German soldiers raid the theater, round up the boys in the audience, and pack them onto a train. After a terrifying journey, Roberto and his best friend Samuele find themselves in a brutal work camp, where food is scarce and horror is everywhere. The boys vow to stay together no matter what. But Samuele has a dangerous secret, which, if discovered, could get them both killed. Lovers of historical fiction will be captivated by this tragic, triumphant, and deeply moving novel.

    Dragged to New Hampshire for the summer, Marcie soon realizes that her mom has no plans for them to return to Marcie's father in Idaho. As Marcie starts at a new school, without her ragtag group of friends called the Leftovers, a new romance heats up, but she struggles to understand what love really means.Perfect for fans of romances like Anna and the French Kiss and those by Sarah Dessen as well as readers of poetry, Love and Leftovers is a beautiful and fresh take on love.

    To cope, she tries to live by the Fat Girl Rules–like “no making waves,” “avoid eating in public,” and “don’t move so fast that your body jiggles.” And she’s found her safe space–her swimming pool–where she feels weightless in a fat-obsessed world. In the water, she can stretch herself out like a starfish and take up all the room she wants. It’s also where she can get away from her pushy mom, who thinks criticizing Ellie’s weight will motivate her to diet. Fortunately, Ellie has allies in her dad, her therapist, and her new neighbor, Catalina, who loves Ellie for who she is. With this support buoying her, Ellie might finally be able to cast aside the Fat Girl Rules and starfish in real life–by unapologetically being her own fabulous self.

    And she's sick of herself. So when she spots mysterious bad boy Grady Dillon, she devises a plan to make herself over into someone new, someone who will attract Grady's attention. She succeeds but a little too well. When Molly discovers she's pregnant, she's forced to make the hardest choice of her life. This addictive readable portrayal of Molly's struggle to accept her pregnancy and the fact that her life will never be the same is told entirely in poetry, from sonnets to haiku.

    Can it get any worse than this? Carmen imagines she's been kidnapped -- how else did she wind up as one of the Cathcarts. . . . At almost thirteen she's the oldest, with five noisy little brothers, a dreamy mom, and a sometimes reckless dad.When she's a famous artist, she'll get away from them all!This wonderfully honest and bighearted first novel mirrors life. Carmen Cathcart becomes a friend as, with a voice that is deeply moving yet often funny, she shares the importance of holding on to your dreams and what it means to be a family.

    Now she's staying there, away from her parents and her school in Boston. Everyone is worried about the pandemic, but on the reservation, everyone protects each other, from Malian caring for her grandparents to the local dog, Malsum, guarding their house. They always survive together.Malian hears stories from her grandparents about how it has always been this way in their community: Stories about their ancestors, who survived epidemics of European diseases; about her grandfather, who survived a terrible government boarding school; and about Malian's own mother, who survived and returned to her Native community after social services took her away to live in foster care as a child. With their community and caring for one another, Malian and her family will survive this pandemic, too.

    When she and her mother move yet again, she tries to hide her TS. But it isn't long before the kids at her new school realize she's different. Only Calli's neighbor, who is also the popular student body president, sees her as she truly is—an interesting person and a good friend. But is he brave enough to take their friendship public? As Calli navigates school, she must also face her mother's new relationship and the fact that she might be moving, again, just as she starts to make friends and finally accept her differences.

    Strong females smack of the unfeminine. They have been called wicked, wanton, and willful. Sometimes that is a just designation, but just as often it is not. "Well-behaved women seldom make history," is the frequently quoted statement by historian and feminist Laurel Thatcher Ulrich. But what makes these misbehaving women "bad"? Are we idolizing the wicked or salvaging the strong?In BAD GIRLS, readers meet twenty-six of history’s most notorious women, each with a rotten reputation. But authors Jane Yolen and Heidi Stemple remind us that there are two sides to every story. Was Delilah a harlot or hero? Was Catherine the Great a great ruler, or just plain ruthless? At the end of each chapter, Yolen and Stemple appear as themselves in comic panels as they debate each girl’s badness—Heidi as the prosecution, Jane for context.This unique and sassy examination of famed, female historical figures will engage readers with its unusual presentation of the subject matter. Heidi and Jane’s strong arguments for the innocence and guilt of each bad girl promotes the practice of critical thinking as well as the idea that history is subjective. Rebecca Guay’s detailed illustrations provide a rich, stylized portrait of each woman, while the inclusion of comic panels will resonate with fans of graphic novels.

