Combining close reading with a panoramic breadth of learning, Camille Paglia refreshes our understanding of poems we thought we knew, from Shakespeare’s “Sonnet 73” to Shelley’s “Ozymandias,” from Donne’s “The Flea” to Lowell’s “Man and Wife,” and from Dickinson’s “Because I Could Not Stop for Death” to Plath’s “Daddy.” Paglia also introduces us to less-familiar works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut–and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn will excite even seasoned poetry lovers, and create a generation of new ones. Includes a new epilogue that details the selection process for choosing the 43 poems presented in this book and provides commentary on some of the pieces that didn't make the final cut.

    Ashberry reaffirms the poetic powers that have made him such an outstanding figure in contemporary literature. This new book continues his astonishing explorations of places where no one has ever been.

    On the one hand it describes King Alfred's battle against the Danes in 878. On the other hand it is a timeless allegory about the ongoing battle between Christianity and the forces of nihilistic heathenism. Filled with colorful characters, thrilling battles and mystical visions, it is as lively as it is profound. Chesterton incorporates brilliant imagination, atmosphere, moral concern, chronological continuity, wisdom and fancy. He makes his stanzas reverberate with sound, and hurries his readers into the heart of the battle. This deluxe volume is the definitive edition of the poem. It exactly reproduces the 1928 edition with Robert Austin's beautiful woodcuts, and includes a thorough introduction and wonderful endnotes by Sister Bernadette Sheridan, from her 60 years researching the poem."When Chesterton writes poetry, he excels like no other modern writer. The rhyme, rhythm, alliteration and imagery are a complete joy to the ear. But The Ballad of the White Horse is not just a poem. It is a prophecy." —Dale Ahlquist, President, The American Chesterton Society"Not only a charming poem and a great tale, this is a keystone work of Christian literature that will be read long after most of the books of our era are forgotten." —Michael O'Brien, Author, Father Elijah

    Martin's Press, 1994). Encyclopedic in scope, with more than 800 poems, 100 photographs, a historical chronology, index of first lines, and a bibliography. The Complete Poems will be the definitive English language collection of Akhmatova for many years to come.

    Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.

    In this compelling poetic form, he sought to reveal his subjects' true natures in their own, often self-justifying, accounts of their lives and affairs. A number of these vivid monologues, including the famed "Fra Lippo Lippi," "How It Strikes a Contemporary," and "The Bishop Orders His Tomb at Saint Praxed's Church," are included in this selection of forty-two poems.Here, too, are the famous "My Last Duchess," dramatic lyrics such as "Memorabilia" and "Love among the Ruins," and well-known shorter works: "The Pied Piper of Hamelin," "Home-Thoughts, from Abroad," "Soliloquy of the Spanish Cloister," and more. Together these poems reveal Browning's rare gifts as both a lyric poet and a monologist of rare psychological insight and dramatic flair.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Its rhythms are those of the seasons. Its memories are savored, it losses lamented. Baseball's graceful athleticism, formal strategy, and democratic spirit have ensured the devotion of Americans for generations, and writers have been drawn to this sport as to no other. With Baseball: A Literary Anthology, The Library of America presents a vivid panorama of the game that is, in Roger Angell's words, "one of the reasons that summer exists." It offers a lively mix of stories, memoirs, poems, news reports, and insider accounts about all aspects of the great American game, from its pastoral 19th-century beginnings to its apotheosis as the undisputed national pastime. Here are the major leaguers and the bush leaguers, the umpires and broadcasters, the wives and girlfriends and would-be girlfriends, fans meticulously observant and lovingly, fanatically obsessed. Here too are the teams of storied greatness--the Yankees, the Dodgers, the Red Sox--and the luminaries who made them legendary.Unforgettable portraits of icons such as Christy Matthewson, Babe Ruth, Ted Williams, and Jackie Robinson are joined by glimpses of lesser-known characters such as the erudite Moe Berg, who could speak a dozen languages "but couldn't hit in any of them." Poems included in Baseball: A Literary Anthology include indispensable works whose phrases have entered the language--Ernest Thayer's "Casey at the Bat" and Franklin P. Adams's "Baseball's Sad Lexicon"--as well as more recent offerings from May Swenson, Yusef Komunyakaa, and Martin Espada. Testimonies from classic oral histories offer insights into the players who helped enshrine the sport in the American imagination. Spot reporting by Heywood Broun and Damon Runyon stands side by side with journalistic profiles that match baseball legends with some of our finest writers: John Updike on Ted Williams, Gay Talese on Joe DiMaggio, Red Smith on Lefty Grove.

    This is a major new voice.” — Margaret AtwoodThe Country Between Us opens with a series of poems about El Salvador, where Carolyn Forché worked as a journalist and was closely involved with the political struggle in that tortured country in the late 1970's. Forché's other poems also tend to be personal, immediate, and moving. Perhaps the final effect of her poetry is the image of a sensitive, brave, and engaged young woman who has made her life a journey. She has already traveled to many places, as these poems indicate, but beyond that is the sense of someone who is, in Ignazio Silone's words, coming from far and going far.

