The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    Eloquence is only a grasping in the space of ineffable air. There are few words or phrases that do justice to the soul singing its own revelations. That place is where Last Psalm at Sea Level lives, where it is as solid as gold burning itself into light. --Afaa Michael Weaver

    A collection examining America's loss of innocence, the poems in this title range from the horrific flight of a World War II pilot to the World Trade Center attack, from the death of JFK Jr to the poet's own bastard birth.

    Throughout, Graham seeks out sites of wakeful resistance and achieved presence. From the natural world to human sensation, the poems test the unstable congeries of the self, and the creative tensions that exist within and between our inner and outer landscapes--particularly as these are shaped by language.Beginning with a poem dated June 5th, placed on Omaha Beach, in Normandy--the anniversary of the day before the "historical" events of June 6th--Place is made up of meditations written in a uneasy lull before an unknowable, potentially drastic change--meditations which enact and explore the role of the human in and on nature. In these poems, time lived is felt to be both incipient, and already posthumous. This is not the same as preparing for a death. It is preparing for a life we know we, and our offspring, shall have no choice but to live. How does one think ethically as well as emotionally in such a predicament? How does one think of one's child--of having brought a person into this condition? How does love continue, and how is it supposed to be transmitted? Does the nature of love change?Both formally and thematically poems of ec(h)o-location in space/time, Graham's new poems work to discern "aftermath" from "future"--as the two margins of the form ask us to feel the vertiginous "double" position in which we find ourselves, constantly looking back just as we are forced to try to see ahead.In an era where distrust of human experience and its attendant accountability are pervasive Place calls us, in poems of unusual force and beauty, to re-inhabit and make full use of--and even rejoice in--a more responsive and responsible place of the human in the world.

    Among her charges is the young and elusive Alice Jameson. Alice Jameson has been silent for the last fifteen years of her life and doesn’t have any plans to open up about her past or her traumatic life anytime soon, especially not to someone as beautiful and perfect as Indiana Reynolds who manages to get the shy Alice to start experiencing what life could be like outside of the sound of silence.

    It is a recipe for womanhood that changes with the whim of the seasons and the political climate. It is a feverish fistful of musings, a comedy of errors, an instruction manual, a compass, an overheard conversation in the ladies' loo, whispered secrets over a (second) bottle of wine. It is a lamentation, an homage to fellow women, at once a celebration of things to come and a mourning of things lost. It is a redefinition of what it is to be magical and otherwordly. It exposes the complex and contradictory impulses of the human spirit, the ugly tangle of emotions we must deal with in ourselves and also as a wider society. With frankness, humour and a decided fuck-you to fear, Vanessa digs deeper than she ever has to find something resembling sorcery.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

