Hand selected from cutting-edge authors, each work blends subtle psychology and mischievousness with disturbingly visceral imagery. In the classic "Chattery Teeth,” Stephen King provides a tautly drawn account of a traveling salesman who unwisely picks up yet another hitchhiker, while in Peter Straub’s eerie "The Juniper Tree," a man whose nostalgia for the movies of his childhood leads to his stolen innocence. Renowned fantasy author George R. R. Martin weaves a sinister yarn about a young woman encountering a neighbor who is overly enamored with her in "The Pear-Shaped Man." Combining acclaimed masters of the macabre, such as Clive Barker, Poppy Z. Brite, and Thomas Ligotti, with bold new talents to the genre, including Kelly Link, Neil Gaiman, and Stephen King’s son, Joe Hill, this distinctive collection of stories will delight and terrify.Contents "Jacqueline Ess: Her Will And Testament" by Clive Barker "Dancing Chickens" by Edward Bryant "The Greater Festival of Masks" by Thomas Ligotti "The Pear-Shaped Man" by George R. R. Martin "The Juniper Tree" by Peter Straub "Two Minutes Forty-Five Seconds" by Dan Simmons "The Power and the Passion" by Pat Cadigan "The Phone Woman" by Joe R. Lansdale "Teratisms" by Kathe Koja "Chattery Teeth" by Stephen King "A Little Night Music" by Lucius Shepard "Calcutta, Lord of Nerves" by Poppy Z. Brite "The Erl King" by Elizabeth Hand "The Dog Park" by Dennis Etchison "Rain Falls" by Michael Marshall Smith "Refrigerator Heaven" by David J. Schow "----" by Joyce Carol Oates "Eaten (Scenes from a Moving Picture)" by Neil Gaiman "The Specialist’s Hat" by Kelly Link "The Tree is My Hat" by Gene Wolfe "Heat" by Steve Rasnic Tem "No Strings" by Ramsey Campbell "Stitch" by Terry Dowling "Dancing Men" by Glen Hirshberg "My Father’s Mask" by Joe Hill

    P. Lovecraft into calling him "perhaps unexcelled by any other writer, dead or living” or compel Fritz Lieber to employ the worthy term sui generis. Clark Ashton Smith—autodidact, prolific poet, amateur philosopher, bizarre sculptor, and unmatched storyteller—simply wrote like no one else, before or since. This new collection of his very best tales and poems is selected and introduced by supernatural literature scholar S. T. Joshi and allows readers to encounter Smith’s visionary brand of fantastical, phantasmagorical worlds, each one filled with invention, terror, and a superlative sense of metaphysical wonder.

    Now, for the first time, that fiction has been gathered together in one place, ready to be enjoyed one twisting, tangled tale at a time. Her work crosses genres and subverts expectations.Meet the mad scientists of “Laughter at the Academy” and “The Tolling of Pavlov’s Bells.” Glory in the potential of a Halloween that never ends. Follow two very different alphabets in “Frontier ABCs” and “From A to Z in the Book of Changes.” Get “Lost,” dress yourself “In Skeleton Leaves,” and remember how to fly. All this and more is waiting for you within the pages of this decade-spanning collection, including several pieces that have never before been reprinted. Stories about mermaids, robots, dolls, and Deep Ones are all here, ready for you to dive in. This is a box of strange surprises dredged up from the depths of the sea, each one polished and prepared for your enjoyment. So take a chance, and allow yourself to be surprised.Enjoy.

    Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you.

    They represent more than 150 year's worth of writing, and include the greats: H.P. Lovecraft ("The Terrible Old Man"), Ambrose Bierce ("The Stranger"), Lafcadio Hearn ("A Dead Secret"), Oscar Wilde ("The Sphinx Without a Secret"), and J. Sheridan Le Fanu ("The Ghost and the Bone-Setter"). Best of all, a variety of human emotions and behavior come to the fore, from avarice (August Derleth's "Pacific 421") to revenge (Thorp McCluskey's "Black Gold"), from jealousy (Steve Rasnic Tem's "Daddy") to honor (Edith Nesbit's "John Charrington's Wedding") to love (Darrell Schwietzer's "Clocks"). Using a minimum of elements, each ghost story in this collection will entertain, captivate, and evoke a powerful response in readers. So be warned: you might not want to read these while you're all alone in the house...