    But when her mother is diagnosed with breast cancer, Emma's family moves to a town outside Lowell, Massachusetts, to stay with Emma's grandmother while her mom undergoes treatment.Emma feels out of place in the United States.She begins to have migraines, and longs to be back in Japan. At her grandmother's urging, she volunteers in a long-term care center to help Zena, a patient with locked-in syndrome, write down her poems. There, Emma meets Samnang, another volunteer, who assists elderly Cambodian refugees. Weekly visits to the care center, Zena's poems, dance, and noodle soup bring Emma and Samnang closer, until Emma must make a painful choice: stay in Massachusetts, or return home early to Japan.

    Her family's small farmhouse seems to shrink each time another mansion grows up behind it. She lives with her career-obsessed mom and opinionated Gran, but has never known her father. Then there's her cerebral palsy: even if Josie wants to forget that she was born with a disability, her mom can't seem to let it go. Yet when a strange new boy—Jordan—moves into one of the houses nearby, he seems oblivious to all the things that make Josie different. Before long, Josie finds herself reaching out for something she's never really known: a friend… and possibly more. Interlinked free verse poems tell the beautiful, heartfelt story of a girl, a family farm reduced to a garden, and a year of unforgettable growth.

    To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point—he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.As Sage moves from a rundown orphanage to Conner's sumptuous palace, layer upon layer of treachery and deceit unfold, until finally, a truth is revealed that, in the end, may very well prove more dangerous than all of the lies taken together.

    But instead of filling their cramped tenement apartment with Italian lullabies, Mamma is out on the streets singing union songs, and Rosa is terrified that her mother and older sister, Anna, are endangering their lives by marching against the corrupt mill owners. After all, didn’t Miss Finch tell the class that the strikers are nothing but rabble-rousers—an uneducated, violent mob? Suppose Mamma and Anna are jailed or, worse, killed? What will happen to Rosa and little Ricci? When Rosa is sent to Vermont with other children to live with strangers until the strike is over, she fears she will never see her family again. Then, on the train, a boy begs her to pretend that he is her brother. Alone and far from home, she agrees to protect him . . . even though she suspects that he is hiding some terrible secret. From a beloved, award-winning author, here is a moving story based on real events surrounding an infamous 1912 strike.

    After her father died in the mines and her mother ran off, he was her last caretaker. They’d always dreamed of leaving Caboose, West Virginia together someday, but instead she’s in foster care, feeling more stuck and broken than ever.But then Sasha discovers family she didn’t know she had, and she finally has something to hold onto, especially sweet little Mikey, who’s just as broken as she is. Sasha even makes her first friend at school, and is slowly learning to cope with her brother’s death through writing poetry, finding a new way to express herself when spoken words just won’t do. But when tragedy strikes the mine her cousin works in, Sasha fears the worst and takes Mikey and runs, with no plans to return. In this sensitive and poignant portrayal, Sarah Dooley shows us that life, like poetry, doesn’t always take the form you intend.

    His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much.But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment he, his mother, and sister fled Iran in the middle of the night, stretching all the way back to family tales set in the jasmine-scented city of Isfahan, the palaces of semi-ancient kings, and even the land of stories.We bounce between a school bus of kids armed with paper clip missiles and spitballs, to the heroines and heroes of Kosrou's family's past, who ate pastries that made them weep, and touched carpets woven with precious gems.Like Scheherazade in a hostile classroom, author Daniel Nayeri weaves a tale of Khosrou trying to save his own life: to stake his claim to the truth. And it is (a true story).It is Daniel's.

    From New York Times bestselling Shel Silverstein, celebrated creator of Where the Sidewalk Ends, A Light in the Attic, and Falling Up, comes an amazing collection of never-before-published poems and drawings.Have you ever read a book with everything on it? Well, here it is! You will say Hi-ho for the toilet troll, get tongue-tied with Stick-a-Tongue-Out-Sid, play a highly unusual horn, and experience the joys of growing down.What's that? You have a case of the Lovetobutcants? Impossible! Just come on in and let the magic of Shel Silverstein bend your brain and open your heart.And don't miss Runny Babbit Returns, the new book from Shel Silverstein!