But paradoxically the faction-ridden Lebanese, both Christians and Muslims, have never shown a keener consciousness of common identity. How can this be? In the light of modern scholarship, a famous Lebanese writer and scholar examines the historical myths on which his country's warring communities have based their conflicting visions of the Lebanese nation. He shows that Lebanon cannot afford this divisiveness, that in order to develop and maintain a sense of political unity, it is necesary to distinuish fact from fiction and then build on what is real in the common experience of both groups.Salibi offers a major reinterpretation of Lebanese history and provides remarkable insights into the dynamic of Lebanon's recent conflict. In so doing, he illuminates important facets of his country's present and future. This book also gives a masterly account of how the imagined communities that underlie modern nationalism are created and will be of interest to students of international affairs as well as Near Eastern scholars.

    Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. "The Color of Christ" uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.