In 1540, twelve-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan’s menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan’s beautiful daughter, Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire’s chief architect, who takes Jahan under his wing as they construct (with Chota’s help) some of the most magnificent buildings in history. Yet even as they build Sinan’s triumphant masterpieces—the incredible Suleymaniye and Selimiye mosques—dangerous undercurrents begin to emerge, with jealousy erupting among Sinan’s four apprentices. A memorable story of artistic freedom, creativity, and the clash between science and fundamentalism, Shafak’s intricate novel brims with vibrant characters, intriguing adventure, and the lavish backdrop of the Ottoman court, where love and loyalty are no match for raw power.

    But only once he's there, amid the exotic exhibits, fireworks, and Ferris wheels, does he discover that he is the one who is actually the prize. The half-Chinese orphan is astounded to learn he will be raffled off--a healthy boy "to a good home."The winning ticket belongs to the flamboyant madam of a high-class brothel, famous for educating her girls. There, Ernest becomes the new houseboy and befriends Maisie, the madam's precocious daughter, and a bold scullery maid named Fahn. Their friendship and affection form the first real family Ernest has ever known--and against all odds, this new sporting life gives him the sense of home he's always desired.But as the grande dame succumbs to an occupational hazard and their world of finery begins to crumble, all three must grapple with hope, ambition, and first love.Fifty years later, in the shadow of Seattle's second World's Fair, Ernest struggles to help his ailing wife reconcile who she once was with who she wanted to be, while trying to keep family secrets hidden from their grown-up daughters.Against a rich backdrop of post-Victorian vice, suffrage, and celebration, Love and Other Consolations is an enchanting tale about innocence and devotion--in a world where everything, and everyone, is for sale.

    The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    child of a Shoshoni chief, lone woman on Lewis and Clark‘s historic trek-beautiful spear of a dying nation.She knew many men, walked many miles. From the whispering prairies, across the Great Divide to the crystal-capped Rockies and on to the emerald promise of the Pacific Northwest, her story overflows with emotion and action ripped from the bursting fabric of a raw new land. Ten years In the Writing, SACAJAWEA unfolds an immense canvas of people and events, and captures the eternal longings of a woman who always yearned for one great passion-and always it lay beyond the next mountain.

    They are recruited by an agency that no one knows exists, with only one purpose—to fix broken history. Because time travel is here, and there are those who would go back in time and change the past. That’s why the TimeRiders exist: to protect us. To stop time travel from destroying the world...

    And yet, his physical curse proves to be a blessing, allowing him to try to win the heart of the same woman three times as at each successive encounter she fails to recognize him, taking him for a stranger, so giving Max another chance at love.Set against the historical backdrop of San Francisco at the turn of the twentieth century, Andrew Sean Greer's The Confessions of Max Tivoli is a beautiful and daring feat of the imagination, questioning the very nature of love, time, and what it means to be human.

    Over the centuries, cities and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs violence born of superstition and ignorance has invaded and devastated the cloistered mathic community. Yet the avout have always managed to adapt in the wake of catastrophe, becoming out of necessity even more austere and less dependent on technology and material things. And Erasmas has no fear of the outside—the Extramuros—for the last of the terrible times was long, long ago.Now, in celebration of the week-long, once-in-a-decade rite of Apert, the fraas and suurs prepare to venture beyond the concent's gates—at the same time opening them wide to welcome the curious "extras" in. During his first Apert as a fraa, Erasmas eagerly anticipates reconnecting with the landmarks and family he hasn't seen since he was "collected." But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change.Powerful unforeseen forces jeopardize the peaceful stability of mathic life and the established ennui of the Extramuros—a threat that only an unsteady alliance of saecular and avout can oppose—as, one by one, Erasmas and his colleagues, teachers, and friends are summoned forth from the safety of the concent in hopes of warding off global disaster. Suddenly burdened with a staggering responsibility, Erasmas finds himself a major player in a drama that will determine the future of his world—as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet . . . and beyond.

    Fearing his father may be stranded in time—or worse—Shel enlists the aid of Dave Dryden, a linguist, to accompany him on the rescue mission. Their journey through history takes them from the enlightenment of Renaissance Italy through the American Wild West to the civil-rights upheavals of the 20th century. Along the way, they encounter a diverse cast of historical greats, sometimes in unexpected situations. Yet the elder Shelborne remains elusive. And then Shel violates his agreement with Dave not to visit the future. There he makes a devastating discovery that sends him fleeing back through the ages, and changes his life forever.

    After delivering the manuscript to the legendary Bran Castle in Romania, Barkeley—a Romanian orphan himself—realizes to his horror that he's become a prisoner to the son of Vlad Dracul. To earn his freedom, Barkeley must decipher cryptic messages hidden in the text of the original Dracula that reveal the burial sites of certain Dracul family members. Barkeley's only hope is to ensure that he does not exhaust his usefulness to his captor until he’s able to escape. Soon he discovers secrets about his own lineage that suggest his selection for the task was more than coincidence. In this knowledge may lie Barkeley's salvation—or his doom. For now he must choose between a coward's flight and a mortal conflict against an ancient foe. Building on actual international events surrounding the publication of Bram Stoker's original novel, Royce Prouty has written a spellbinding debut novel that ranges from 1890s Chicago, London, and Transylvania to the perilous present.

    Bound to each other by blood and necessity, they aim to make a fresh start in the rough and rowdy Dutch settlement of Nieuw Amsterdam; but soon lust, betrayal, and murder will make them mortal enemies. In their struggle to survive in the New World, Lucas and Sally make choices that will burden their descendants with a legacy of secrets and retribution, and create a heritage that sets cousin against cousin, physician against surgeon, and, ultimately, patriot against Tory. In what will be the greatest city in the New World, the fortunes of these two families are inextricably entwined by blood and fire in an unforgettable American saga of pride and ambition, love and hate, and the becoming of the dream that is New York City.

    September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carries …and finds herself caught in a dilemma that compels her to confront the truth about the assumptions she’s made. Will what she learns devastate her or free her?  September 2011. On Manhattan’s Upper West Side, widow Taryn Michaels has convinced herself that she is living fully, working in a charming specialty fabric store and raising her daughter alone. Then a long-lost photograph appears in a national magazine, and she is forced to relive the terrible day her husband died in the collapse of the World Trade Towers …the same day a stranger reached out and saved her. Will a chance reconnection and a century-old scarf open Taryn’s eyes to the larger forces at work in her life?

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    In it, the heroine tells the story of her moral fall and material rise over the course of the century, carrying her from the farms, mills, drawing rooms (and bedrooms) of New York to the California gold rush.

    Despite hailing from one of America’s richest families, Peggy would much rather spend the summer working at the Moonrise Bookstore than keeping up appearances with New York City socialites and her snobbish, controlling family.But soon it transpires that the hedonism of nearby Coney Island affords Peggy the freedom she has been yearning for, and it’s not long before she finds herself in love with a troubled pier-side artist of humble means, whom the Batternberg patriarchs would surely disapprove of. Disapprove they may, but hidden behind their pomposity lurks a web of deceit, betrayal and deadly secrets. And as bodies begin to mount up amidst the sweltering clamour of Coney Island, it seems the powerful Batternbergs can get away with anything…even murder.Extravagant, intoxicating and thumping with suspense, bestselling Nancy Bilyeau’s magnificent Dreamland is a story of corruption, class and dangerous obsession.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.