However, the iconic women of the 1990s—such as Hillary Clinton, Courtney Love, Roseanne Barr, Marcia Clark, and Anita Hill—earned their places in history not as trailblazers, but as whipping girls of the media. During this decade, American society grew increasingly hostile to women who dared to speak up, challenge power, or defy rigid expectations for female behavior.Deeply researched yet thoroughly engaging, 90s Bitch untangles the complex history of women in the 1990s, exploring how they were maligned by the media, vilified by popular culture, and objectified in the marketplace. In an age where even a presidential nominee can be derided as a “nasty woman,” it’s clear that the epidemic of casting women as bitches persists. To understand why we must take a long, hard look back at the 1990s—a decade in which female empowerment was twisted into bitchification and exploitation.Yarrow’s thoughtful, clear-eyed, and timely examination is a must-read for anyone seeking to understand gender politics and how we might end the “bitch epidemic” for the next generation.

    Even before its usage to mean a female canine, bitch didn’t refer to gender at all—it originated as a gender-neutral word meaning genitalia. A perfectly innocuous word devolving into a female insult is the case for tons more terms, including hussy, which simply meant “housewife,” or slut, which meant “untidy” and was also used to describe men. These words are just a few among history’s many English slurs hurled at women. Amanda Montell, feminist linguist and staff features editor at online beauty and health magazine Byrdie.com, deconstructs language—from insults and cursing to grammar and pronunciation patterns—to reveal the ways it has been used for centuries to keep women form gaining equality. Ever wonder why so many people are annoyed when women use the word “like” as a filler? Or why certain gender neutral terms stick and others don’t? Or even how linguists have historically discussed women’s speech patterns? Wordslut is no stuffy academic study; Montell’s irresistible humor shines through, making linguistics not only approachable but both downright hilarious and profound.

    There are many more shades than that and here are fifty women to explore them. Fifty years after the publication of The Feminine Mystique, have women really exchanged purity and maternity to become desiring machines inspired only by variations of sex, shopping and masochism - all coloured a brilliant neuro-pink?In this volume, fifty women young and old - writers, politicians, actors, scientists, mothers - reflect on the shades that inspired them and what being woman means to them today.Contributors include: Tahmima Anam, Joan Bakewell, Bidisha, Lydia Cacho, Nina Power, Shami Chakrabarti, Lennie Goodings, Linda Grant, Natalie Haynes, Siri Hustvedt, Jude Kelly, Kathy Lette, Kate Mosse, Bee Rowlatt, Elif Shafak, Ahdaf Soueif, Shirley Thompson, Natasha Walter, Jeanette Winterson - alongside the three editors.

    Now, however, conversation has turned to whether it's necessary to have it all or, perhaps more controversial, whether children are really a requirement for a fulfilling life. The idea that some women and men prefer not to have children is often met with sharp criticism and incredulity by the public and mainstream media.In this provocative and controversial collection of essays, curated by writer Meghan Daum, sixteen acclaimed writers explain why they have chosen to eschew parenthood. Contributors Lionel Shriver, Sigrid Nunez, Kate Christiensen, Elliott Holt, Geoff Dyer, and Tim Kreider, among others, offer a unique perspective on the overwhelming cultural pressure of parenthood.Selfish, Shallow, and Self-Absorbed makes a thoughtful and passionate case for why parenthood is not the only path in life, taking our parent-centric, kid-fixated, baby-bump-patrolling culture to task in the process. What emerges is a more nuanced, diverse view of what it means to live a full, satisfying life.

    In Click, editors Courtney E. Martin and J. Courtney Sullivan bring us a range of women—including Jessica Valenti, Amy Richards, Shelby Knox, Winter Miller, and Jennifer Baumgardner—who share stories about how that moment took shape for them. Sometimes emotional, sometimes hilarious, this collection gives young women who already identify with the feminist movement the opportunity to be heard—and it welcomes into the fold those new to the still-developing story of feminism.

    Rain and Aiden James! Gabriel Radu isn’t your average 'thirtyish' detective... that’s because he's a three-hundred-year-old warlock. Residing in the quaint but quirky town of Denmark, Tennessee, the semi-immortal 'Gabe' is called upon from time to time to assist local law enforcement in solving unusual crimes that often end in murder. And, by unusual, the crimes always involve something he's quite familiar with: Magic. When Sheriff Billy McCain comes calling for help in solving the brutal slayings of a pair of homeless men, whose corpses have been marked by a dark snake and scythe symbol beneath the napes of their necks, Gabriel eagerly accepts the challenge to help solve the case and bring the killer, or killers, to justice. But the assignment comes with a terrifying caveat... the mark left upon both victims points to an ancient entity that rarely visits our world. Known in Gabe’s Romanian homeland as the Sufletul, or Soul Taker, in the previous centuries this immortal fiend has arisen, it has left widespread death and destruction in its wake. The initial killings soon begin to multiply, and the mysterious reasons behind why this ancient menace has chosen the tiny town of Denmark begin to come into focus for Gabriel. Relying on his investigative instincts and courage, as well as precious insights from trusted friends and his family of witches and warlocks, the quest to stop the growing body count before it erupts into uncontrolled carnage brings Gabriel closer and closer to a confrontation with... The Soul Taker.

