In Holy the Firm she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things -- rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire.This is a profound book about the natural world -- both its beauty and its cruelty -- the Pulitzer Prize-winning Dillard knows so well.

    Thomas Aquinas, popular author Peter Kreeft says that his amazement has continually increased not only at Aquinas theoretical, philosophical brilliance and sanity, but also at his personal, practical wisdom, his existential bite. Yet this second dimension of St. Thomas has usually been eclipsed by the other. Kreeft wrote this book to help bring that sun out from its eclipse. He provides easily digestible samples of the religious wisdom of Aquinas.Here are 359 pieces of wisdom from St. Thomas s masterpiece, the "Summa Theologiae," which Kreeft says are literally more valuable than all the kingdoms of this world because they will help you to attain the one thing needful, or the greatest good, the ultimate end and purpose and meaning of life. Three of its names are being a saint, beatitude ( supreme happiness ) and union with God. That was the principle for Kreeft in choosing which passages to use: do they help you to attain your ultimate end - sanctity, happiness, union with God? St. Thomas would have agreed with writer Leon Bloy, who often wrote that in the end there is only one tragedy in life: not to have been a saint .These 359 gold nuggets have helped Kreeft in the struggles of real life, to live in the real world, to grow closer to the Lord, and he hopes they will do the same for his readers. After each passage directly from Aquinas, Kreeft provides brief spiritual commentary to help explain it and apply it - practical, personal, existential, livable thoughts.He has framed these readings as answers to questions that people actually ask their spiritual directors. Each answer is taken word for word from Aquinas.Among the many topics Aquinas and Kreeft cover here include: The problem of evilInterpreting the BibleLove vs. knowledgeReconciling justice and mercyHuman freedom and divine graceAngels and demonsThe need for theologyPredestination and free willThree kinds of goods"

    But in And It Was Good, Madeleine L’Engle cast long, loving, and perceptive glances not only at the created universe but at its creator as well. At every level she sees the connections between Made and Maker, and in the vast beauty, order, and complexity of our world, she observes many of the characteristics of God, the First Poet.Just as Mm. L’Engle learns about God from his book, Genesis, we learn about this human author from hers. She too is a creator and poet, and her reflections on early chapters of the first book of the bible radiate the intuitive insights of her keen mind, a luminous view of her own world, and the warmth of her large heart.

    Fifty years after her death, O'Connor's fiction still retains its original power and pertinence. For those who know nothing of O'Connor and her work, this study by Ralph C. Wood offers one of the finest introductions available. For those looking to deepen their appreciation of this literary icon, it breaks important new ground.Unique to Wood's approach is his concern to show how O'Connor's stories, novels, and essays impinge on America's cultural and ecclesial condition. He uses O'Connor's work as a window onto its own regional and religious ethos. Indeed, he argues here that O'Connor's fiction has lasting, even universal, significance precisely because it is rooted in the confessional witness of her Roman Catholicism and in the Christ-haunted character of the American South.According to Wood, it is this O'Connor -- the believer and the Southerner -- who helps us at once to confront the hardest cultural questions and to propose the profoundest religious answers to them. His book is thus far more than a critical analysis of O'Connor's writing; in fact, it is principally devoted to cultural and theological criticism by way of O'Connor's searing insights into our time and place. These are some of the engaging moral and religious questions that Wood explores: the role of religious fundamentalism in American culture and in relation to both Protestant liberalism and Roman Catholicism; the practice of racial slavery and its continuing legacy in the literature and religion of the South; the debate over Southern identity, especially whether it is a culture rooted in ancient or modern values; the place of preaching and the sacraments in secular society and dying Christendom; and the lure of nihilism in contemporary American culture.Splendidly illuminating both O'Connor herself and the American mind, Wood's Flannery O'Connor and the Christ-Haunted South will inform and fascinate a wide range of readers, from lovers of literature to those seriously engaged with religious history, cultural analysis, or the American South.

