram Navami. A large portion of the poem was composed at Varanasi, where the poet spent most of his later life.Today, it is considered one of the greatest works of Hindu literature. Its composition marks the first time the story of Ramayana was made available to the common man for song and performance. Thus, the text is associated with the beginning of the storied tradition of Ramlila, the dramatic enactment of the text.

    Around the world, religion has become an increasingly more important and pervasive force in personal and public life. Revealing the significance of religion in contemporary life, World Religions Today, Second Edition, explores eight major religious traditions as dynamic, ongoing forces in the lives of individuals and in the collective experience of modern societies. Covering historical details more succinctly than the previous edition, this volume features revised chapters on Judaism, Christianity, Islam, Hinduism, Buddhism, and East Asian Religions and adds two new chapters, Primal Religions, and Globalization: From New to New Age Religions. It also integrates material on Osama bin Laden, global terrorism, and the Iraq War. Moving beyond many books in the field--which focus on the historical origins and ancient development of the classical traditions of each religion--World Religions Today, Second Edition, takes a fresh approach. The book uses historical coverage of the religious traditions as a framework to help students understand how faiths have evolved to the present day and continue to have an impact on belief, politics, and society. It connects today's religions to their classical beliefs and practices but also shows how these religions have responded to and been transformed by the modern world. To help students grasp what might be new about the emerging era of religious life in the twenty-first century, the authors open each discussion with a contemporary scenario of religious experience that illustrates the tension between premodern views and modernity. World Religions Today, Second Edition, incorporates many pedagogical aids--timelines, maps, illustrations, discussion questions, and a glossary of key terms--and also features approximately 200 photographs and two new eight-page full-color inserts. A Companion Website contains student resources including chapter summaries, self-quizzes, and links to additional sources. An Instructor's Manual offers chapter summaries, pedagogical suggestions, and exam questions and answers. Ideal for undergraduate courses in world religions and comparative religion, World Religions Today, Second Edition, emphasizes the interconnectedness of faith, culture, politics, and society, providing a peerless examination of the diverse ways in which contemporary human beings are religious.

    In this thoughtful and remarkable book, he shares the formative experiences of his upbringing, his early vocation as a priest, his distinguished broadcasting career and his fascination for India's tradition, as well as its modern way of doing things.India is changing very fast and will soon become one of the world's most influential nations, alongside China and America. As one of the subcontinents's pre-eminent commentators, there can be no better guide to its ways than Mark Tully. In fascinating, accessible style, he shows us the many lessons he has learned from India and, most importantly, what he believes India has yet to teach us about the way we deal with economic growth and poverty relief, environmental issues, education, management and democracy. As he explains, India's journey is the journey of us all, towards a future in which we must draw deeply upon our spiritual and material resources, and strive to find a balance in the face of uncertainty.

    The significance of Scripture may not be immediately obvious in our secular world, but its misunderstanding is perhaps the root cause of many of today's controversies.In this timely and important book, one of the most trusted and admired writers on the world of faith examines the meaning of Scripture. The sacred texts have been coopted by fundamentalists, who insist that they must be taken literally, and by others who interpret Scripture to bolster their own prejudices. These texts are seen to prescribe ethical norms and codes of behavior that are divinely ordained: they are believed to contain eternal truths. But as Karen Armstrong shows in this chronicle of the development and significance of major religions, such a narrow, peculiar reading of Scripture is a relatively recent, modern phenomenon. For most of their history, the world's religious traditions have regarded these texts as tools that enable the individual to connect with the divine, to experience a different level of consciousness, and to help them engage with the world in more meaningful and compassionate ways.At a time of intolerance and mutual incomprehension, The Lost Art of Scripture shines fresh light on the world's major religions to help us build bridges between faiths and rediscover a creative and spiritual engagement with holy texts.