Priestley was especially fond of this novel of his: "I am not one for favourites," he wrote in the introduction to the Everyman edition, "and I have always been irritated by questions about my favourite this, that and the other. But if I have a favourite among my novels, it is Bright Day, which I wrote towards the end of the war."The novel was written towards the end of World War II. JBP disclaimed any autobiographical roots in the work, but it is nontheless resonent with his early youth and coincided with JBP's recoil from the commercial film world. Bright Day was the only serious novel that he wrote in the first person.Gregory Dawson, the novel's hero, is a middle-aged film script writer who goes off to Cornwall to complete a script. At his hotel he spots Lord and Lady Harndean, and realizes that they are the Malcolm and Eleanor Nixey he knew when he worked as a clerk in a Bruddersford wool firm. They represent the beginning of the break-up of the bright day which had preceded the year 1914, and thus the story starts to unfold...Vincent Brome, one of JBP's biographers, wrote: "Bright Day is one of Priestley's two most important and successful novels. The other is Angel Pavement."

    First in the Anthony Bathurst series.

    When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

    Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent.It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear all week. And the clocks have all stopped at 8:45. Two decades later, the wives who were left behind are visited by a writer who is determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe.In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.

    Three are loners. One is new in town. Together they’re a perfect fit.2010: Tupper, the owner of the store and a pillar of the community, dies. Of the night shift, only three return to their hometown for his funeral.Jules, Lenny and Dean haven’t heard a word from Grace since they left for college in the fall of 1999, despite promises to keep in touch.No one in town remembers her either. Or so they say.Jules delves deeper into the mystery of her missing friend, and as she does, a dark secret unravels.One that could prove fatal.

    He is excited and afraid; he wants to recapture the love he knew with his parents before they died and become a doctor like his father. But in his new home of celebrities, crooks, untrustworthiness, and excessively wealthy deviants, lust and want thwart his search for selfless caring love, and in his quest to become a doctor, he discovers the altruism of health care and scientific discovery riddled with profit motivation and deficient moral standards. A finalist in the 2012 William Faulkner-William Wisdom Creative Writing Competition.

    When the glittering treasure of ancient Garamantia, the golden child, is delivered to the museum, a web of intrigue tightens around its personnel, especially the hapless museum officer Waring Smith. While prowling the halls one night, Waring is nearly strangled. Two suspicious deaths ensue, and only the cryptic hieroglyphics of the Garamantes can bring an end to the mayhem. Fitzgerald has an unerring eye for human nature, and this satirical look at the art world delivers a terrifically witty read.

    In his fourth novel, The Unburied, Palliser turns to the late Victorian era to give us an equally authoritative reconstruction of the past and a tightly compressed narrative filled with treachery, drama, and interconnected mysteries.The novel opens with a brief preface in which Philip Barthram, editor of the manuscript we're about to read, travels to Geneva for an enigmatic encounter with an old, dying woman. At the end of this encounter -- which makes numerous references to events and people we know nothing about -- the narrative shifts abruptly, taking us into "The Courtine Account," a memoir written by Cambridge historian Edward Courtine. The memoir recounts Courtine's 1881 visit to the cathedral town of Thurchester, site of the mysteries that will gradually dominate the novel.Ostensibly, Courtine has come to Thurchester to visit his former college roommate, Austin Fickling. Courtine and Austin parted bitterly 20 years before and hope to effect a belated reconciliation. Courtine also hopes to unearth a manuscript -- rumored to reside in the Thurchester library -- that will shed new light on his academic specialty, the reign of King Alfred, medieval ruler of Wessex. As he attempts to follow both his personal and professional agendas, Edward finds himself embroiled in a pair of unresolved mysteries. One concerns the 200-year-old murders of William Burgoyne and Launcelot Freeth, whose violent deaths continue to generate controversy and speculation. The other concerns the brutal killing of a local banker, a killing that takes place -- or appears to take place -- just minutes after Courtine and Austin have visited the banker's home. As the novel progresses, the details of the two crimes echo each other with an eerie frequency. With unobtrusive skill, Palliser leads us through a cumulatively fascinating labyrinth composed of fact, rumor, legend, and supposition. Within this labyrinth, objective "truth" proves to be an illusive, perhaps unattainable goal. But Courtine, a historian who believes in the power of the imagination, continues to pursue that goal. In the course of his pursuit, which is never wholly successful, he finds himself forced to reassess the central elements of his life: his embattled relationship with Austin Fickling, the painful failure of his marriage, two decades before, and the unperceived weaknesses of his own character.Admirers of Charles Dickens, Wilkie Collins, John Fowles, and Umberto Eco should take this novel to their hearts. The Unburied is exciting, audacious, mysterious, moving, and intellectually challenging, all at once. Like The Quincunx, it speaks clearly and directly to the modern sensibility and leaves a lingering aftertaste behind.--Bill SheehanBill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has recently been published by Subterranean Press (www.subterraneanpress.com).