    This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.Table of Contents:Flora – David RoseWinter Break – Hilary MantelEmergency Exit – Lee RourkeLove Silk Food – Leone RossFeather Girls – Claire MasseyForeigner – Christopher BurnsDinner of the Dead Alumni – Adam MarekThe Swimmer – SJ ButlerSo Much Time in a Life – Heather LeachStaff Development – Alan BeardThe Rental Heart – Kirsty LoganNotes on a Love Story – Philip LangeskovNo Angel – Bernie McGillSlut’s Hair – John BurnsideComma – Hilary MantelMoving Day – Robert EdricTristram and Isolde – Michèle RobertsLooted – Dai VaughanWhen the Door Closed, It Was Dark – Alison MooreEpiphany – Salley Vickers

    But rather than trading on nostalgia, the storied journal—reconceived in 2010 by editor Lorin Stein—continues to search outside the mainstream for the most exciting emerging writers. Harmonizing a timeless literary feel with impeccable modern taste, its pages are vivid proof that the best of today’s writing more than upholds the lofty standards that built the magazine’s reputation.The Unprofessionals collects pieces from the new iteration of the Paris Review by contemporary writers who treat their art not as a profession, but as a calling. Some, like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, are already major literary presences, while others, like Emma Cline, Benjamin Nugent, and Ottessa Moshfegh, will soon be household names. A master class in contemporary writing across genres, this collection introduces the must-know voices in the modern literary scene.

    The story Pages from a Young Girl's Journal won Aickman the World Fantasy Award in 1975. It was originally published in The Magazine of Fantasy & Science Fiction in 1973 before appearing in this collection.Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story (Pages from a Young Girl's Journal) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.• The Swords • The Real Road to the Church • Niemandswasser • Pages from a Young Girl's Journal• The Hospice • The Same Dog • Meeting Mr. Millar • The Clock Watcher

    "Weirder Than Weird" is assured to keep the reader captivated on those cold winter nights when all you want to do is to curl up with a good book and let your mind run wild.Imagine, if you will, the worst case scenario for a woman who holds the deepest and darkest of secrets. She tries to keep this ignominious shame from her psychologist but he knows her secret all too well and she ends up paying the ultimate price for her indiscretions. Or... consider poor Keith Tuttle, a young man who unwittingly becomes part of a horrifying tale that damns him for all eternity but strangely enough, someone close to him unexpectedly profits from his doom. Another story called "Arrival Time" will allow you to peer into the life of a solitary man traveling through space and what he has come to rely on in order to keep his sanity. Will he lose it? Stand by..."Weirder Than Weird" is chock full of the most unusual tales that you will ever read. Can you hear the whistle blowing? The train is about to leave the station. Next stop: Macabre-Ville, Humor Heights and Whacky Wherever. The only question now is... Will you be on board?