     Love on the Rebound Add a little Aloha to your Christmas this year! When Everly Watson takes her young son Jordan to Hawaii, she’s not just celebrating Christmas but also searching for answers surrounding a tragedy from her past. She doesn’t expect to be faced with a tsunami threat her second day on the island. Nor does she count on meeting the famous Christian Ross, superstar of a hit action-movie series. Sparks fly as Everly and Christian have an instant attraction. But things spiral out of control when Everly realizes someone is following her and watching her every move. Christian soon finds himself drawn into Everly’s complicated world of betrayal and deceit and feels the need to protect her from a perilous threat. Can Christian and Everly’s newfound love withstand the growing obstacles? Or are they doomed to keep reliving the heartaches of the past? Loving the Movie Star Actor Blade Sloan gets the opportunity of a lifetime when he lands a leading role in the new Jase Scott action movie, co-starring with Hollywood megastar Christian Ross. Too bad Blade’s having stress issues brought on by a longtime stalker who’s getting more aggressive. If Blade can’t find a way to loosen up on set and perform to the best of his ability, he’ll lose everything he’s worked so hard to achieve. Dani Fairchild is trying hard to turn over a new leaf and transcend into adulthood. Yes, she may have been irresponsible in the past when she jilted billionaire Liam Barclay and ran off with a surfer, but that’s all behind her. Dani has a food blog she wants to take to the next level, and she’s holding down a full-time job. Granted, being a receptionist isn’t her dream job by any means, but hey, it’s a start. Too bad she can’t keep her big mouth shut and gets fired when the boss acts like a jerk. An unlikely encounter on the public bus brings Blade and Dani together where sparks fly and attraction sizzles. But Dani isn’t having it. No matter how charismatic Blade is or how good he looks with his chiseled abs and piercing blue eyes she’s vowed to never again get involved with someone who doesn’t live on the island permanently. Long distance relationships are a kick in the pants, and she’s tired of being hurt. Home alone for Christmas while Samantha and her family go to the mainland, Dani settles in for a quiet, predictable holiday. But fate has other plans when Dani and Blade are unwittingly thrown into a cycle of events that lead to a heart-pounding climax. Can Dani and Blade find a strong enough love to sustain them in the face of danger? Or will the stalker win in the end? False Identity Believe in miracles … believe in hope … believe in love. It's Christmastime, and Chancy Hamilton can’t bear the thought of spending the holidays without her late husband Max who died in a plane crash. When Chancy and her teenage son, Travis, have an argument, Travis storms out of the house and ends up in the wrong part of town where he is attacked by a group of thugs. When a homeless man comes to his rescue, he invites the man home to have a meal with his mom and little sister. Gabe Jones is not like any other homeless man Chancy has ever seen—he’s confident, intelligent, and devastatingly handsome. Jake, Chancy’s boyfriend, takes an instant dislike to Gabe and warns Chancy to stay away from him.

    It is just a very small square in the enormous circle that connects us all.I am the story.I am the poems.And you are my muse.

    

     At age fourteen, she's a know it all teen living alone with her mum in London - not a horse in sight. Can a few weeks staying with her grandparents back at the stables change all that, or has she really put horses out of her life for good? Meet the whole Michaelson clan, and their four-legged friends, at the Quicksilver Stud in Book 1 – Born in the Saddle. Teen fiction for horse lovers, especially eventing fans. Ideal for fans of Claire Svendson, Amanda Wills or Samantha Alexander.

    This work includes poems written, while the author was working with Michael Mansfield QC on the Stephen Lawrence case and other high profile political trails. It is hard hitting and blackly funny.

    In this distinct selection of stories marked by struggle and compassion, Pieces Like Pottery is a powerful examination of the sorrows of life, the strength of character, the steadfast of courage, and the resiliency of love requisite to find redemption. Filled with graceful insight into the human condition, each linked story presents a tale of loss and love mirroring themes from each of the five Sorrowful Mysteries. In Expect Dragons, James Hinri learns that his old high school teacher is dying. Wanting to tell Mr. Smith one last time how much his teaching impacted him, James drives across the country revisiting past encounters with his father's rejection and the pain of his youth. Disillusioned and losing hope, little did James know that Mr. Smith had one final lesson for him. In The Gravesite, Lisa and Mike's marriage hangs in the balance after the disappearance of their only son while backpacking in Thailand. Mike thinks the authorities are right--that Chris fell to his death in a hiking accident--but Lisa has her doubts. Her son was too strong to die this young, and no one can explain to her why new posts continue to appear on her son's blog. Twenty-Two looks in on the lives of a dock worker suffering from the guilt of a life not lived and a bartender making the best of each day, even though he can see clearly how his life should have been different. The two find their worlds collide when a past tragedy shockingly connects them. A collection of nine stories, each exquisitely written and charged with merciful insight into the trials of life, Pieces Like Pottery reminds us of the sorrows we all encounter in life and the kindness we receive, oftentimes from the unlikeliest of places.

    The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    "love is a wonderful thing,but it's not the only wonderful thing."Non-binary poet Parker Lee (formerly known as Cyrus Parker) brings to you a revised edition of shot glass confessional, a collection of 50 shot-glass-sized pieces of poetry, prose, and aphorisms about discovering your worth and reclaiming your power, both in the context of relationships, and outside of them.