What led to this swing? Is it possible to trace the path to this point? Is there a way back to the just, secular, inclusive vision of our Constitution-makers?This country has long been an outlier in its South Asian neighbourhood, with its inclusive Constitution and functioning democracy. The growth of Hindutva, in some sense, brings India in line with the other polities here. In Our Hindu Rashtra, writer and activist Aakar Patel peels back layer after layer of cause and effect through independent India’s history to understand how Hindutva came to gain such a hold on the country. He examines what it means for India that its laws and judiciary have been permeated by prejudice and bigotry, what the breach of fundamental rights portends in these circumstances, and what the all-round institutional collapse signifies for the future of Indians.Most importantly, Patel asks and answers that most important of questions: what possibilities exist for a return? Thought-provoking and pulling no punches, this book is an essential read for anyone who wishes to understand the nature of politics in India and, indeed, South Asia.

    In these marvellous essays on history, politics and society, cultural critic Nadeem Farooq Paracha upturns various reductive readings of the country by revealing its multi-layered reality. With wit and insight, he investigates past events and their implications for modern-day society. Thus, one piece explores how and why Mohenjo-daro has been neglected as a historical site, and another examines how Muhammad-bin-Qasim, who briefly invaded Sindh in 713 CE, has come to be lionised as the original founder of Pakistan. There is a story about a Pakistani Jimi Hendrix who plays the guitar like a dream and also one about a medieval emperor who lives on in the swear words of a Punjabi peasant. There are essays on Pakistani pop music, on Afro-Pakistanis and on how Jhuley Lal came to be more than just a folk deity for Sindhi immigrants in India. Points of Entry examines the constant struggle between two distinct tendencies in Pakistani civic-nationalism—one modernist, the other theocratic—and the complex society it has birthed.

    The young and dashing Sultan Kowaishi has just returned from London to Bombay after passing his barrister exam. Among the first persons he meets is Mohammed Ali Jinnah, already an advocate of note, and is quickly drawn to him. It is also the time when Jinnah decides to join the Indian National Congress, soon to become its brightest star. The stir against the British rule holds no interest for Sultan but it attracts his wife Rehana, and, inexorably, weaves its way into their lives.In this brilliant saga of love and betrayal, pain and redemption, set amidst the long struggle for freedom and its terrible twin, the call for Pakistan, we confront questions that are as relevant today as they were a hundred years ago. Questions of identity, of purpose, of the shackles of a thousand memories . . .

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

    He takes us to the eccentric paras (neighbourhoods) and clubs of the north and the south; past buildings crumbling silently into spectacular ruins; deep inside Park Street’s iconic restaurants and watering holes; through roads choked by political rallies; to rundown cinema halls haunted by lonely men; and into the lairs of soothsayers and tantric love gurus.Part personal essay, part documentary, part cultural history, Grand Delusions is utterly distinctive and full of surprises. Both intimate and provocative, it shines new light on a great and fascinating city.‘As someone whose formative years were spent in Kolkata, I read Indrajit Hazra’s book with keen interest—and delight. He conveys his deep knowledge of Kolkata’s history and culture with style and wit, deftly capturing the city’s glories and disenchantments, its ironies and its anxieties. The personal and the political are beautifully blended. I thought I knew Kolkata very well—now, after reading Hazra, I shall visit it afresh with new eyes, and greater understanding.’— Ramachandra Guha

    As a result of this, Salman Rashid’s family fled Jalandhar for Pakistan, the newly created country across the border.They were among the nearly two million people uprooted from their homes in the greatest transmigration in history. Besides those who fled, other members of the family became part of a grimmer statistic: they featured among the more than one million unfortunate souls who paid with their lives for the division of India and creation of Pakistan.After living in the shadow of his family’s tragedy for decades, in 2008, Rashid made the journey back to his ancestral village to uncover the truth. A Time of Madness tells the story of what he discovered with great poignancy and grace. It is a tale of unspeakable brutality but it is also a testament to the uniquely human traits of forgiveness, redemption and the resilience of the human spirit.

