Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.  They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

    The true story of Diet Eman, a young Dutch woman who, with her fiance, Hein Siestma, risked everything to rescue imperiled Jews in Nazi-occupied Holland during World War II.

    While there, she reached out to the trapped Jewish families, going from door to door and asking the parents to trust her with their young children. She started smuggling them out of the walled district, convincing her friends and neighbors to hide them. Driven to extreme measures and with the help of a network of local tradesmen, ghetto residents, and her star-crossed lover in the Jewish resistance, Irena ultimately smuggled thousands of children past the Nazis. She made dangerous trips through the city’s sewers, hid children in coffins, snuck them under overcoats at checkpoints, and slipped them through secret passages in abandoned buildings.But Irena did something even more astonishing at immense personal risk: she kept secret lists buried in bottles under an old apple tree in a friend’s back garden. On them were the names and true identities of those Jewish children, recorded with the hope that their relatives could find them after the war. She could not have known that more than ninety percent of their families would perish.

    On that day 600 prisoners armed with stolen guns and grenades attacked the Nazi guards, burned the camp, and fled into the nearby Polish forests. Of these, forty survived to bear witness to man's courage in the face of the greatest evil human history has produced.

    On September 1, when she was just six years old, she was roused from her bed by her parents. Together with them, her older sisters, and her other relatives, they left their hometown of Sucha. They were among the town’s population of 780 Jews. Their decision to leave saved their lives.Lusia’s Long Journey Home tells the story of their journey of survival from the eyes of a little girl. It is an odyssey of escape and rescue full of hardships and tribulations that takes Lipiner from her idyllic small town life at the foothills of the Tatra Mountains to the frozen wastes of Siberia, and the vast wilderness of Tajikistan. Along the harsh way, she experiences hunger and poverty, desperation and fear, but she survives and perseveres through the adversities. Finally, she arrives in America, and with her memoir she shares the emotional and physical struggles of a ten-year flight to freedom. In her work, Lipiner gives a detailed and historical account of a little-known and rarely discussed group of Holocaust survivors. Lusia’s Long Journey Home is their story of resilience.

    Incredibly, after the war her heroism, like that of many others, was suppressed by communist Poland and remained virtually unknown for 60 years. Unknown, that is, until three high school girls from an economically depressed, rural school district in southeast Kansas stumbled upon a tantalizing reference to Sendler's rescues, which they fashioned into a history project, a play they called Life in a Jar. Their innocent drama was first seen in Kansas, then the Midwest, then New York, Los Angeles, Montreal, and finally Poland, where they elevated Irena Sendler to a national hero, championing her legacy of tolerance and respect for all people. Life in a Jar: The Irena Sendler Project is a Holocaust history and more. It is the inspirational story of Protestant students from Kansas, each carrying her own painful burden, each called in her own complex way to the history of a Catholic woman who knocked on Jewish doors in the Warsaw ghetto and, in Sendler's own words, "tried to talk the mothers out of their children." Inspired by Irena Sendler, they are living examples of the power of one person to change the world and models for young people everywhere.*****60% of the sales of this book are donated to the Irena Sendler/Life in a Jar Foundation. The foundation promotes Irena Sendler's legacy and encourages educators and students to emulate the project by focusing on unsung heroes in history to teach respect and understanding among all people, regardless of race, religion, or creed.

    The youngest daughter, Kieks, joined the Resistance, delivering illegal newspapers, guiding British parachutists around The Hague and preparing safe houses for Special Forces who were dropped in from England. As the War continued, she fell in love with a Resistance commander, and worked with him to rescue wounded colleagues, steal weapons from German arms dumps and move weapons around the country. They had a tumultuous parting and she continued her work, acting as a courier with a two hundred km bike ride to the north of Holland. When she returned home, she appreciated how much the war had changed her and her boyfriend, and prepared to try a reconciliation.She escaped a firing squad four times, and survived the war, mentally scarred by her experiences. She sought help, but the help she was offered came in a poisoned chalice, and she kept her secret to herself for almost fifty years.Her family in Holland was recognised by Yad Vashem, the Israeli organisation that records those who saved Jews from the Holocaust, and she was awarded a pension for her work in the Resistance by the Dutch foundation Stichting 1940-1945. It was only when these organisations acknowledged the truth of her claims that she had the confidence to tell her family of the events from long ago.

    Millions of people worldwide know of him through Ralph Fiennes’ chilling portrayal in Steven Spielberg’s film Schindler’s List. Goeth was the brutal commandant of the Plaszów concentration camp—Oskar Schindler’s drinking buddy, and yet his adversary. Responsible for the deaths of thousands, Amon Goeth was hanged in 1946.Goeth’s partner Ruth, Teege’s much-loved grandmother, committed suicide in 1983. Teege is their daughter’s daughter; her father is Nigerian. Raised by foster parents, she grew up with no knowledge of the family secret. Now, it unsettles her profoundly. What can she say to her Jewish friends, or to her own children? Who is she—truly?My Grandfather Would Have Shot Me is Teege’s searing chronicle of grappling with her haunted past. Her research into her family takes her to Poland and to Israel. Award-winning journalist Nikola Sellmair supplies historical context in a separate, interwoven narrative. Step by step, horrified by her family’s dark history, Teege builds the story of her own liberation.

