At the same time, this stark but moving story touches on the central themes of the Harlem Renaissance, including the urgent need for unity and identity among blacks.

    But the Great Depression hit Gary hard, and there are no jobs for black men. When her beloved father leaves to find work, Deza, Mother, and her older brother Jimmie go in search of him, and end up in a Hooverville outside Flint, Michigan. Jimmie’s beautiful voice inspires him to leave the camp to be a performer, while Deza and Mother find a new home, and cling to the hope that they will find Father.The twists and turns of their story reveal the devastation of the Depression and prove that Deza truly is the Mighty Miss Malone.

    They can be fully appreciated by an individual reader, but they're particularly striking when read aloud by two voices, making this an ideal pick for classroom use. Eric Beddows′s vibrant drawings send each insect soaring, spinning, or creeping off the page in its own unique way.With Joyful Noise, Paul Fleischman created not only a fascinating guide to the insect world but an exultant celebration of life.

    Like haiku, sijo are brief and accessible, and the witty last line winds up each poem with a surprise. The verses in this book illuminate funny, unexpected, amazing aspects of the everyday--of breakfast, thunder and lightning, houseplants, tennis, freshly laundered socks. Carefully crafted and deceptively simple, Linda Sue Park's sijo are a pleasure to read and an irresistible invitation to experiment with an unfamiliar poetic form. Istvan Banyai's irrepressibly giddy and sophisticated illustrations add a one-of-a-kind luster to a book that is truly a gem.

    * Fasten Your Seatbelt: G'ma's never conventional, so this trip won't be either. * Use the Green Book: G'ma's most treasured possession. It holds history, memories, and, most important, the way home.What Not to Bring: * A Cell Phone: Avoid contact with Dad at all costs. Even when G'ma starts acting stranger than usual.Set against the backdrop of the segregation history of the American South, take a trip with New York Times bestselling Nic Stone and an eleven-year-old boy who is about to discover the world hasn't always been a welcoming place for kids like him, and things aren't always what they seem--his G'ma included.

    Barred from attending school, shopping at the market, or even playing in the streets of Kabul, the heroine of Deborah Ellis's engrossing children's novel The Breadwinner is trapped inside her family's one-room home. That is, until the Taliban hauls away her father and Parvana realizes that it's up to her to become the "breadwinner" and disguise herself as a boy to support her mother, two sisters, and baby brother. Set in the early years of the Taliban regime, this topical novel for middle readers explores the harsh realities of life for girls and women in modern-day Afghanistan. A political activist whose first book for children, Looking for X, dealt with poverty in Toronto, Ellis based The Breadwinner on the true-life stories of women in Afghan refugee camps. In the wily Parvana, Ellis creates a character to whom North American children will have no difficulty relating. The daughter of university-educated parents, Parvana is thoroughly westernized in her outlook and responses. A pint-sized version of Offred from Margaret Atwood's The Handmaid's Tale, Parvana conceals her critique of the repressive Muslim state behind the veil of her chador. Although the dialogue is occasionally stilted and the ending disappointingly sketchy, The Breadwinner is essential reading for any child curious about ordinary Afghans. Like so many books and movies on the subject, it is also eerily prophetic. "Maybe someone should drop a big bomb on the country and start again," says a friend of Parvana's. "'They've tried that,' Parvana said, 'It only made things worse.'" (Ages 9 to 12) --Lisa Alward

    Poet Laureate J. Patrick Lewis curates an exuberant poetic celebration of the natural world in this stellar collection of nature poems. From trickling streams to deafening thrunderstorms to soaring mountains, discover majestic photography perfectly paired with contemporary (such as Billy Collins), classics (such as Robert Frost), and never-before-published works.

    Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life.The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates.Challenging the complexities of language, Betts animates what it means to be a "felon."

    But a sudden tragedy forces Esperanza and Mama to flee to California during the Great Depression, and to settle in a camp for Mexican farm workers. Esperanza isn't ready for the hard labor, financial struggles, or lack of acceptance she now faces. When their new life is threatened, Esperanza must find a way to rise above her difficult circumstances--Mama's life, and her own, depend on it.

    But when it comes to reading, the letters just look like squiggles to him, and it soon becomes clear he struggles more than his peers. When his teacher asks each child in the class to write a story, Aaron can’t get a single word down. He is sure his dream of being a storyteller is out of reach . . . until inspiration strikes, and Aaron finds a way to spin a tale in a way that is uniquely his. Follow Iggy Peck, Rosie Revere, Ada Twist, Sofia Valdez, and Aaron Slater on all of their adventures! Add the picture books, chapter books, and activity books starring The Questioneers by Andrea Beaty and David Roberts to your family library today.

    A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    War has always been a game to him, and he’s eager to glimpse it firsthand–until the freighter he and his mother are traveling to the United States on is torpedoed.   When Phillip comes to, he is on a small raft in the middle of the sea. Besides Stew Cat, his only companion is an old West Indian, Timothy. Phillip remembers his mother’s warning about black people: “They are different, and they live differently.”    But by the time the castaways arrive on a small island, Phillip’s head injury has made him blind and dependent on Timothy.

    So she has the same name as a girl in a book by a dusty old author. Hero is simply not interested in the connections. But that's just the thing; suddenly connections are cropping up all over, and odd characters and uncertain pasts are exactly what do fascinate Hero. There's a mysterious diamond hidden in her new house, a curious woman next door who seems to know an awful lot about it, and then, well, then there's Shakespeare. Not to mention Danny Cordova, only the most popular boy in school. Is it all in keeping with her namesake's origin-just much ado about nothing? Hero, being Hero, is determined to figure it out. In this fast-paced novel, Elise Broach weaves an intriguing literary mystery full of historical insights and discoveries.A JUNIOR LIBRARY GUILD SELECTION

    His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.

    These books, among them Notes of a Native Son, The Fire Next Time, Giovanni’s Room, and Go Tell It on the Mountain, brought him well-deserved acclaim as a public intellectual and admiration as a writer. However, Baldwin’s earliest writing was in poetic form, and Baldwin considered himself a poet throughout his lifetime. Nonetheless, his single book of poetry, Jimmy’s Blues, never achieved the popularity of his novels and nonfiction, and is the one and only book to fall out of print. This new collection presents James Baldwin the poet, including all nineteen poems from Jimmy’s Blues, as well as all the poems from a limited-edition volume called Gypsy, of which only 325 copies were ever printed and which was in production at the time of his death. Known for his relentless honesty and startlingly prophetic insights on issues of race, gender, class, and poverty, Baldwin is just as enlightening and bold in his poetry as in his famous novels and essays. The poems range from the extended dramatic narratives of “Staggerlee wonders” and “Gypsy” to the lyrical beauty of “Some days,” which has been set to music and interpreted by such acclaimed artists as Audra McDonald. Nikky Finney’s introductory essay reveals the importance, relevance, and rich rewards of these little-known works. Baldwin’s many devotees will find much to celebrate in these pages.