    A riveting first draft of modern Indian history, Anticipating India interprets everything from the successes and failings of Atal Bihari Vajpayee and Manmohan Singh to the ascent of Rahul Gandhi, Narendra Modi and Arvind Kejriwal, from the forces that have deepened Indian federalism and constitutionalism to the public mood that keeps a check on excesses in the use of political power.Each chapter in Anticipating India, in its questioning of power, its use and abuse, carries within it ideas of India that challenge conventional wisdom, shatter stereotypes and, in the end, question our long-held assumptions of who we are as a nation and a people.

    . . casts its quiet spell over the reader. The writing is so evocative that you feel you are there, seeing, tasting, touching, and smelling this once enchanted place." -Scotia W. MacCrae, Philadelphia Inquirer Sitting in her grandmother Dhanna's kitchen, surrounded by the aromas of mint and the smoke of a hookah, warmed by the kangri tucked beneath her thighs, young Sudha Koul listened to tales of She Who Fears Nothing: The Tiger Lady, stories Sudha would repeat to her own daughters in time, though in a kitchen many thousands of miles away from her beloved Kashmir. This is a magical memoir of a land now consumed by political and religious turmoil, a richly detailed story of a girl's passage into maturity, marriage, and motherhood in the midst of an exquisite and fragile world that will never be entirely the same. "The Tiger Ladies is immensely, gracefully sad, an elegy for the customs and the courtliness of an irrecoverable civilization. Yet there is a sensuality running through her story . . . provided by Ms. Koul's devotion to Kashmiri cuisine and her description of how she has, through her kitchen, sought to keep alive the old Kashmiri ways." -Tunku Varadarajan, The Wall Street Journal "For those who only associate Kashmir with the violence that has claimed tens of thousands of lives, Koul's lovely, elegiac memoir The Tiger Ladies shows that the isolated vale in the Himalayas was a heaven before it became a hell." -Bryan Walsh, Time ASIA "Sudha Koul's writing is transportive, evoking beautifully the Kashmir we keep in our hearts. Her book is at once a history, memoir, and lesson; the author is both to be congratulated and thanked." -Indira Ganesan, author of Inheritance and The Journey Sudha Koul, like Indira Gandhi and her father, Jawaharlal Nehru, was born a Kashmiri Brahmin, in 1947, the year of the partition of India and Pakistan by the British and the first stirrings of fundamentalism in Kashmir. She completed her graduate education and become a magistrate in India before emigrating with her husband to the United States. Koul is the author of Curries without Worries and Come with Me to India: On a Wondrous Voyage through Time. She lives in New Jersey with her family.

    Not one answer, but many. Not a single history, but multiple tales cutting across laws and boundaries.’ In Bhakti poetry, Radha and Krishna disregard marital fidelity, age, time and gender for erotic love. In Sufi dargahs, pirs (spiritual guides) who were married to women are buried alongside their male disciples, as lovers are. Vatsyayana, author of the world’s most famous manual of sex, insists that he did not compose it ‘for the sake of passion’, and remained celibate through the writing of it. Long hair is widely seen as a symbol of sexuality; and yet, shaved off in a temple, it is a sacred offering. Even as the country has a draconian law to punish homosexuality, heterosexual men share the same bed without comment. Hijras are increasingly marginalized; yet gender has historically been understood as fluid rather than fixed. Menon navigates centuries, geographies, personal and public histories, schools of philosophy, literary and cinematic works, as she examines the many—and often surprising—faces of desire in the Indian subcontinent. Her study ranges from the erotic sculptures of Khajuraho to the shrine of the celibate god Ayyappan; from army barracks to public parks; from Empress Nur Jahan’s paan to home-made kohl; from cross-dressing mystics to androgynous gods. It shows us the connections between grammar and sex, between hair and war, between abstinence and pleasure, between love and death. Gloriously subversive, full of extraordinary analyses and insights, this is a book you will read to be enlightened and entertained for years.About the AuthorMadhavi Menon is professor of English at Ashoka University, and writes on desire and queer theory. She is the author of Wanton Words: Rhetoric and Sexuality in English Renaissance Drama; Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film; and Indifference to Difference: On Queer Universalism. She is also the editor of Shakesqueer: A Queer Companion to the Complete Works of Shakespeare.

