Translated by Eliot Weinberger.

    He believed then; and for years afterwards; that he had seen the worst that India could do to herself. Over the last few years; however; he has had reason to feel that the worst; perhaps; is still to come. In this fierce; uncompromising book he shows us what few of us wish to see: why it is entirely likely that India will come undone in the foreseeable future.Analysing the communal violence in Gujarat in 2002; the anti-Sikh riots of 1984; the burning of Graham Staines and his children; the targeted killings by terrorists in Punjab and Kashmir; Khushwant Singh forces us to confront the absolute corruption of religion that has made us among the most brutal people on earth. He also points out that fundamentalism has less to do with religion than with politics. And communal politics; he reminds us; is only the most visible of the demons we have nurtured and let loose upon ourselves. Insurgencies in Kashmir and the North-East; caste wars in Bihar; scattered Naxalite movements; and the ghettoization of minorities are proof that our obsession with caste and regional and racial identity has also splintered the nation; perhaps beyond repair.A brave and passionate book; The End of India is a wake-up call for every citizen concerned about his or her own future; if not the nation's.

    The hoardings are markers of the ‘popular’ history of India and have been followed by fans for decades. Timeless and ageless, this long-running campaign has captivated Indians of all ages. The key character in this saga is the little girl in polka dots, who helped Amul Butter win over an entire nation. This book celebrates her journey through the eyes of prominent writers, public figures and the subjects of the hoardings themselves. It contains a series of vignettes, creating a patchwork quilt of essays, snippets and selections of classic hoardings. It offers us an inside peek into the back story of the creation of the ads. Amul’s India is a celebration that would be of enormous interest to an observer of contemporary India, be it a brand manager, a management student or a fan of Amul. Or just somebody who wants a rollicking good time.

    Within five weeks, Prime Minister Indira Gandhi declared the Emergency, suspending fundamental rights and imposing press censorship, and soon reckless policies said to be authored by the prime minister's younger son were unleashed on India's citizens. As the country suffered under the iron fist of an elected icon and her chosen heir, Tavleen observed that a small, influential section of Delhi's society people she knew well remained strangely unaffected by the perilous state of the nation. Before long, members of this circle were entrenched in key positions in the Indian government. In 1984, following Indira Gandhi's assassination, Rajiv Gandhi became prime minister, fortified by a huge mandate from a nation desperate for change. But, belying its hopes, the young leader chose for himself a group of advisors, friends and acolytes from the drawing rooms of Delhi, as inexperienced as him and just as unaware of the ground realities of a complex nation. It was the beginning of a political culture of favouritism and ineptitude that would take hold at the highest levels of government, stunting India's ambitions and frustrating its people well into the next century. Seasoned reporter and distinguished newspaper columnist Tavleen Singh's Durbar is a sharp account of these turbulent years. Describing the Nehruvian era of her childhood, the Emergency of her youth and the political shifts that followed, Tavleen writes of the birth and evolution of insurgencies in Punjab and Kashmir, the blood spilt in assassinations and massacres, of crises internal and external and the clumsy attempts to set things right. A remarkable memoir, vivid with the colour of election campaigns and society dinners, low conspiracies and high corruption, Durbar rewards us with this truth: that if India is to achieve a better future the past can no longer be ignored or forgotten.

    Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport, and as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees "a fortune beyond counting" in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter - Annawadi's "most-everything girl" - will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a fifteen-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call "the full enjoy." But then Abdul the garbage sorter is falsely accused in a shocking tragedy; terror and a global recession rock the city; and suppressed tensions over religion, caste, sex, power and economic envy turn brutal. As the tenderest individual hopes intersect with the greatest global truths, the true contours of a competitive age are revealed. And so, too, are the imaginations and courage of the people of Annawadi. With intelligence, humor, and deep insight into what connects human beings to one another in an era of tumultuous change, Behind the Beautiful Forevers carries the reader headlong into one of the twenty-first century's hidden worlds, and into the lives of people impossible to forget.

    Since leaving England aged 21 with an invitation to a Karachi wedding and a yearning for adventure, Christina Lamb has spent 20 years living out of suitcases, reporting from around the world and becoming one of Britain’s most highly regarded journalists. She has won numerous awards, including being named Foreign Correspondent of the Year a remarkable four times.‘Small Wars Permitting’ is a collection of her best reportage, following the principal events of the last two decades everywhere from Afghanistan to Zimbabwe. But Lamb’s main interest has always been in the untold stories, the people and places others don’t visit. Undaunted by danger, disease or despots, she has travelled by canoe through the Amazon rainforest in search of un-contacted Indians, joined a Rio samba school to infiltrate crime rackets behind Carnival and survived a terrifying ambush by Taliban.No less remarkable are the characters that Lamb meets along the way, from Marsh Arabs who covet Play Stations instead of buffaloes to an Armenian compère for performing dolphins with whom she travelled during the war in Iraq.Lamb’s writing is passionate, powerful and poetic, transforming reportage into literature. Through the stories she tells – and her own development from a self-confessed ‘war junkie’ to a devoted mother – Lamb attempts to comprehend the human consequences of conflict in the countries she has come to know.

    Anand Teltumbde identifies the watershed moments of its journey: from the adoption of a flawed Constitution to the Green Revolution, the OBC upsurge, the rise of regional parties, and up to the nexus of neoliberalism and hindutva in the present day. Joining the dots between a wide range of events on the ground and the prevailing structure of power, he debunks the pieties of state and Constitution, political parties and identitarian rhetoric, to reveal the pernicious energies they have unleashed and their dire impact on India’s most marginalised people, the dalits.The exclusion and disempowerment of dalits emerges as intrinsic to India’s republican system, whether expressed through state policies on education, agriculture and land ownership, or the tacit encouragement of caste embedded in both law and political practice. Here, the carrot of reservations comes with the stick of atrocities. As a politics of symbolism exploits the fissile nature of caste to devitalise India’s poorest whilst appropriating their votes, Teltumbde’s damning analysis also shows progressive politics a way out of the present impasse.Anand Teltumbde is a civil rights activist and a columnist with the Economic & Political Weekly. Among his many books are Dalits: Past, Present and Future, Mahad: The Making of the First Dalit Revolt and The Persistence of Caste: The Khairlanji Murders and India’s Hidden Apartheid. He teaches at the Goa Institute of Management.

