could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

    Besides George Meredith and his wife Mary Ellen, Swinburne and his companion Theodore Watts-Dunton are among those who also find a place in the three poem-sequences that comprise the book: "Arisbe," "The Leisure of the Theory Class," and "Rückenfigur." Howe's historical linkings, resonant with the sorrows of love and loss and the tragedies of war, create a compelling canvas of associations. "It's the blanks and gaps," she says, "that to me actually represent what poetry is-the connections between seemingly unconnected things-as if there is a place and might be a map to thought, when we know there is not."

    Anything can happen, and probably will, and it will affect me in small or large ways that I couldn't have imagined. The precision of their imagery keeps me reeling with delight."—James TateThin Kimono continues Michael Earl Craig's singular breed of brilliant absurdist poetry, utterly and masterfully slanting the realities of daily existence.Michael Earl Craig is the author of two previous collections of poetry: Yes, Master (Fence Books, 2006) and Can You Relax in My House (Fence Books, 2002). He lives in Livingston, Montana, where he is a certified journeyman farrier.

    His first collection, set in the Midwest, alternately features a childhood Wisconsin farm, the record-breaking storm that destroyed it, and the turbulent marriage that recalls it. Love and wonder mingle in these lines.

    Wright’s most intimate thoughts and images appear before us in dramatic and spectral short narratives: mesmerizing poems whose colloquial sound and rhythms announce a new path for this luminous and masterful poet. In these journeys, we hear the constant murmured “yes” of creation—“it will be packing its small suitcase soon; it will leave the keys dangling from the lock and set out at last,” Wright tells us. He introduces us to the powerful presences in his world (the haiku master Basho, Nietzsche, St. Teresa of Avila, and especially his father, James Wright) as he explores the continually unfolding loss of childhood and the mixed blessings that follow it. Taken together, the pieces deliver the diary of a poet—“a fairly good egg in hot water,” as he describes himself—who seeks to narrate his way through the dark wood of his title, following the crumbs of language. “Take everything,” Wright suggests, “you can have it all back, but leave for a little the words, of all you gave the most mysteriously lasting.” With a strong presence of the dramatic in every line, Kindertotenwald pulls us deep into this journey, where we too are lost and then found again with him.

    Knox’s A Gringo Like Me contains poems at once raucous and sexy, tender and raw. Knox has collected dramatic monologues, personal lyrics, and even screenplays together in a single energetic volume for a genuinely surprising debut. In favorites such as “Hot Ass Poem,” “Cruising for Prostitutes,” and “Chicken Bucket,” Knox’s quirky characters appear ornery, hickish, misogynist, or worse, but each elucidates a truth worth knowing, even if it’s not always welcome. In poems like "A Common American Name" and "Freckles," Knox’s lyrical voice charms readers. Between the poles of her unique range, Knox straddles and tames what she may yet prove to be an artificial divide in American poetry: she's a former slam champion, but also a two-time contributor to The Best American Poetry; she's a hilarious performer on stage, but also a deeply intellectual and formally disciplined poet.

    Something is wrong.” Frederick Seidel—the “ghoul” (Chicago Review), the “triumphant outsider” (Contemporary Poetry Review)—returns with a dangerous new collection of poems. Nice Weather presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, elegiac, this book adds new music and menace to his masterful body of work.

    Winner of the 2011 Norma Farber First Book Award from the Poetry Society of America. John Beer's first collection, THE WASTE LAND AND OTHER POEMS, employs the wit of a philosopher and the ear of a poet to stage ways of reading that are political, personal, and theoretical. The speaker of these poems also brings humor to the dissecting table, to prod the legacies of great works of the imagination while balancing irony and affection.

    Hejinian's important collection of poetry from 1978, available again.

    In her new collection, Medicine, she deploys a variety of dramatic voices, spoken by such disparate characters as Cinderella's wicked sisters, the wife of a nineteenth-century naturalist, a homicide detective, and a woman who is happily married to a bear. Their elusive collectivity suggests, but never quite defines, the floating authorial presence that haunts them. Gerstler's abiding interests--in love and mourning, in science and pseudo-science, in the idea of an afterlife--are strongly evident in these new poems, which are full of strong emotion, language play, surprising twists, and a wicked sense of black humor.

