Berlin 1939. When her husband doesn't come home one day, Ariella realises that the only way she can ensure her Jewish children's safety is to avail of the Kindertransport, but can she bear to let them go?A thousand miles away, Elizabeth Klein has closed herself off from the world. Losing her husband on the last day of the Great War, and her child months later, she cannot, will not, love again. It hurts too much.But she is all Liesl and Erich Bannon have.Thrown together in the wild countryside of Northern Ireland, Elizabeth and the Bannon children discover that life in the country is anything but tranquil. Danger and intrigue lurk everywhere, and some people are not what they seem.

    Physics professor Alfred Mendl is separated from his family and sent to the men’s camp, where all of his belongings are tossed on a roaring fire. His books, his papers, his life’s work. The Nazis have no idea what they have just destroyed. And without that physical record, Alfred is one of only two people in the world with his particular knowledge. Knowledge that could start a war, or end it.Nathan Blum works behind a desk at an intelligence office in Washington, DC, but he longs to contribute to the war effort in a more meaningful way, and he has a particular skill set the U.S. suddenly needs. Nathan is fluent in German and Polish, he is Semitic looking, and he proved his scrappiness at a young age when he escaped from the Polish ghetto. Now, the government wants him to take on the most dangerous assignment of his life: Nathan must sneak into Auschwitz, on a mission to find and escape with one man.This historical thriller from New York Times bestseller Andrew Gross is a deeply affecting, unputdownable series of twists and turns through a landscape at times horrifyingly familiar but still completely compelling.

    The sound of gunfire at an Anne Frank exhibit, the panic, the crowd, and Nicole is no longer Nicole. Whiplashed through time and space, she wakes to find herself a privileged Jewish girl living in German-occupied Paris during World War II. No more Internet diaries and boy troubles for Nicole - now she's a carefree Jewish girl, with wonderful friends and a charming boyfriend. But when the Nazi death grip tightens over France, Nicole is forced into hiding, and begins a struggle for survival that brings her face to face with Anne Frank. "This is a powerful and affecting story." (KLIATT)

    Anna, a "hidden child" during World War II, struggles to adjust to freedom and overcome her fears in Holland after the Holocaust.

    What would you sacrifice for love? Your home? Your material possessions? Your family and friends? Your principles? Your life?PrologueDetrick, a seven-year-old Aryan boy, with blonde hair that shines like the rays of the sun rides his brand new bicycle down a main street of Berlin in 1923. Young and carefree, he’s fully experiencing freedom for the first time. It is mid-day and the street is filled with humanity. Vendors hawk their wares and haggle with potential shoppers, while a few of the new inventions called automoblies honk as make their way through the crowded roads. There is so much to look at, to smell, and to take in, the fresh baked bread, the chocolate candy, the fresh fruit. Detrick is swept away by all of the activities surrounding him, so he is not paying attention when suddenly a horse drawn cart appears causing him to fall. Embarrassed and upset he decides to walk his damaged bicycle home by a different path, one where he is unlikely to be forced to face his friends. A path through the Jewish sector of town. It is here that he meets Jacob Abdenstern, a lovable Jewish bicycle repair man who offers to help the little boy. Detrick having an alcoholic, anti-Semitic father finds a friend and much-needed paternal figure in Jacob. A relationship flourishes between the two of them that will alter both of their lives forever.

    It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological.Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig's story.This new translation of Chess Story brings out the work's unusual mixture of high suspense and poignant reflection.

    After the Jews in their town are rounded up, Roza and her five-year-old daughter, Shira, spend day and night hidden in a farmer's barn. Forbidden from making a sound, only the yellow bird from her mother's stories can sing the melodies Shira composes in her head.Roza does all she can to take care of Shira and shield her from the horrors of the outside world. They play silent games and invent their own sign language. But then the day comes when their haven is no longer safe, and Roza must face an impossible choice: whether to keep her daughter close by her side, or give her the chance to survive by letting her go . . . The Yellow Bird Sings is a powerfully gripping and deeply moving novel about the unbreakable bond between parent and child and the triumph of humanity and hope in even the darkest circumstances.