    It lends to milk cartons the associative richness of Marcel Proust's madeleines. It names the eight most significant advances in a human life -- beginning with shoe-tying. It asks whether the hot air blowers in bathrooms really are more sanitary than towels. And it casts a dazzling light on our relations with the objects and people we usually take for granted.

    He believes it is every gull's right to fly, to reach the ultimate freedom of challenge and discovery, finding his greatest reward in teaching younger gulls the joy of flight and the power of dreams. The special 20th anniversary release of this spiritual classic!

    He "received" a series of poems about which he did not speak for a long time - he considered them sacred, and different from anything else he ever had done and ever would do again. This poet saw the coming darkness of the century, and saw the struggle we would have in our relationship to the divine. The poet was Rainer Maria Rilke, and these love poems to God make up his Book of Hours.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wilfred Owen (1893-1918). Owen is available in Penguin Classics in Three Poets of the First World War: Ivor Gurney, Isaac Rosenberg, Wilfred Owen.

    This unabashed sequence speaks directly from Hirsch’s heart to our own, without sentimentality. From its opening lines—“The funeral director opened the coffin / And there he was alone / From the waist up”—Hirsch’s account is poignantly direct and open to the strange vicissitudes and tricks of grief. In propulsive three-line stanzas, he tells the story of how a once unstoppable child, who suffered from various developmental disorders, turned into an irreverent young adult, funny, rebellious, impulsive. Hirsch mixes his tale of Gabriel with the stories of other poets through the centuries who have also lost children, and expresses his feelings through theirs. His landmark poem enters the broad stream of human grief and raises in us the strange hope, even consolation, that we find in the writer’s act of witnessing and transformation. It will be read and reread.

    . . consistently wry, and ever savvy."—Harvard ReviewBrenda Shaughnessy's heartrending third collection explores dark subjects—trauma, childbirth, loss of faith—and stark questions: What is the use of pain and grief? Is there another dimension in which our suffering might be transformed? Can we change ourselves? Yearning for new gods, new worlds, and new rules, she imagines a parallel existence in the galaxy of Andromeda.Rave reviews for Our Andromeda“Love is the fierce engine of this beautiful and necessary book of poems. Love is the high stakes, the whip of its power and grief and possibility for repair. Brenda Shaughnessy has brought her full self to bear in Our Andromeda, and the result is a book that should be read now because it is a collection whose song will endure.” —The New York Times Book Review"It is a monumental work, and makes a hash of those tired superlatives that will no doubt crop up in subsequent reviews. But the truth is that I have no single opinion about this collection—how could I? The book is a series of narratives that resist interpretation but not feeling—except that I am certain it further establishes Shaughnessy’s particular genius, which is utterly poetic, but essayistic in scope, encompassing ideas about astronomy, illness, bodies, the family, 'normalcy,' home." —The New Yorker"Another Brooklyn poet, Marianne Moore, defined poetry as 'imaginary gardens, with real toads in them.' In Our Andromeda, Shaughnessy has imagined a universe, and in it, real love moves, quick with life." —Publishers Weekly,starred review“Brenda Shaughnessy…laments and sometimes makes narratives about the struggle to keep her small family together in the aftermath of a difficult birth. In the title poem, she posits a galaxy far, far away where familial love might overtake all woe and turmoil of the heart and body and mind. Once there, she says to her son, ‘you'll have the babyhood you deserved.’ She also delivers a number of lovely lyrics in a supple, plainly stated line; some merely expressive, some with a philosophically questioning air; on fate, dreams, the present time’s long gaze back at the past — you know, all the good things poets write about.”— Alan Cheuse, on NPR’s list “5 Books of Poems to Get You Through the Summer”“Brenda Shaughnessy’s work is a good place to start for any passionate woman feeling daunted by poetry. This book explores love and motherhood and the turbulent terrain of grief.”—Cosmopolitan"Shaughnessy articulates, with force and clarity, the transformation that motherhood has required of her. Her poems are full of regret and ferocity."—Boston Review"Brenda Shaughnessy explores the possibilities of a second chance in life and what could come of it. Enticing and thoughtful, Our Andromeda is a fine addition to contemporary poetry shelves." —The Midwest Book ReviewBrenda Shaughnessy was born in Okinawa, Japan and grew up in Southern California. She is the author of Human Dark with Sugar (Copper Canyon Press, 2008), winner of the James Laughlin Award and finalist for the National Book Critics Circle Award, and Interior with Sudden Joy (FSG, 1999). Shaughnessy’s poems have appeared in Best American Poetry, Harper's, The Nation, The Rumpus, The New Yorker, and The Paris Review. She is an Assistant Professor of English at Rutgers University, Newark, and lives in Brooklyn with her husband, son and daughter.