    “Half memoir, half polemic, and entirely necessary,” (Elle UK), Moran’s debut was an instant runaway bestseller in England as well as an Amazon UK Top Ten book of the year; still riding high on bestseller lists months after publication, it is a bona fide cultural phenomenon. Now poised to take American womanhood by storm, here is a book that Vanity Fair calls “the U.K. version of Tina Fey’s Bossypants….You will laugh out loud, wince, and—in my case—feel proud to be the same gender as the author.”

    But over time they started to feel uneasy – not just about magazines, but about music videos, page 3, and women being labelled frigid, princesses or tramps.So, following the amazing success of their Vagenda blog, they wrote this book. Welcome to your indispensable guide to the madness of women’s media.

    An acclaimed expose that has already helped reform Olympic sports—now updated to reflect the latest developments in women's gymnastics and figure skating—it continues to plead for sanity, safety, and an end to our national obsession: winning at any cost.

    In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial. As far back as Homer’s Odyssey, Beard shows, women have been prohibited from leadership roles in civic life, public speech being defined as inherently male. From Medusa to Philomela (whose tongue was cut out), from Hillary Clinton to Elizabeth Warren (who was told to sit down), Beard draws illuminating parallels between our cultural assumptions about women’s relationship to power—and how powerful women provide a necessary example for all women who must resist being vacuumed into a male template. With personal reflections on her own online experiences with sexism, Beard asks: If women aren’t perceived to be within the structure of power, isn’t it power itself we need to redefine? And how many more centuries should we be expected to wait?

    The book won the Booksellers best non-fiction award for 2020, and has been short listed for two other prestigious literary awards in Norway: The Brageprisen for best non-ficion in 2019. And the The Norwegian Literary Critics Award.The Norwegian-Pakistani award winning investigative journalist starts off by researching her own family history. Her research leads her to writing a comprehensive, in-depth account of the «other women» in Norwegian society.Painstaking, time-consuming, she sifts through the national archives for stories of the migrant woman. She does so with finesse and sensitivity. Traits otherwise denied to migrant women in the public discourse portraying them as helpless, the weak and incapable of agency.In an age of instantly delivered fake news and distorted historical narratives, the book is an anchor of quiet reflection, admirable characters and flawless prose. This book embraces the general while sweeping away the vast generalisations that have coloured debate in the national media. Furthermore the individual is revered as a high achieving member of society who has made vast contributions to the national exchequer. Shazia’s own story is compelling as is that of the family matriarch who against all odds raises 5 accomplished daughters. In depth interviews add substance to this brilliantly researched book. An important behind the scenes narrative that clearly illustrates how instant journalism colours current discourse and a book best described as significant, important and necessary. Norway has been shaped by women of ALL colours. And in the fight for gender equality, homes are an important battleground. And so these silent women are finally out of the shadows and history has been made.

    In a refreshing debut that is never sanitized nor slick, Periel Aschenbrand, who is part Israeli and part New York Jew, delivers raunchy and hilarious truths about sex, politics, and how best to improve the youth of America.

    In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

     Her godmother's son, Luc Deverill, the Earl of Newbury, suspects fraud. Thrown together during the social whirl of a Regency season in full swing, Luc is increasingly drawn towards Clarissa but she thinks him an idle dissipate and finds little to admire in the ways of high society. Racing against time to foil those seeking to deceive Clarissa, Luc is horrified when she places herself in the path of danger. At last a woman has dented his impenetrable heart and he rides to her rescue. But has he left it too late to tell her how he feels?

    Too sensitive, or not sensitive enough. Too dowdy or too made-up. Too big or too thin. Sluts or prudes. We are harassed, told we are asking for it, and asked if it would kill us to smile. Yes, yes it would.Contrary to the rhetoric of popular “self-help” and an entire lifetime of being told otherwise, our rage is one of the most important resources we have, our sharpest tool against both personal and political oppression. We’ve been told for so long to bottle up our anger, letting it corrode our bodies and minds in ways we don’t even realize. Yet our anger is a vital instrument, our radar for injustice and a catalyst for change. On the flip side, the societal and cultural belittlement of our anger is a cunning way of limiting and controlling our power.We are so often told to resist our rage or punished for justifiably expressing it, yet how many remarkable achievements in this world would never have gotten off the ground without the kernel of anger that fueled them? Rage Becomes Her makes the case that anger is not what gets in our way, it is our way, sparking a new understanding of one of our core emotions that will give women a liberating sense of why their anger matters and connect them to an entire universe of women no longer interested in making nice at all costs.Following in the footsteps of classic feminist manifestos like The Feminine Mystique and Our Bodies, Ourselves, Rage Becomes Her is an eye-opening book for the twenty-first century woman: an engaging, accessible credo offering us the tools to re-understand our anger and harness its power to create lasting positive change.