Little Tree as his grandparents call him is shown how to hunt and survive in the mountains, to respect nature in the Cherokee Way, taking only what is needed, leaving the rest for nature to run its course. Little Tree also learns the often callous ways of white businessmen and tax collectors, and how Granpa, in hilarious vignettes, scares them away from his illegal attempts to enter the cash economy. Granma teaches Little Tree the joys of reading and education. But when Little Tree is taken away by whites for schooling, we learn of the cruelty meted out to Indian children in an attempt to assimilate them and of Little Tree's perception of the Anglo world and how it differs from the Cherokee Way. A classic of its era, and an enduring book for all ages, The Education of Little Tree has now been redesigned for this twenty-fifth anniversary edition.

    However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians—individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.

    This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

    . . I made many lifelong friends at college, and they supported but also challenged me with questions like, ‘Why should Indians have reservations?’ ”What have you always wanted to know about Indians? Do you think you should already know the answers—or suspect that your questions may be offensive? In matterof-fact responses to over 120 questions, both thoughtful and outrageous, modern and historical, Ojibwe scholar and cultural preservationist Anton Treuer gives a frank, funny, and sometimes personal tour of what’s up with Indians, anyway.• What is the real story of Thanksgiving?• Why are tribal languages important?• What do you think of that incident where people died in a sweat lodge?White/Indian relations are often characterized by guilt and anger. Everything You Wanted to Know about Indians But Were Afraid to Ask cuts through the emotion and builds a foundation for true understanding and positive action.Anton Treuer, author of The Assassination of Hole in the Day and many other books on Ojibwe history and language, received an Ambassador Award in 2011 from Facing Race: We’re All in This Together, an initiative of the St. Paul Foundation. All around Minnesota, Treuer has given scores of public lectures and been asked hundreds of questions—many like the ones in this book.

    Their appetites for destruction and depravity have led to broken lives and worse-mass suicide and even mass murder. Why does this occur again and again?In Rogue Messiahs, Colin Wilson compellingly recounts the stories and outrageous claims, acts, and abuses of 25 self-proclaimed messiahs who have arisen in the last 300 years. He uncovers the probable factors that turn earnest religious leaders, mystics, or well-intentioned cult leaders into violent, abusive, murderous, and paranoid rogue messiahs.This gallery of spiritual fakers includes many familiar names and faces: David Koresh, leader of the Branch Davidians; Shoko Asahara, founder of the Aum Supreme Truth cult; Rev. Jim Jones; founder of the infamous Jonestown; Jeffrey Don Lundgren, Mormon con man and murderer; Ervil LeBaron and family, deranged cultist, prophets, and murderers; Rock Theriault, late twentieth-century French Canadian self-proclaimed messiah. Further, Wilson includes a study of others who achieved spiritual insight instead of destruction, and demonstrates that mayhem and benevolence are often two sides of the same coin.These would-be messiahs, in Wilson's analysis, are all driven by a childish dream of absolute power. Almost always, they cross the line from inspiration to paranoia, and from the teaching to killing-genuine aspiration mixed with self-deception, says Wilson. This is an incisive review of the motives and madness of cult leaders, spiritual con men, and would-be saviors.

    In addition, beginning at the age of five, Sellars was isolated for two years at Coqualeetza Indian Tuberculosis Hospital in Sardis, British Columbia, nearly six hours' drive from home. The trauma of these experiences has reverberated throughout her life.The first full-length memoir to be published out of St. Joseph's Mission at Williams Lake, BC, Sellars tells of three generations of women who attended the school, interweaving the personal histories of her grandmother and her mother with her own. She tells of hunger, forced labour, and physical beatings, often with a leather strap, and also of the demand for conformity in a culturally alien institution where children were confined and denigrated for failure to be White and Roman Catholic.Like Native children forced by law to attend schools across Canada and the United States, Sellars and other students of St. Joseph's Mission were allowed home only for two months in the summer and for two weeks at Christmas. The rest of the year they lived, worked, and studied at the school. St. Joseph's Mission is the site of the controversial and well-publicized sex-related offences of Bishop Hubert O'Connor, which took place during Sellars's student days, between 1962 and 1967, when O'Connor was the school principal. After the school's closure, those who had been forced to attend came from surrounding reserves and smashed windows, tore doors and cabinets from the wall, and broke anything that could be broken. Overnight their anger turned a site of shameful memory into a pile of rubble.In this frank and poignant memoir, Sellars breaks her silence about the institution's lasting effects, and eloquently articulates her own path to healing.