    One truth prevails: the sheer scale of the evils that he unleashed on the world has made him a demonic figure without equal in this century. Kershaw's Hitler brings us closer than ever before to the character of the bizarre misfit in his 30-year ascent from a Viennese shelter for the indigent to uncontested rule over the German nation that had tried & rejected democracy in the crippling aftermath of WWI. With extraordinary vividness, Kershaw recreates the settings that made Hitler's rise possible: the virulent anti-Semitism of prewar Vienna, the crucible of a war with immense casualties, the toxic nationalism that gripped Bavaria in the 20s, the undermining of the Weimar Republic by extremists of the Right & the Left, the hysteria that accompanied Hitler's seizure of power in 1933 & then mounted in brutal attacks by his storm troopers on Jews & others condemned as enemies of the Aryan race. In an account drawing on many previously untapped sources, Hitler metamorphoses from an obscure fantasist, a drummer sounding an insistent beat of hatred in Munich beer halls, to the instigator of an infamous failed putsch &, ultimately, to the leadership of a ragtag alliance of right-wing parties fused into a movement that enthralled the German people. This volume, 1st of two, ends with the promulgation of the infamous Nuremberg laws that pushed German Jews to the outer fringes of society, & with the march of the German army into the Rhineland, Hitler's initial move toward the abyss of war.

    Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

    It wasn't long ago that Elli led a normal life; a life rich and full that included family, friends, school, and thoughts about boys. A life in which Elli could lie and daydream for hours that she was a beautiful and elegant celebrated poet.But these adolescent daydreams quickly darken in March 1944, when the Nazis invade Hungary. First Elli can no longer attend school, have possessions, or talk to her neighbors. Then she and her family are forced to leave their house behind to move into a crowded ghetto, where privacy becomes a luxury of the past and food becomes a scarcity. Her strong will and faith allow Elli to manage and adjust somehow, but what Elli doesn't know is that this is only the beginning and the worst is yet to come....A remarkable memoir. I Have Lived a Thousand Years is a story of cruelty and suffering, but at the same time a story of hope, faith, perseverance and love.

    He called it Ravensbrück, and during the years that followed thousands of people died there after enduring brutal forms of torture. All were women. There are a handful of studies and memoirs that reference Ravensbrück, but until now no one has written a full account of this atrocity, perhaps due to the mostly masculine narrative of war, or perhaps because it lacks the Jewish context of most mainstream Holocaust history. Ninety percent of Ravensbrück's prisoners were not Jewish. Rather, they were political prisoners, Resistance fighters, lesbians, prostitutes, even the sister of New York's Mayor LaGuardia. In a perverse twist, most of the guards were women themselves. Sarah Helm's groundbreaking work sheds much-needed light on an aspect of World War II that has remained in the shadows for decades. Using research into German and newly opened Russian archives, as well as interviews with survivors, Helm has produced a landmark achievement that weaves together various accounts, allowing us to follow characters on both sides of the prisoner/guard divide. Chilling, compelling, and deeply unsettling, Ravensbrück is essential reading for anyone concerned with Nazi history.

    By the end of the war, all but a few hundred of them had died in bombing raids or, more commonly, in death camps. This is the real-life story of some of the few of them - a young mother, a scholar and his countess lover, a black-market jeweler, a fashion designer, a Zionist, an opera-loving merchant, a teen-age orphan - who resourcefully, boldly, defiantly, luckily survived. In hiding or in masquerade, by their wits and sometimes with the aid of conscience-stricken German gentiles, they survived. They survived the constant threat of discovery by the Nazi authorities or by the sinister handful of turncoat Jewish "catchers" who would send them to the gas chambers. They survived to tell this tale, which reads like a thriller and triumphs like a miracle.

    As Helga witnessed Nazi brutality toward her friends and neighbors and eventually her own family she began documenting her experiences in a diary. In 1941, Helga and her parents were sent to the concentration camp of Terezin, where she continued to write with astonishing insight about her daily life. Before she was sent to Auschwitz in 1944, Helga's uncle, who worked in the Terezin records department, hid her diary and drawings in a brick wall. Miraculously, he was able to reclaim it for her after the war. Of the 15,000 children brought to Terezin and deported to Auschwitz, Helga was one of only 100 survivors. Written in school exercise books and translated here for the first time, Helga's Diary is a strikingly immediate and exceptional firsthand account of the Holocaust.

    Holocaust Memorial Museum, a collection of memories and reflections sheds light on the horrors of the Holocaust, from Hitler's rise to power and the creation of the Third Reich to the concentration camps and genocide, to liberation.