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    Inside, you’ve got heaven and earth, and all of creation. You’re a world – everything is hidden in you.” –Hildegard of Bingen She was a Benedictine abbess, artist, composer, dietician, naturalist, poet, travelling preacher, mystic, and political consultant. She was a self-doubter with acute certainty in a merciful and mysterious God; a gifted healer who suffered from illness her whole life. Meet the incomparable Hildegard of Bingen. Nourishing, challenging, and idea-bursting, her writings will stir and awaken your soul. This essential reader captures the vibrant spirit and intelligence of Hildegard with selections from her songs, theological texts, liturgical music, and letters. Combined with an introduction to Hildegard’s life and era, a map of Hildegard’s Germany, chronology, and a thorough bibliography/discography, Hildegard of Bingen provides the ideal introduction to the thought of this fascinating medieval mystic.

    Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    Whether intentionally or not, people take important verses out of context, and pastor and Bible scholar Eric J. Bargerhuff has seen the effects: confusion, faulty decisions, sin being dismissed, and more. With a deft touch, he helps readers understand and apply sound principles of interpretation and application of twenty familiar verses. This concise high-interest approach appeals to the curious as well as readers concerned about incorrect theology.

    Uchtdorf reminds us of five things we will be wise to never forget:To be patient with ourselvesTo distinguish between a good sacrifice and a foolish sacrificeTo be happy nowTo focus on the “why” of the gospelTo know that the Lord loves each of us infinitely.

    In the words of Kirkus, it is a novel "as big as a nation, as quiet as thought, and moving as prayer. Matchless and towering." GILEAD tells the story of America and will break your heart.

    Yet, we live in a world where religion has become a tool people can use to their advantage rather than a means of growing closer to God. In this revised edition of In Search of Belief, Sister Joan Chittister challenges readers to reflect upon whether they truly live what they say they believe or whether they have created their own images of God to suit whatever is convenient for their personal and/or social situations.With a new foreword by Tom Roberts (National Catholic Reporter) and a new Introduction by the author, this fresh edition examines the Apostles' Creed phrase-by-phrase, offering challenging interpretations of its familiar themes and a provocative way of understanding--and expressing--its tenets.232-page paperback

    It is a story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his innate, desperate faith. He falls under the spell of a "blind" street preacher named Asa Hawks and his degenerate fifteen-year-old daughter, Lily Sabbath. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawkes, Hazel Motes founds The Church of God Without Christ, but is still thwarted in his efforts to lose God. He meets Enoch Emery, a young man with "wise blood," who leads him to a mummified holy child, and whose crazy maneuvers are a manifestation of Hazel's existential struggles. This tale of redemption, retribution, false prophets, blindness, blindings, and wisdoms gives us one of the most riveting characters in twentieth-century American fiction.

    Gnostic writings offer striking perspectives on both early Christian and non-Christian thought. For example, some gnostic texts suggest that god should be celebrated as both mother and father, and that self-knowledge is the supreme path to the divine. Only in the past fifty years has it become clear how far the gnostic influence spread in ancient and medieval religions—and what a marvelous body of scriptures it produced. The selections gathered here, in poetic, readable translation, represent Jewish, Christian, Hermetic, Mandaean, Manichaean, Islamic, and Cathar expressions of gnostic spirituality. Their regions of origin include Egypt, the Greco-Roman world, the Middle East, Syria, Iraq, China, and France. Also included are introductions, notes, an extensive glossary, and a wealth of suggestions for further reading.

    if it would just cut to the chase. Stripped of its arcane language and its interminable passages of poetry, genealogy, and law, every book of the Bible is condensed down to its core message, in no more than a few pages each. Written by Mark Russell with cartoons by New Yorker cartoonist Shannon Wheeler, God Is Disappointed in You is a frequently hilarious, often shocking, but always accurate retelling of the Bible, including the parts selectively left out by Sunday School teachers and church sermons. Irreverent yet faithful, this book is a must-read for anyone who wants to see past the fog of religious agendas and cultural debates to discover what the Bible really says.