    We are led through Shashi Kapoor’s film career—his debut as a bright-eyed child-actor in Awara; his emergence, in the hectic 1970s, as India’s busiest performer—with a slew of hits including Deewaar and Trishul; and his rise to international prominence with Merchant–Ivory’s The Householder and a ‘trilogy’ of films on older men with fading pasts. Equally, we are provided with an astute analysis of Shashi Kapoor, the businessman—the proprietor of Film-Valas; the producer of Shyam Benegal films; and the distributor of Bobby.With luminous and thus-far undisclosed stories by the actor’s family (Neetu Singh, Rishi, Sanjna and Kunal Kapoor), co-stars (Shabana Azmi, Simi Garewal, Sharmila Tagore), colleagues (Shyam Benegal, Govind Nihalani, James Ivory, Hanif Kureishi, Aparna Sen), and friends; a compelling foreword by Karan Johar; and stunning photographs from Merchant–Ivory’s archives, Shashi Kapoor, the biography—by one of India’s best-known film journalists—is as captivating as Shashi Kapoor, the star.

    The chafing restrictions of a typical upbringing in upper-class, small town Alabama simply did not apply to Zelda, who was described as an unusual child and permitted to roam the streets with little supervision. Zelda refused to blossom into a typical 'Southern belle' on anyone's terms but her own and while still in high school enjoyed the status of a local celebrity for her shocking behavior. Everybody in town knew the name Zelda Sayre. Queen of the Montgomery social scene, Zelda had a different beau ready and willing to show her a good time for every day of the week. Before meeting F. Scott Fitzgerald, Zelda's life was a constant pursuit of pleasure. With little thought for the future and no responsibilities to speak of, Zelda committed herself fully to the mantra that accompanied her photo in her high school graduation book: "Why should all life be work, when we all can borrow. Let's think only of today, and not worry about tomorrow." But for now Zelda was still in rehearsal for her real life to begin, a life she was sure would be absolutely extraordinary. Zelda Sayre married F. Scott Fitzgerald on the 3rd of April 1920 and left sleepy Montgomery behind in order to dive headfirst into the shimmering, glamourous life of a New York socialite. With the publication of Scott's first novel, This Side of Paradise, Zelda found herself thrust into the limelight as the very epitome of the Flapper lifestyle. Concerned chiefly with fashion, wild parties and flouting social expectations, Zelda and Scott became icons of the Jazz Age, the personification of beauty and success. What Zelda and Scott shared was a romantic sense of self-importance that assured them that their life of carefree leisure and excess was the only life really worth living. Deeply in love, the Fitzgeralds were like to sides of the same coin, each reflecting the very best and worst of each other. While the world fell in love with the image of the Fitzgeralds they saw on the cover of magazines, behind the scenes the Fitzgerald's marriage could not withstand the tension of their creative arrangement. Zelda was Scott's muse and he mercilessly mined the events of their life for material for his books. Scott claimed Zelda's memories, things she said, experiences she had and even passages from her diary as his possessions and used them to form the basis of his fictional works. Zelda had a child but the domestic sphere offered no comfort or purpose for her. The Flapper lifestyle was not simply a phase she lived through, it formed the very basis of her character and once the parties grew dull, the Fitzgeralds' drinking became destructive and Zelda's beauty began to fade, the world held little allure for her. Zelda sought reprieve in work and tried to build a career as a ballet dancer. When that didn't work out she turned to writing but was forbidden by Scott from using her own life as material. Convinced that she would never leave her mark on the world as deeply or expressively as Scott had, Zelda retreated into herself and withdrew from the people she knew in happier times. The later years of Zelda's life were marred by her detachment from reality as, diagnosed with schizophrenia, Zelda spent the last eighteen years of her life living in and out of psychiatric hospitals. As Scott's life unraveled due to alcohol abuse, Zelda looked back on the years they had spent together, young and wild and beautiful, as the best of her life. She may have been right but she was wrong about one thing, Zelda did leave her mark on the world and it was a deep and expressive mark that no one could have left but her. Zelda Fitzgerald: The Biography