    The Nazis have begun their brutal march through her hometown of Radom, Poland. Dina’s happy world comes tumbling down and her family will never be the same. As the Nazi regime implements the systematic annihilation of every Jewish man, woman, and child throughout Europe, Dina and her family do everything they can to stay together. But can they make it through the war unscathed?As Dina matures from child to teenager, every day brings a daunting new challenge to survive. When she meets Natek Korman, a young man with sky-blue eyes that crinkle when he smiles, Dina experiences the first blush of love and a longing for a normal life. But what could be normal in a world of endless terror and numbing fear?From the harsh day-to-day existence in the Jewish ghetto under Nazi occupation to the grueling toil of the ruthless workcamps to the utter despair of the death camps of Auschwitz and Bergen-Belson, Dina’s story of survival is a heart-rending testament to the power of the human spirit.The Last Daughter is an extraordinary story of an ordinary girl. Based on the remarkable true story of Dina Frydman, a Jewish girl from Radom, Poland who is thrust into an unforgettable journey from the dawn of World War Two to the darkest days of the Holocaust. You will never forget Dina nor the millions of others like her.

    She must put her precious little children, Liesl and Erich on the last Kindertransport out of Berlin, or allow them to become prey for the Nazis. She is a Jewish woman alone, her husband Peter was picked up for defending someone in the street, never to reappear. Whatever hope she has of making it on her own, with children she has none.A childless widow, Elizabeth Klein never met her cousin Peter Bannon, that side of the family were never talked about, some ancient, long forgotten grudge, but when she receives a letter from his wife, begging her to take care of her children, she doesn’t hesitate.The Star and the Shamrock trilogy tells the story of Liesl and Erich as they embark on a new and strange life. From the terrifyingly regimented streets of the Third Reich, to the bombed out streets of Liverpool, and finally settling in the lush green valleys of Northern Ireland. It is a story of the love, light and hope which can be found, even in the darkest of situations, and of the ultimate goodness of humanity.

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    Liliana is a beautiful and educated young Jewish woman. She marries Henry and becomes a mother to Rebecca. She has a full life ahead of her in Poland, or so it seems. The time period is the beginning of World War II, when the Germans invade Poland. To protect her, Liliana and Henry entrust Rebecca to their Christian friends. Shortly thereafter, Henry is among those taken to the concentration camp. Time passes, and Liliana knows little about the fate of her husband or daughter. To survive, Liliana (now known as Helena) assumes the identity of a Polish aristocrat and ends up working for a German officer named Robert. In a twist of fate, Robert and Helena fall in love with each other and get married. Unknown to Liliana, Henry survives and reunites with their daughter Rebecca. He finds a way to communicate with Liliana, only to find out that she started a new life. Liliana has yet to reveal her true identity to her German husband. Filled with guilt and longing for Rebecca, she thinks of putting an end to all of the lies. Will Liliana finally overcome her fears and reunite with her daughter? Parallel Lives is based on a true story. It brings the reader on a captivating journey of the "parallel lives" of a family who was separated by war. The journey takes the reader though a myriad of human emotions, including: love, jealousy, fear, despair, and freedom.

    They were the forces that were feared by the enemy and praised by their allies. The two lightning bolts on the collar tabs and on their helmets were the mark of the soldiers of the New Order believing in the final victory of the Reich. The Waffen SS grew into a huge force of thirty-eight combat divisions comprising over 950,000 men. In the Nuremberg Trials, the Waffen SS was condemned as part of a criminal organisation, and therefore Waffen SS veterans were denied many of the rights afforded other German combat veterans. However the Nuremberg Trials exempted conscripts from that condemnation.On several occasions, the Waffen SS was criticised by Heer commanders for their reckless disregard for casualties while taking or holding objectives. However, the Waffen SS divisions eventually proved themselves to a skeptical Heer as capable soldiers.The poor initial performance of the Waffen SS units was mainly due to the emphasis on political indoctrination rather than proper military training before the war. This was largely due to the shortage of experienced NCOs, who preferred to stay with the regular army. Despite this, the experience gained from the Polish, French and Balkan campaigns and the peculiarly egalitarian form of training soon turned Waffen SS units into elite formations.These are the stories of the men that once were part of this elite force. In this book you get a bit of history about the SS and Waffen SS, the war crimes committed by them and against them, their training, but most important of all you'll get the stories from veterans of the Leibstandarte Adolf Hitler, Das Reich, Totenkopf, Wiking, Hohenstaufen, Maria Theresia, Langemarck, SS-Fallschirmjägerbataillon 500 and Luftwaffe Fallschirmjäger, Italien, Wallonie, Nederland, 1st Estonian, and the notorious Dirlewanger Brigade. Seven decades after the war they finally have a voice...