    history. She earned her degree thirty-one years before women could vote and thirty-five years before Indians could become citizens in their own country.By age twenty-six, this fragile but indomitable Indian woman became the doctor to her tribe. Overnight, she acquired 1,244 patients scattered across 1,350 square miles of rolling countryside with few roads. Her patients often were desperately poor and desperately sick—tuberculosis, small pox, measles, influenza—families scattered miles apart, whose last hope was a young woman who spoke their language and knew their customs.This is the story of an Indian woman who effectively became the chief of an entrenched patriarchal tribe, the story of a woman who crashed through thick walls of ethnic, racial and gender prejudice, then spent the rest of her life using a unique bicultural identity to improve the lot of her people—physically, emotionally, politically, and spiritually. A Warrior of the People is the moving biography of Susan La Flesche’s inspirational life, and it will finally shine a light on her numerous accomplishments.The author will donate all royalties from this book to a college scholarship fund he has established for Native American high school graduates.

    Together, with humor and perseverance, they are strengthened as they try to overcome the social and political forces that threaten their community. Native and non-native alike will find a poignant honesty that grabs them from the opening line to the end. For some it will feel like familiar territory; for others, a heart-opening awakening to the struggles and spirit of The People.

    Of all the iconic figures of Native American history, Crazy Horse remains the most enigmatic. To this day he strides across American history as a man who lived—and died—on his own terms. “’Stone Song’ is a deeply spiritual story about the soul journey of a great and mysterious American hero.” ~ The Dallas Morning News. Ridiculed as a boy for his white-man looks, he called for a vision, and received a great one . . . a vision that would shape his life. He was to fight for his people. In order to be successful, he must not accept traditional Lakota finery, rewards, and would sacrifice the dream of a wife and children. By following his vision, and his destiny of that as a mystic warrior, he was able to lead his people to their greatest victory—the defeat of General Custer at the Battle of the Little Bighorn.Called to his monumental task, and tortured by his deeply passionate love of a woman, Crazy Horse found peace only in battle. Drawing inspiration from the eternal wisdom of his people, he discovered the means to defeat the U.S. Army at its own deadly game. Come enjoy this new 20th century Anniversary Edition with an intimate introduction by the author, Win Blevins.

    It is, instead, about a search for accommodation and common meaning. It tells how Europeans and Indians met, regarding each other as alien, as other, as virtually nonhuman, and how between 1650 and 1815 they constructed a common, mutually comprehensible world in the region around the Great Lakes that the French called pays d'en haut. Here the older worlds of the Algonquians and of various Europeans overlapped, and their mixture created new systems of meaning and of exchange. Finally, the book tells of the breakdown of accommodation and common meanings and the re-creation of the Indians as alien and exotic

    Scott Momaday, who offers a haunting essay evoking the voices of the past; to Debra Magpie Earling’s illumination of her ancestral family, their survival, and the magic they use to this day; to Mark N. Trahant’s attempt to trace his own blood back to Clark himself; and Roberta Conner’s comparisons of the explorer’s journals with the accounts of the expedition passed down to her. Incisive and compelling, these essays shed new light on our understanding of this landmark journey into the American West.

    Each year, the series editor and guest editor curates a truly exceptional collection. The only shared traits among all these diverse styles, voices, and stories are the extraordinarily high caliber of writing, and the pure passion they tap into that can only come from sports.

    History survey because of the uncommon value it offers instructors and students alike. The authors' own abridgement preserves the analytical power of the parent text, America's History, while offering all the flexibility of a brief book. The latest scholarship, hallmark global perspective, and handy format combine with the best full-color art and map program of any brief text to create a book that students read and enjoy.

    Many of the "histories" repeat subjects and themes found in the "stories," making Roofwalker a book that in which spirits and the living commingle and Sioux culture and modern life collide with disarming power, humor, and joy. The first seven pieces in the book are "stories," fictional accounts primarily of girls and women. In the title story, a young girl believes in the power of the "roofwalker" spirit to make her dreams come true. In "Beaded Souls," a woman is cursed by the sin of her great-grandfather, an Indian policeman who arrested Sitting Bull. "First Fruits" follows a native girl’s first-year at Harvard. The nonfiction pieces include Power’s imaginary account of the meeting of her Phi Beta Kappa father and Sioux mother, a piece about the letters of an Irish ancestor and another in which Power and her mother visit the Field Museum in Chicago, where a native ancestor’s dress is on display.