“But a real cowboy is hard to find these days, even in the West.”In Pam Houston’s “bright, edgy, and ruefully self- aware” (Boston Globe) collection of stories, we meet smart women who are looking for the love of a good man, and men who are wild and hard to pin down. Our heroines are part daredevil, part philosopher, all acute observers of the nuances of modern romance.“[Houston] takes women into grand spaces, both emotional and physical, and isolates them until there’s nothing left to do but sit down and take a hard look at one’s soul” (Los Angeles Times). Cowboys Are My Weakness is an “exhilarating” (Washington Post) and realistic look at men and women— together and apart.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    Millhauser is mine.”—David Rollow, Boston Sunday GlobeFrom the Pulitzer Prize–winning author: the essential stories across three decades that showcase his indomitable imagination.Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story—in which a man who is dead, but not quite gone, reaches out to two lonely women—Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.

    These tales are richly populated by spirits and ghosts seeking revenge; by grief-stricken women and haunted men coming to terms with their destiny - all rooted deep in the elemental landscapes of Sussex, Brittany and the Languedoc.The collection will include The Mistletoe Bride, La Fille de Melisande, Red Letter Day, The Lending Library, The House on the Hill...

    The volume includes over forty of the Grimms' most beloved stories, including:Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother HolleWith over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham.

    And it is true; the center of the Beast's palace, the glittering glasshouse that brings Beauty both comfort and delight in her strange new environment, is filled with leafless brown rosebushes. But deep within this enchanted world, new life, at once subtle and strong, is about to awaken.Twenty years ago, Robin McKinley dazzled readers with the power of her novel Beauty. Now this extraordinarily gifted novelist returns to the story of Beauty and the Beast with a fresh perspective, ingenuity, and mature insight. With Rose Daughter, she presents her finest and most deeply felt work--a compelling, richly imagined, and haunting exploration of the transformative power of love.

    Although war rages abroad, she hardly feels its effect. She and her mother travel from their home in Britain to the family estate in Belgium, never imagining that the war could reach them there. But it does. Soon Emma finds herself stranded in a war-torn country, utterly alone. Enemy troops fight to take over her estate, leaving her with no way to reach her family, and no way out. With all of her attention focused on survival and escape, Emma hardly expects to find love. But the war will teach her that life is unpredictable, people aren't always what they seem, and magic is lurking everywhere.

      Cutting between clear-eyed realism and tongue-in-cheek magical realism, Chen’s stories coalesce into a portrait of a people striving for openings where mobility is limited. Twins take radically different paths: one becomes a professional gamer, the other a political activist. A woman moves to the city to work at a government call center and is followed by her violent ex-boyfriend. A man is swept into the high-risk, high-reward temptations of China’s volatile stock exchange. And a group of people sit, trapped for no reason, on a subway platform for months, waiting for official permission to leave.   With acute social insight, Te-Ping Chen layers years of experience reporting on the ground in China with incantatory prose in this taut, surprising debut, proving herself both a remarkable cultural critic and an astonishingly accomplished new literary voice.Lulu --Hotline girl --New fruit --Field notes on a marriage --Flying machine --On the street where you live --Shanghai murmur --Land of big numbers --Beautiful country --Gubeikou spirit

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Suddenly, beloved fairy tale characters are thrown into a world of stark violence and horror: Cinderella is worked to death before the ball, Pinocchio is made from children's corpses, and Little Red Riding Hood finds more than wolves in the forest.Surreal and full of black humor, Zombie Fairy Tales is a genre-bending narrative of a world on the brink of apocalypse, a world with no happily ever afters.Collected here are all 12 original Zombie Fairy Tales, plus a new 13th tale exclusive to this collection!

    The story begins when Luz Avila's grandmother, the local butterfly lady, purchases an old, orange VW bug for a road trip home to Mexico. When she unexpectedly dies, Luz is inspired to take her grandmother's ashes home. In the manner of the Aztec myth of the goddess who brings light to the world, Luz attracts a collection of lost women, each seeking change in their lives. The Mexican people believe the monarchs are the spirits of the recently departed and Luz taps into ancient rituals and myths as she follows the spectacular, glittering river of orange monarchs in the sky to home.

    That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help.Her real-life friends – Grape, James and new boy Edgar – make her forget for a while. And her brother-princes – the mermaids, faeries and magical creatures seemingly lifted from the pages of the French fairytales Isola idolises – will protect her with all the fierce love they possess.It may not be enough.Isola needs to uncover the truth behind the dead girl's demise and appease her enraged spirit, before the ghost steals Isola's last breath.

    But as the only daughter in the most powerful tech family in the galaxy, it’s hard to escape it. So when a group of men shows up at her house uninvited, she assumes it’s just the usual media-grubs. That is, until shots are fired.Liddi escapes, only to be pulled into an interplanetary conspiracy more complex than she ever could have imagined. Her older brothers have been caught as well, trapped in the conduits between the planets. And when their captor implants a device in Liddi’s vocal cords to monitor her speech, their lives are in her hands: One word and her brothers are dead.Desperate to save her family from a desolate future, Liddi travels to another world, where she meets the one person who might have the skills to help her bring her eight brothers home—a handsome dignitary named Tiav. But without her voice, Liddi must use every bit of her strength and wit to convince Tiav that her mission is true. With the tenuous balance of the planets deeply intertwined with her brothers’ survival, just how much is Liddi willing to sacrifice to bring them back?Haunting and mesmerizing, this retelling of Hans Christian Andersen’s The Wild Swans strings the heart of the classic with a stunning, imaginative world as a star-crossed family fights for its very survival.

    They were told by their mothers and grandmothers and the wise women of the clan as they spun and wove and stirred their pots and made their potions. The heroines of these old tales set out on a difficult road of trials to discover their true destiny. And, contrary to popular opinion, marrying a prince was not the only goal. These ancient tales of wonder and adventure are about learning to be strong, brave, kind and true-hearted, and trusting in yourself to change the world for the better.Meet the brave young women from tales of yore …Vasilisa who must try to outwit the fearsome witch Baba-Yaga.Katie Crackernuts who sets out to save her sister from dark magic.Flora, the gardener’s daughter, who marries a giant serpent to save a prince.Fairer-Than-A-Fairy, a princess who is kidnapped by an evil one-eyed enchantress.Lullala, in love with a prince cursed to be a lion by day and a man by night.Rosemary, a Scottish lass whose baby is stolen by the wicked faery folk of the Sidhe.Ursula, a princess replaced by a walking, talking automaton.These are not your usual passive princesses, waiting forlornly for their prince to come …

    She's been on her own since she was abandoned as a baby—that is, until the night of her twenty-eighth birthday, when Henry, a ten-year-old boy, shows up on her doorstep. He's the son Emma gave up for adoption, and this surprise visit turns her life upside down.Henry takes Emma back to his home in Storybrooke, Maine, where, Henry claims, all the residents are actually fairy tale characters who can't remember their true identities. And if Henry's right, that means that his sweet-natured, lonely schoolteacher Mary Margaret Blanchard is really Snow White, the iconic princess ... and also Emma's long-lost mother.In Fairy Tale Land, we meet Snow White as a bandit on the run, forced into exile by her stepmother, the Evil Queen. Snow's a young woman learning to become a hero, who will do anything to live happily ever after with her one true love, Prince Charming.The closer Emma comes to Henry in Storybrooke, the harder it is for her to ignore the dark curse that haunts this small New England town and binds her to Mary Margaret. If Emma can learn to accept her destiny as Storybrooke's savior and break the curse, she just might get the family reunion she's dreamed about her entire life.