(2) It is always wrong to have children. (3) It is wrong not to abort fetuses at the earlier stages of gestation. (4) It would be better if, as a result of there being no new people, humanity became extinct. These views may sound unbelievable--but anyone who reads Benatar will be obliged to take them seriously.

    He also includes the first complete translation into English of the contexts in which the fragments have been transmitted to us, and of the ancient testimonia regarding Parmenides' life and thought. All of the fragments have been translated in full and are arranged in the order that has become canonical since the publication of the fifth edition of Diels-Rranz's Die Fragmente der Vorsokratiker. Alternative renderings are provided for passages whose meaning is disputed or where major questions of interpretation hinge upon the text or translation adopted.In an extended introductory essay, Gallop offers guidance on the background of the poem, and a continuous exposition of it, together with a critical discussion of its basic argument. The volume also includes an extensive bibliography, a glossary of key terms in the poem, and a section on sources and authorities.

    Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.

    Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to blossom fully into themselves.

    Barthes's essay argues against traditional literary criticism's practice of incorporating the intentions and biographical context of an author in an interpretation of a text, and instead argues that writing and creator are unrelated.

    The author shows that no matter how bizarre a people's behavior may seem, it always stems from concrete social and economic conditions. It is by isolating and identifying these conditions that we will be able to understand and cope with some of our own apparently senseless life styles. In a devastating attack on the shamans of the counterculture, the author states the case for a return to objective consciousness and a rational set of political commitments.