    But to add further angst to the growing list of gruesome killings is his boss’ decision to re-open the cold case involving the disappearance of a school boy in what has become an annual test of endurance… The Ten Tors Race. Unsure why a twenty year old case has suddenly come to the top of his in tray, his suspicions are aroused further when the murder victims all appear to have been school friends of the missing boy. Adamant that coincidences don’t exist in police work Riley sets about trying to find the link between Sam Haldane’s disappearance and the recent killings, other than the obvious connection of friendship. Added to his troubles, is the presence in the area of a fugitive, who has his own ideas about revenge and justice and an unscrupulous developer, who wants to buy the land surrounding his farm and turn it into a theme park, with scant regard for the history or the people who were thrown off their land prior to D Day. With the disappearance of the schoolboy and the final showdown all set around the infamous Fox Tor Mire, which was allegedly the inspiration for Arthur Conan Doyle’s Grimpen Mire in the Hound of the Baskervilles, the murderer is finally revealed but not without one final twist of the plot. But in all the blackness and soul searching there is one ray of brightness for Riley, and its one that will bring him a little closer to his brother and shows a different side to the curmudgeonly detective.

    What, he is asked, should a man do when the world has turned against him? Anselm's response: claim sanctuary. But the answer sets off more trouble than he ever could have imagined when the man returns, demanding the protection of the Church. He is Eduard Schwermann, a suspected Nazi war criminal. Agnes Aubret has unburdened a secret to her granddaughter Lucy. Fifty years earlier, Agnes was in occupied Paris, risking her life to smuggle Jewish children to safety-until her group was exposed by an SS officer: Eduard Schwermann. Not only has the Church granted Schwermann sanctuary before; in 1944 it helped him escape from France to begin a new life in Britain. As Anselm attempts to find out why and as Lucy delves deeper into her grandmother's past, their investigations dovetail to form a remarkable story. William Brodrick makes a dazzling debut in this literary thriller where two seemingly unconnected lives gradually, shockingly converge. Brodrick, himself a former Augustinian friar, is a master of precision plotting, morally complex characterization, and crisp historical re-creation. In Father Anselm, Brodrick has crafted a unique and compelling hero. And The 6th Lamentation promises to be the literary thriller discovery of the season.

    Josh, Samantha and their two young daughters seem to represent everything Michael fears he may now never have: intimacy, children, stability and a family home. Despite this, the new friendship at first seems to offer the prospect of healing, but then a catastrophic event changes everything. Michael is left bearing a burden of grief and a secret he must keep, but the truth can only be kept at bay for so long.Moving from London and New York to the deserts of Nevada, I Saw a Man is a brilliant exploration of violence, guilt and attempted redemption, written with the pace and grip of a thriller. Owen Sheers takes the reader from close observation of the domestic sphere to some of the most important questions and dilemmas of the contemporary world.

    But when the London press pack descends to report on a series of gruesome murders of young women, Betty's world changes. In particular she is transfixed by mysterious and aloof reporter, Mr Gallagher. As the death toll rises, an unlikely friendship blossoms between Betty and Gallagher. But as their bond deepens, they find themselves entangled with the murders and each is forced to make a devastating choice, one that will shape their own lives - and the life of an innocent man - forever.

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

    A note instructs him to see a Dr. Randle immediately, who informs him that he is undergoing yet another episode of acute memory loss that is a symptom of his severe dissociative disorder. Eric's been in Dr. Randle's care for two years -- since the tragic death of his great love, Clio, while the two vacationed in the Greek islands.But there may be more to the story, or it may be a different story altogether. As Eric begins to examine letters and papers left in the house by "the first Eric Sanderson," a staggeringly different explanation for what is happening to Eric emerges, and he and the reader embark on a quest to recover the truth and escape the remorseless predatory forces that threatens to devour him.The Raw Shark Texts is a kaleidoscopic novel about the magnitude of love and the devastating effect of losing that love. It will dazzle you, it will move you, and will leave an indelible imprint like nothing you have read in a long time.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .