Not to mention more alarming, entertaining, spectacular, dangerous or farcical. All of which is pretty closely connected with the mode of transport you're dependent on - from stubborn mule to ancient plane. Brian Thacker has been on the look-out for unusual vehicles ever since he travelled down the Ovens River in the Victorian Alps on a rubber inner tube when he was nine years old. Here he writes about his most memorable journeys, including his trip on the Trans Siberian Express, his pub crawl on the London tube, his journey down the east coast of Australia in a truck and a camel safari with a particularly grumpy camel.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

    Henry James described him as “the happiest novelist” and “the most charming story-teller” of his day. Yet if Daudet dined in the highest company, he was also “a member of a less enviable nineteenth-century French club: that of literary syphilitics.” In the Land of Pain—notes toward a book never written—is his timelessly resonant response to the disease. In quick, sharp, unflinching strokes of his pen, Daudet wrote about his symptoms (“This is me: the one-man-band of pain”) and his treatments (“Mor-phine nights . . . thick black waves, sleepless on the surface of life, the void beneath”); about his fears and reflections (“Pain, you must be everything for me. Let me find in you all those foreign lands you will not let me visit. Be my philosophy, be my science”); his impressions of the patients, himself included, and their strange life at curative baths and spas (“Russians, both men and women, go into the baths naked . . . Alarm among the Southerners”); and about the “clever way in which death cuts us down, but makes it look like just a thinning-out.”Given Barnes’s crystalline translation, these notes comprise a record—at once shattering and lighthearted, haunting and beguiling—of both the banal and the transformative experience of physical suffering, and a testament to the complex resiliency of the human spirit.

    The first entry included here is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world??—??the anguish, the triumph, the creative vision??—??of one of the great writers of the twentieth century. “A Writer’s Diary . . . is Virginia Woolf . . . The whole vibrates with the ups and downs of a passionate relationship . . . in the intensities, variations, alarms and excursions, panics and exaltations of her relationship to her art.”??—??New York Times Book ReviewEdited and with a Preface by Leonard Woolf.

    Their wish came true when they found an old abandon farmhouse perched in the mountains. Life was good for Jada and her family, until an unknown creature started lurking around the property and terrorizing the livestock, leaving footprints around the barn and coming close to the farmhouse. Throughout the year the family would continue to hear strange yells in the night, footprints in the mud, and handprints on the windows. Sharing the Mountain with Bigfoot is a true story of one family's terrorizing encounter with an unknown creature lurking in the woods of the Appalachian Mountains. About the Author Jada L. Roberts grew up in a big city in Florida. She moved to a small town near the Appalachian Mountains when she was seventeen years old, where she met and married the man of her dreams. Nowadays, the author enjoys spending time with her first grandchild and is living far away from the Appalachian Mountains. Be sure to check out Jada L. Roberts author page for a book trailer video on this book series. amazon.com/author/jadalroberts Reach out and message the author on Facebook at www.facebook.com/jadalroberts07

    Cathy's worst fears had been realised...Through a Mother’s Tears is the poignant and heartbreaking story of how Cathy lost not only Kirsty, her youngest daughter, but Kirsty’s big sister Hayley, who died of heartbreak when the agony of her baby sister’s loss became too much to bear.

    He was about to undertake the most daring of all his many campaigns: the invasion of Russia. Meeting only sporadic opposition and defeating it easily along the way, the huge army moved forward, advancing ineluctably on Moscow through the long hot days of summer. On September 14, Napoleon entered the Russian capital, fully anticipating the Czar’s surrender. Instead he encountered an eerily deserted city—and silence. The French army sacked the city, and by October, with Moscow in ruins and his supply lines overextended, and with the Russian winter upon him, Napoleon had no choice but to turn back. One of the greatest military debacles of all time had only just begun. In this famous memoir, Philippe-Paul de Ségur, a young aide-de-camp to Napoleon, tells the story of the unfolding disaster with the keen eye of a crack reporter and an astute grasp of human character. His book, a fundamental inspiration for Tolstoy’s War and Peace, is a masterpiece of military history that teaches an all-too-timely lesson about imperial hubris and its risks.