    Some of the lessons she imparts are surprising, as when she argues, against other historians, that the female camp guards were far more humane than their male counterparts, and when she admits that she has difficulty today queuing in line, a constant of camp life, "out of revulsion for the bovine activity of simply standing." Her memories of her youth are punctuated by sharp reflections on the meaning of the Shoah, and how it should best be memorialized in a time when ever fewer survivors are left to act as witnesses. Those reflections are often angry -- "Absolutely nothing good came out of the concentration camps," she writes, recalling an argument with a naive German graduate student, "and he expects catharsis, purgation, the sort of thing you go to the theatre for?"But they are constantly provocative, too. Though readers will doubtless take issue with some of her conclusions, Kluger's insistent memoir merits a wide audience. --Gregory McNamee

    Her parents were not so lucky. Esther knows they were sent to a concentration camp and died there, and with Daniel’s help she embarks on a search to discover what happened to them during the last months of their lives. After tracking down an old friend who now lives in Israel, Esther finally learns the shocking story of how her parents met their fates at Auschwitz.

    In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene’s childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. In the early 1920s, after their father's death, Helene and Martha move to Berlin, where Helene falls in love with a philosophy student named Carl, and finds a place for herself for the first time. But when Carl dies just before their engagement, life becomes largely meaningless for her, and she takes refuge in her work as a nurse. At a party Helene meets an ambitious civil engineer who wants to build motorways for the Reich and make Helene his wife. Their marriage proves disastrous, but produces a son, and Helene soon finds the love demanded by the little boy more than she can provide. Julia Franck’s unforgettable English language debut throws new light on life in early-twentieth-century Germany, revealing the breathtaking scope of its citizens’ denial—the “blindness of the heart” that survival often demanded. The reader, however, brings his or her own historical perspective to bear on the events unfolding, and the result is a disturbing and compulsive reading experience about a country ravaged from the inside out.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    With Romania recently allied with the Nazis, the Jewish population is in grave danger, undergoing increasingly violent persecution. The girl is placed in an orphanage and eventually adopted by a wealthy childless couple who name her Natalia. As she assimilates into her new life, she all but forgets the parents who were forced to leave her behind. They are even further from her mind when Romania falls under Soviet occupation.Yet, as Natalia comes of age in a bleak and hopeless world, traces of her identity pierce the surface of her everyday life, leading gradually to a discovery that will change her destiny. She has a secret crush on Victor, an intense young man who as an impoverished student befriended her family long ago. Years later, when Natalia is in her early twenties and working at a warehouse packing fruit, she and Victor, now an important official in the Communist regime, cross paths again. This time they are fatefully drawn into a passionate affair despite the obstacles swirling around them and Victor’s dark secrets.When Natalia is suddenly offered a one-time chance at freedom, Victor is determined to help her escape, even if it means losing her. Natalia must make an agonizing decision: remain in Bucharest with her beloved adoptive parents and the man she has come to love, or seize the chance to finally live life on her own terms, and to confront the painful enigma of her past.

    Out of the past, another Tamar emerges, a man involved in the terrifying world of resistance fighters in Nazi-occupied Holland half a century before. His story is one of passionate love, jealousy, and tragedy set against the daily fear and casual horror of the Second World War -- and unraveling it is about to transform Tamar’s life forever. From acclaimed British sensation Mal Peet comes a masterful story of adventure, love, secrets, and betrayal in time of war, both past and present.

    Franciscan friar Anton Starzmann is stripped of his place in the world when his school is seized by the Nazis. He relocates to a small German hamlet to wed Elisabeth Herter, a widow who seeks a marriage—in name only—to a man who can help raise her three children. Anton seeks something too—atonement for failing to protect his young students from the wrath of the Nazis. But neither he nor Elisabeth expects their lives to be shaken once again by the inescapable rumble of war. As Anton struggles to adapt to the roles of husband and father, he learns of the Red Orchestra, an underground network of resisters plotting to assassinate Hitler. Despite Elisabeth’s reservations, Anton joins this army of shadows. But when the SS discovers his schemes, Anton will embark on a final act of defiance that may cost him his life—even if it means saying goodbye to the family he has come to love more than he ever believed possible.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.