Distraught over her parents' separation, Abigail follows a strange child called Beatie Bow and time slips back a hundred years where she becomes involved with an Australian shopkeeper's family.

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    Sarah, Hannah’s grandmother, is returning to the country of her birth, a place she hasn’t seen since boarding the USS Mariposa in 1945. She, along with countless other war brides, sailed across the Pacific to join the American Servicemen they’d married during World War II.Hannah is the age Sarah was when she made her first journey, and in hearing Sarah tell the story of her life, realises the immensity of what her grandmother gave up.The Passengers is a luminous novel about the journeys we undertake, the sacrifices we make and the heartache we suffer for love. It is about how we most long for what we have left behind. And it is about the past - how close it can feel - even after long passages of time.Praise for The Passengers: ‘A compelling novel about the bruises inflicted by fate and by ourselves, and the blessings to be found in resilience, determination, and love.’ - Debra Adelaide, author of The Household Guide to Dying‘Two women, two generations, two countries, two journeys. Eleanor Limprecht gracefully navigates the crosscurrents of history and creates vibrant characters from the extraordinary true experiences of Australian war brides. Sarah and Hannah’s urgent search for love and wholeness moved me in both senses: they touched my hearts and I still feel I am churning across the Pacific with them. A deeply satisfying novel.’ - Susan Wyndham, former literary editor, The Sydney Morning Herald'I loved this book and I loved its characters, beautifully observed and movingly examined by Limprecht’s exquisite prose. A stunning exploration of hope and desire, fear and control, this story is full of heart and heartbreak.’ - Ashley Hay, author of The Railwayman’s Wife

    In secret, Hiromi Sato hires Mai as a 'rental sister', to write letters to Hikaru and encourage him to leave his room.Mai has recently married J, a devoted salaryman with conservative ideas about the kind of wife Mai will be. The renewed contact with her old school friend Hikaru stirs Mai's feelings of invisibility within her marriage. She is frustrated with her life and knows she will never fulfill J's obsession with the perfect wife and mother.What else is there for Mai to do but to disappear herself?

    It takes us from backstage at the ballet to the trial of a woman for the murder of her newborn baby. It moves effortlessly from the significance of moving house to the pleasure of re-reading Pride and Prejudice.Everywhere I Look includes Garner's famous and controversial essay on the insults of age, her deeply moving tribute to her mother and extracts from her diaries, which have been part of her working life for as long as she has been a writer. Everywhere I Look glows with insight. It is filled with the wisdom of life.

    To which I say something like: ‘People are infinitely complex.’ But I say it in such a way—so pregnant with misanthropy—that it’s obvious I hate her.​Michaela and Eve are two bright, bold women who befriend each other their first year at a residential college at university, where they live in adjacent rooms. They could not be more different; one assured and popular – the other uncertain and eager-to-please. But something happens one night in O-week – a drunken encounter, a foggy memory that will force them to confront the realities of consent and wrestle with the dynamics of power.Initially bonded by their wit and sharp eye for the colleges’ mix of material wealth and moral poverty, Michaela and Eve soon discover how fragile friendship is, and how capable of betrayal they both are.​Written with a strikingly contemporary voice that is both wickedly clever and incisive, issues of consent, class and institutional privilege, and feminism become provocations for enduring philosophical questions we face today.

    A lyrical, heartbreaking epic debut.An isolated property in the middle of Western Australia, just after the Great War. An English heiress has just given birth and unleashed hell. Weakened and grieving, she realises her life is in danger, and flees into the desert with her Aboriginal maid. One of them is running from a murderer; the other is accused of murder.Soon the women are being hunted across the Kimberley by troopers, trackers and the man who wants to silence them both. How they survive in the searing desert and what happens when they are finally found will take your breath away.

    They all have a curled fourth toe – Diana, Lucy, Pearl.When Pearl’s grandmother Nell dies unexpectedly, Pearl and her family – mother Diana, sister Lucy – return to Kangaroo Island to mourn and farewell her. Each of them knew Nell intimately but differently, and each woman must reckon with Nell’s passing in her own way. But Nell had secrets, too, and as Pearl, Diana and Lucy interrogate their feelings about the island, Pearl starts to pull together the scraps Nell left behind – her stories, poems, paintings – and unearths a connection to the island’s early history, of the early European sealers and their first contact with the Ngarrindjeri people.As the three women are in grief pulled apart from each other, Pearl’s deepening connection to their history, the island’s history, grounds her, and will ultimately bring the women back to each other. Heart of the Grass Tree is an exquisite, searing and hope-filled debut about mothers and daughters and family stories, about country and its living history.

    Heart-wrenching, heart-warming and ultimately uplifting--a story about the power of a little kindnessA story of friendship, love and what it means to truly live when, sometimes, it may seem easier not to.Caitlin is convinced she's going to die.Two years ago she was a normal twenty-something with a blossoming career and a plan to go travelling with her best friend, until a car accident left her with a deep, unshakable understanding that she's only alive by mistake.Caitlin deals with these thoughts by throwing herself into work, self-medicating with alcohol, and attending a support group for people with death-related anxiety, informally known as the Morbids.But when her best friend announces she's getting married in Bali, and she meets a handsome doctor named Tom, Caitlin must overcome her fear of death and learn to start living again.Beautiful, funny, and universally relatable this story of hidden loneliness and the power of compassion and companionship reminds us that life is an adventure truly worth living.

    But it's 1967, and bigger things keep getting in the way. Digger is finding out who he is, what he believes, and what's worth fighting for.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    The main character, Ruby, refugee of a massacre, shelters in the woods where she befriends an Irishman trapper.The poems convey how fear of discovery is overcome by the need for human contact which, in a tense unravelling of events, is forcibly challenged by an Aboriginal lawman. The natural world is richly observed and Ruby's courtship is measured by the turning of the seasons.

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.

    Sydney, city of secrets and gossip. Seventeen-year-old Isobel Macleod is determined to save her father because she loves him. But when she dares to trespass in a forbidden male world, she will be plunged into social disgrace. A wave of ill fortune threatens to swallow up her family and their stately home, Rosemount Hall, 'the finest house in the colony' on the foreshores of Sydney Harbour. Is Isobel to blame for her family's fate or does the cause lie further in the past? When Isobel was four, Major Macleod returned from an expedition with two 'souvenirs': an Aboriginal girl who became her friend and two opals fashioned into a dragonfly brooch for her mother. When Isobel inherits this 'unlucky' heirloom, she wonders if the terrible dreams it summons are a curse or a gift. Now Isobel's hopes for her future depend on a charming bohemian who encourages her hidden passion to become an artist. Will she now be permanently exiled from her family home? Or will she be transformed into a new self, like a magnificent dragonfly emerging into the sunlight? A daughter sacrifices her reputation, two men bid for the love of a woman, freedom is found in the heart of a dust storm, a father's legacy reveals past crimes. Inspired by Elizabeth Bay House and the other grand villas of Sydney's Woolloomooloo Hill, The Opal Dragonfly tells the bittersweet story of an ambitious family's fall from grace and a brave young woman's struggle to find her true self.