    A collection of essays by Orwell.Contents:Why I WriteSuch, Such Were the JoysWriters and LeviathanAnti-Semitism in BritainPoetry and the MicrophoneMarrakechLooking Back on the Spanish WarInside the WhaleEngland Your England

    Wallace wrote to Caroline Henderson to praise her contributions to American "understanding of some of our farm problems." His comments reflected the national attention aroused by Henderson’s articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson’s articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains.Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma’s panhandle to homestead and teach in 1907. This collection of Henderson’s letters and articles published from 1908 to1966 presents an intimate portrait of a woman’s life in the Great Plains. Her writing mirrors her love of the land and the literature that sustained her as she struggled for survival.Alvin O. Turner has collected and edited Henderson’s published materials together with her private correspondence. Accompanying biographical sketch, chapter introductions, and annotations provide details on Henderson’s life and context for her frequent literary allusions and comments on contemporary issues.

    Johnson had in his friend Boswell the ideal biographer.Notoriously and self-confessedly intemperate, Boswell shared with Johnson a huge appetite for life and threw equal energy into recording its every aspect in minute but telling detail. This irrepressible Scotsman was 'always studying human nature and making experiments', and the marvelously vivacious Journals he wrote daily furnished him with first-rate material when he came to write his biography.The result is a masterpiece that brims over with wit, anecdote and originality. Hailed by Macaulay as the best biography ever written and by Carlyle as a book 'beyond any other product of the eighteenth century', The Life of Samuel Johnson today continues to enjoy its status as a classic of the language.This shortened version is based on the 1799 edition, the last in which the author had a hand.

    Bret was the good son, the obedient public servant, Kim the itinerant wanderer. In this family of two parent teachers, with its intermittent celebration of “talking recklessly,” there was a code of silence about hard things: “Why tell what hurts?” As childhood pleasures ebbed, this reticence took its toll on Bret, unable to reveal his troubles. Against a backdrop of the 1960s — puritan in the summer of love, pacifist in the Vietnam era — Bret became a casualty of his interior war and took his life in 1988. 100 Tricks Every Boy Can Do casts spells in search of the lost brother: climbing the water tower to stand naked under the moon, cowboys and Indians with real bullets, breaking into church to play a serenade for God, struggling for love, and making bail. In this book, through a brother’s devotions, the lost saint teaches us about depression, the tender ancestry of violence, the quest for harmonious relations, and finally the trick of joy.

    The story begins when a paragraph in a newspaper plunges the narrator into his memories as a younger man. The perspective seems to shift back and forth between the past and present, so the reader is never entirely sure if the narrator is recounting past events from memory, or retelling current events as they happen. Critics have praised the writing for its lucid and lyrical style. The narrator, of noble status who has recently come into an inheritance, decides to leave Paris, where he is living a debauched life of theater and drink, and return to the love of his youth, a peasant girl named Sylvie who has classic features and brunette hair, a "timeless ideal". She sows gloves for a living and ends up marrying another man more equal to her class. The narrator also loves a seductive actress in Paris named Aurelia, who has many suitors who tell her empty idylls of love, but none love her for who she really is, including the narrator, who sees her as a lovely illusion that fades in the daylight of reality. The narrator also loves Adrienne, of noble birth, tall with blonde hair, she is an "ideal beauty", but she lives in a convent, and dies an early death. In the end he loves all three but obtains none, seemingly for reasons both beyond and within his making.

    In this volume, she paints an intimate picture of the "Wild West," writing eloquently of flora and fauna, isolated settlers and assorted refugees from civilization, vigilance committees and lynchings, and crude table manners yet a gentle civility — even chivalry — among the men she encountered in the wilderness. Thoughtfully written, this captivating narrative provides a vibrant account of a bygone era and the people that forever changed the face of the frontier.

    A. Dickey became one of the game’s best pitchers. He had humble beginnings, and as a child kept a terrible secret. But at a local prep school, coaches saw talent in him and fostered his skills as a player. Dickey went on to pitch in the Olympics while at the University of Tennessee, but his Major League hopes took a downturn when an X-ray revealed a major problem with his throwing arm. It would seem his future in baseball was over before it even began.But R.A. knew better. Through faith, hope, and determination, he achieved his dreams and made it into the major leagues. Now, he’s one of the most respected pitchers in the game, a Cy Young Award winner, and he's changed the way people view the knuckleball – and himself. An inspiring true story about beating the odds, R.A. is proof that with hard work and devotion, anyone can overcome whatever life throws at them.