Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    Here, Edgar Award-winning editor Otto Penzler has followed his keen sense of the supernatural to collect the most chilling and uncanny tales in the canon. These spectral stories span more than a hundred years, from modern-day horrors by Joyce Carol Oates, Chet Williamson and Andrew Klavan, to pulp yarns from August Derleth, Greye La Spina, and M. L. Humphreys, to the atmospheric Victorian tales of Rudyard Kipling, Edith Wharton, and H. P. Lovecraft, not to mention modern works by the likes of Donald E. Westlake and Isaac Asimov that are already classics. Some of these stories have haunted the canon for a century, while others are making their first ghoulish appearance  in book form.  Whether you prefer possessive poltergeists, awful apparitions, or friendly phantoms, these stories are guaranteed to thrill you, tingle the spine, or tickle the funny bone, and keep you turning the pages with fearful delight.Including such classics as “The Monkey’s Paw” and “The Open Window” and eerie vintage illustrations, and also featuring haunted mansions, midnight frights, lovers from beyond the grave, rapping, tapping, wailing shades, and ghosts, ghouls, and specters galore! AlsoFeaturing haunted mansions, midnight frights, lovers from beyond the grave, rapping, tapping, wailing shades, and ghosts, ghouls, and specters galore!

     And yet, there is an attraction, undeniable, to the vampire archetype, whether the pale European count, impeccably dressed and coldly masculine, yet strangely ambiguous, ready to sink his sharp teeth deep into his victims' necks, draining or converting them, or the vamp, the count's feminine counterpart, villain and victim in one, using her wiles and icy sexuality to corrupt man and woman alike... Edited and introduced by acclaimed anthologist John Joseph Adams (Wastelands, The Living Dead), By Blood We Live gathers together the best vampire literature from the preceding three decades, authored by many of today's most renowned writers of fantasy, speculative fiction, and horror. Contents: (Author, title (type, year of first publication, beginning page in print edition))01 - Neil Gaiman, Snow, Glass, Apples (short story, 1995, p3)02 - Anne Rice, The Master of Rampling Gate (novelette, 1984, p13)03 - Harry Turtledove, Under St. Peter's (novelette, 2007, p33)04 - Tad Williams, Child of an Ancient City (novelette, 1988, p43)05 - Michael A. Burstein, Lifeblood (novelette, 2003, p75)06 - Barbara Roden, Endless Night (short story, 2008, p88)07 - Garth Nix, Infestation (novelette, 2008, p106)08 - Carrie Vaughn, Life Is the Teacher (short story, 2008, p120)09 - Nancy Kilpatrick, The Vechi Barbat (short story, 2007, p134)10 - Kristine Kathryn Rusch, The Beautiful, The Damned (short story, 1995, p148) 11 - David Wellington, Pinecones (short story, 2006, p161)12 - Norman Partridge, Do Not Hasten to Bid Me Adieu (novelette, 1994, p165)13 - Sergei Lukyanenko, Foxtrot at High Noon (short story, 2008, p180)14 - Michael Marshall Smith, This Is Now (short story, 2004, p189)15 - Nancy Holder, Blood Gothic (short story, 1985, p199)16 - Jane Yolen, Mama Gone (short story, 1991, p204)17 - Joe Hill, Abraham's Boys (short story, 2004, p209)18 - Tanith Lee, Nunc Dimittis (novelette, 1983, p224)19 - Gabriela Lee, Hunger (short story, 2007, p240)20 - Caitlín R. Kiernan, Ode to Edvard Munch (short story, 2006, p250)21 - L.A. Banks, Finders Keepers (short story, 2008, p256)22 - Brian Stableford, After the Stone Age (short story, 2004, p275)23 - Kevin J. Anderson, Much at Stake (short story, 1991, p286)24 - Elizabeth Bear, House of the Rising Sun (short story, 2005, p297)25 - Lilith Saintcrow, A Stand-Up Dame (short story, 2008, p302)26 - Kelley Armstrong, Twilight (novelette, 2007, p316)27 - Eric Van Lustbader, In Darkness, Angels (novelette, 1983, p333)28 - Barbara Hambly, Sunrise on Running Water (novelette, 2007, p355)29 - Bruce McAllister, Hit (short story, 2008, p372)30 - Ken MacLeod, Undead Again (short story, 2005, p385)31 - Robert J. Sawyer, Peking Man (short story, 1996, p388)32 - Ben Lumley, Necros (short story, 1986, p396)33 - Catherynne M. Valente, Exsanguinations: A Handbook for the Educated Vampire by Anna S. Oppenhagen-Petrescu (short story, 2005, p409)34 - Charles Coleman Finlay, Lucy, In Her Splendor (short story, 2003, p415)35 - John Langan, The Wide, Carnivorous Sky (short story, 2009, p426)36 - Stephen King, One for the Road (short story, 1977, p464)37 - Ross E. Lockhart, For Further Reading (By Blood We Live) (essay, 2008, p477)