    Parker, and it is a stunner. Weighing in at over 500 pages, this generous volume gathers together thirteen highly distinctive stories, essays, and novellas, including the recent World Fantasy Award-Winner, “Let Maps to Others”. The result is a significant publishing event, a book that belongs on the shelf of every serious reader of imaginative fiction.The collection opens with the World Fantasy Award-winning “A Small Price to Pay for Birdsong”, a story of music and murder set against a complex mentor/pupil relationship, and closes with the superb novella “Blue & Gold”, which features what may be the most beguiling opening lines in recent memory. In between, Parker has assembled a treasure house of narrative pleasures. In “A Rich, Full Week”, an itinerant “wizard” undergoes a transformative encounter with a member of the “restless dead.” “Purple & Black”, the longest story in the book, is an epistolary tale about a man who inherits the most hazardous position imaginable: Emperor. “Amor Vincit Omnia” recounts a confrontation with a mass murderer who may have mastered an impossible form of magic.Rounding out the volume — and enriching it enormously — are three fascinating and illuminating essays that bear direct relevance to Parker’s unique brand of fiction: “On Sieges”, “Cutting Edge Technology”, and “Rich Men’s Skins”.Taken singly, each of these thirteen pieces is a lovingly crafted gem. Together, they constitute a major and enduring achievement. Rich, varied, and constantly absorbing, Academic Exercises is, without a doubt, the fantasy collection of the year.Contents:- A Small Price to Pay for Birdsong (2011)- A Rich, Full Week (2010)- Amor Vincit Omnia (2010)- On Sieges (2009)- Let Maps to Others (2012)- A Room with a View (2011)- Cutting Edge Technology (2011)- Illuminated (2012)- Purple and Black (2009)- Rich Men’s Skins; A Social History of Armour (2013)- The Sun and I (2013)- One Little Room an Everywhere (2012)- Blue and Gold (2010)Cover illustration by Vincent Chong

    The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.

    . .It's got its fingers on the fear-loving pulse of the nation like no magazine around. Already winner of the American Horror Award and nominated for a Hugo, Midnight Graffiti has re-created the genre in just the first few years of its existence -- defying taboos, exalting the subnormal, mining our richest, most sinister fantasies, bringing you the best new works by the most acclaimed masters and hottest writers on the dark side of fiction.STEPHEN KING brings a plague of terror down from the peaceful skies of Maine . . . you may want to close your shutters. DAVID J. SCHOW cruises the L.A. streets with a martyred punk whose distinctive tag burns through the void of the voids. JOE R. LANSDALE finds a plastic, inflatable friend you can take almost . . . anywhere. NANCY COLLINS demystifies the messiah reborn, an avenging angel of the suburbs with a strange and savage appetite. And HARLAN ELLISON, DAN SIMMONS, NEIL GAIMAN, REX MILLER, STEVEN R. BOYETT, K.W. JETER, and JOHN SHIRLEY all bring you original tales from the farthest corners of the imagination that until now could only be found in the horror-haunted pages of . . . MIDNIGHT GRAFFITI.

    To be entertained. Then you find yourself in a school where a group of friends have brought something terrible to life. You meet a family whose extraordinary luck comes at a horrific price. You write a letter to yourself and get a reply that leads to death and madness. As you journey through these shrouded lands, you look back and can't make out where you started. Because once you're traveling through the darkness, the only way out is through. Read the collection of novellas and short stories that is being called "genius", "amazing", and "scary AF". But be prepared. You won't be the same when you come out the other side.

    That's because they are not uncommon or alien — they're human. (Or more correctly, were human.) Anywhere that there are humans, there are zombies, and they can never be completely annihilated because by breeding more humans we breed more zombies. In The Ultimate Book of Zombies, these decomposing monsters are demolished, decapitated, and destroyed. The gore flows as humans and zombies dispatch each other in blood-curdling battles fought in big-city alleys, high school playgrounds, and even suburban living rooms. In addition, the living dead are fully deconstructed in these wide-ranging and fascinating stories. More than just brain-eating assaults and acid-bath retaliations, the tales in this book explore all elements of zombie existence and their interaction with the humans they live among.

    Tales of their grisly conquests have kept us cowering under the covers, but still turning the pages.Psychos is the first book to collect in a single volume the scariest and most well-crafted fictional works about these deranged killers. Some of the stories are classics, the best that the genre has to offer, by renowned writers such as Neil Gaiman, Jack Ketchum, Edgar Allan Poe, Robert Bloch, and Thomas Harris. Other selections are from the latest and most promising crop of new authors.John Skipp, who is also the editor of Zombies, Demons and Werewolves and Shapeshifters, provides fascinating insight, through two nonfiction essays, into our insatiable obsession with serial killers and how these madmen are portrayed in popular culture. Resources at the end of the book includes lists of the genre's best long-form fiction, movies, websites, and writers.