    Six years after leaving home, he returned as an undercover reporter for The Guardian, working at a call center in Delhi in 2004, a time when globalization was fast proceeding and Thomas L. Friedman declared the world flat. Deb's experience interviewing the call-center staff led him to undertake this book and travel throughout the subcontinent.The Beautiful and the Damned examines India's many contradictions through various individual and extraordinary perspectives. With lyrical and commanding prose, Deb introduces the reader to an unforgettable group of Indians, including a Gatsby-like mogul in Delhi whose hobby is producing big-budget gangster films that no one sees; a wiry, dusty farmer named Gopeti whose village is plagued by suicides and was the epicenter of a riot; and a sad-eyed waitress named Esther who has set aside her dual degrees in biochemistry and botany to serve Coca-Cola to arms dealers at an upscale hotel called Shangri La.Like no other writer, Deb humanizes the post-globalization experience—its advantages, failures, and absurdities. India is a country where you take a nap and someone has stolen your job, where you buy a BMW but still have to idle for cows crossing your path. A personal, narrative work of journalism and cultural analysis in the same vein as Adrian Nicole LeBlanc's Random Family and V. S. Naipaul's India series, The Beautiful and the Damned is an important and incisive new work.The Beautiful and the Damned is a Publishers Weekly Best Nonfiction title for 2011.

    Critiquing the sensibility which equates Indian tradition with Hinduism, and Hinduism with Brahmanism which considers the Vedas as the foundational texts of Indian culture and discovers within the Aryan heritage the essence of Indian civilisation it shows how even secular minds remain imprisoned within the Brahmanical vision. It looks at the alternative traditions nurtured within Dalit movements, which have questioned this way of looking at Indian society and history. Written in a lucid and readable style, the author elucidates how Dalit politics and the Dalit vision require going beyond even the term Dalit and how it has contributed to being symbolic of the most oppressed and exploited sections within the graded hierarchies of caste. Alongside the ascendance of Hinduism, the book traces the invasive trends of resistance and revolt in the tenets of Buddhism and radical bhakti, in the anti-patriarchal stands of early feminists, in the pervasive radicalism of the Dalit activists from Phule and Periyar, Ramabai and Tarabai, to Kabir, Tukaram and Ambedkar, even for that matter Buddha himself. This book brings to the reader the failures and triumphs of the many efforts that have aimed to dissolve the oppressive facets of Hinduism and its caste ideology, and continue to organise in newer ways for 'another' possible world where equality and human freedom reign supreme. It also makes visible the logic of Dalit politics and the rise of the Bahujan Samaj Party, as a major alternative to the rise of Hindutva. This important and essential reading will be an invaluable primer on the subject to students of Dalit and caste studies and politics.

    A mixture of Memoir, economic analysis, social investigation,political security and managerial outlook being thrown in to the understanding of India.

    On the night of November 26, Lashkar-e-Toiba terrorists attacked targets throughout the city, including the Taj Mahal Palace Hotel, one of the world’s most exclusive luxury hotels. For sixty-eight hours, hundreds were held hostage as shots rang out and an enormous fire raged. When the smoke cleared, thirty-one people were dead and many more had been injured. Only the courageous actions of staff and guests—including Mallika Jagad, Bob Nichols, and Taj general manager Binny Kang—prevented a much higher death toll.With a deep understanding of the region and its politics and a narrative flair reminiscent of Midnight in Peking, journalists Cathy Scott-Clark and Adrian Levy vividly unfold the tragic events in a real-life thriller filled with suspense, tragedy, history, and heroism.

    Now he brings these gifts to a spellbinding amalgam of memoir, reportage, and history in this intimate, luminous portrait of Calcutta. Chaudhuri guides us through the city where he was born, the home he loved as a child, the setting of his acclaimed novels—a place he now finds captivating for all the ways it has, and, perhaps more powerfully, has not, changed. He shows us a city relatively untouched by the currents of globalization but possessed of a “self-renewing way of seeing, of inhabiting space, of apprehending life.” He takes us along vibrant avenues and derelict alleyways; introduces us to intellectuals, Marxists, members of the declining haute bourgeoisie, street vendors, domestic workers; brings to life the city’s sounds and smells, its architecture, its traditional shops and restaurants, new malls and hotels. And, using the historic elections of 2011 as a fulcrum, Chaudhuri looks back to the nineteenth century, when the city burst with a new vitality, and toward the politics of the present, finding a city “still not recovered from history” yet possessed of a singular modernity. Chaudhuri observes and writes about Calcutta with rare candor and clarity, making graspable the complex, ultimately ineluctable reasons for his passionate attachment to the place and its people.

    Mohawk hair-cuts in Bali, yuppies in Hong Kong and Rambo rip-offs in the movie houses of Bombay are just a few of the jarring images that Iyer brings back from the Far East.

    300 raise their children, cook for their lovers, visit temples, shrines and mosques, complain about pimps and brothel owners, listen to film songs, and solicit and entertain customers. By following the daily lives of the denizens of one kotha, Mayank Austen Soofi paints an intimate portrait of women for whom sex is work—a way to make a living.With precise details and haunting photographs, Soofi delicately and carefully etches the everyday world of those who inhabit the peripheries of society.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.