    St John is everything Henry isn't: Brilliant, graceful, rich, universally respected. And as if that wasn't enough, St John is also the leader of the Blithe Company, the clique of Natural Philosophy majors who rule Wadham with style. But when being St John's protege ends up becoming a weirder experience than Henry anticipated -- and the Blithe Company doesn't quite turn out to be the decadent, debauched crew he dreamed of -- Henry has some big decisons to make. Should he beg the forgiveness of his only friend, naive underclassman John Wilmot, 2nd Earl of Rochester, or should he ride it out with St John and try to come out on top?Tangling with a Calipash is an invariably risky endeavor. From antiquity to the modern era, few who have encountered members of that family have benefited from the acquaintance. If only Henry knew the that Calipashes are notorious for their history of sinister schemes, lewd larks, and eldritch experiments, he would realize there are way worse things than being unpopular...

    This new collection (an expansion of the limited-release Bibliomancy, which won the World Fantasy Award in 2005) showcases a wildly inventive author at the height of her powers. Included in this collection are "The Least Trumps," in which a lonely women reaches out to the world through symbols, tattooing, and the Tarot, and "Pavane for a Prince of the Air," where neo-pagan rituals bring a recently departed soul to something very different than eternal rest. Written in the author's characteristic poetic prose and rich with the details of traumatic lives that are luminously transformed, Saffron and Brimstone is a worthy addition to an outstanding career.* Elizabeth Hand's work has been selected as a Washington Post Notable Book and a New York Times Notable Book, and she has been awarded a Nebula Award and two World Fantasy Awards.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It is a place of contradictions—the bright lights mask the peeling paint; a carnie in greasy overalls slinks away from the direction of the Barker’s seductive call. It is a place of illusion—is that woman’s beard real? How can she live locked in that watery box?And while many are tricked by sleight of hand, there are hints of something truly magical going on. One must remain alert and learn quickly the unwritten rules of this dark show. To beat the carnival, one had better have either a whole lot of luck or a whole lot of guns—or maybe some magic of one’s own.Featuring stories grotesque and comical, outrageous and action-packed, Carniepunk is the first anthology to channel the energy and attitude of urban fantasy into the bizarre world of creaking machinery, twisted myths, and vivid new magic.RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    Hamantaschen’s third collection of short stories delivers more inimitable dark fiction. These are eleven tales of macabre horror, filled with estrangement, honor, wonder, terror, delusion, pity, desperation and perseverance.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    An outstanding array—52 pieces in all—of selected fiction from the multiple-award-winning, #1 New York Times bestselling author Neil Gaiman, curated by his readers around the world, and introduced with a foreword by Booker Prize-winning author Marlon JamesSpanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers, chosen by those who know his work best: his devoted readers. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults —Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories. Impressive in its depth and range, The Neil Gaiman Reader: Selected Fiction is both an entryway to Gaiman’s oeuvre and a literary trove Gaiman fans old and new will return to many times over.

    He was a man on the move, a man who traveled light: and in the end he rode, with all of his possessions, on a rented horse into the Mexican desert to join Pancho Villa -- never to return.Can Such Things Be?Once William Randolph Hearst -- Bierce's employer, who was bragging about his own endless collections of statuary, art, books, tapestries, and, of course real estate like Hearst Castle -- once William Randolph Hearst asked Bierce what he collected. Bierce responded, smugly: "I collect words. And ideas. Like you, I also store them. But in the reservoir of my mind. I can take them out and display them at a moment's notice. Eminently portable, Mr. Hearst. And I don't find it necessary to show them all at the same time." Such things can be. (jacketless library hardcover)

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.