    The dam burst the night JKLF boys were freed in exchange for the release of Rubaiya Sayeed, daughter of then Union home minister Mufti Mohammad Sayeed. As Chief Minister Farooq Abdullah had predicted, the government's caving in emboldened many Kashmiris into thinking that azaadi was possible. 'The price we will have to pay,' were Farooq's prophetic words. Killings were almost a daily occurrence. Bombs and firings occurred not far from the chief minister's residence in the most secure zone. Gun-toting youth in trucks were seen close to the cantonment. Kashmiris believed that they were on the verge of liberation. It was prime time for Pakistan spies; not just militants but reputed businessmen, doctors, engineers and government officials were meeting their handlers in Delhi, Kathmandu, Lahore and Rawalpindi. No one trusted anyone else. A.S. Dulat was posted there at the time. Soon he saw Intelligence Bureau colleagues being picked off one by one. It was a long, slow haul to regaining control. From then to today, though he is now retired, he has had a continuous engagement with Kashmir. The initiatives launched by the Vajpayee government between 1998 and 2004 were the high point of this constant effort to keep things in balance in a delicate state. As Vajpayee said, Kashmir was a problem that had to be solved. In this extraordinary memoir that reads like a thriller, Dulat gives a sweeping dramatic account of the difficulties, success and near triumphs in this effort, showing the players, the politics, the strategies and the intent and sheer ruthlessness of the meddlers from across the border. Kashmir: The Vajpayee Years paints an unforgettable portrait of politics in India's most beautiful but troubled state.

    —George Santayana But for a series of major blunders by Nehru across the spectrum—it would not be an exaggeration to say that he blundered comprehensively—India would have been on a rapidly ascending path to becoming a shining, prosperous, first-world country by the end of his term, and would surely have become so by early 1980s—provided, of course, Nehru’s dynasty had not followed him to power. Sadly, the Nehru era laid the foundations of India’s poverty and misery, condemning it to be forever a developing, third-rate, third-world country. By chronicling those blunders, this book highlights THE FACTS BEHIND THE FACADE. This ‘Revised, Enlarged & Unabridged, June-2018 Edition’ of the book comprises (a)123 Major Blunders compared to 97 of the first Digital Edition of July 2016; (b)over twice the matter, and number of words; and (c)exhaustive citations and complete bibliography. Blunders is used in this book as a general term to also include failures, neglect, wrong policies, bad decisions, despicable and disgraceful acts, usurping undeserved posts, etc. It is not the intention of this book to be critical of Nehru, but historical facts, that have often been distorted or glossed over or suppressed must be known widely, lest the mistakes be repeated, and so that India has a brighter future.

    But while he has been widely extolled for his achievements, parts of Churchill's record have gone woefully unexamined. As journalist Madhusree Mukerjee reveals, at the same time that Churchill brilliantly opposed the barbarism of the Nazis, he governed India with a fierce resolve to crush its freedom movement and a profound contempt for native lives. A series of Churchill's decisions between 1940 and 1944 directly and inevitably led to the deaths of some three million Indians. The streets of eastern Indian cities were lined with corpses, yet instead of sending emergency food shipments Churchill used the wheat and ships at his disposal to build stockpiles for feeding postwar Britain and Europe.Combining meticulous research with a vivid narrative, and riveting accounts of personality and policy clashes within and without the British War Cabinet, Churchill's Secret War places this oft-overlooked tragedy into the larger context of World War II, India's fight for freedom, and Churchill's enduring legacy. Winston Churchill may have found victory in Europe, but, as this groundbreaking historical investigation reveals, his mismanagement--facilitated by dubious advice from scientist and eugenicist Lord Cherwell--devastated India and set the stage for the massive bloodletting that accompanied independence.