Brimming with outrage yet tender, this is a “remarkable book” (Philadelphia Inquirer).Puck --Gert --My priests --3275 --The politics of silence --Mustering --A one-way fare --Getting covered --Sleeping under a tree --Mortal things --Some afterthoughts

    “Irresistible” (Out). Black-and-white photographs.

    Blair's majority was the culmination of a long struggle to modernize the party, and the politics of his country. Philip Gould is a political strategist and polling adviser who has worked with the Labour leadership since the 1980s. In this book he describes its rise and explains how the transformation was achieved, at the same time exploring the changed political climate in Britain.

    This is the text where Judith Butler began to advance the ideas that would go on to take life as "performativity theory," as well as some of the first articulations of the possibility for subversive gender practices, and she writes in her preface to the 10th anniversary edition released in 1999 that one point of Gender Trouble was "not to prescribe a new gendered way of life [...] but to open up the field of possibility for gender [...]" Widely taught, and widely debated, Gender Trouble continues to offer a powerful critique of heteronormativity and of the function of gender in the modern world.

    This accessible collection of interviews, essays, poems and commentary explores topics such as definitions of bisexuality, intersections of bisexuality with other identities, stereotypes and biphobia, being bisexual at work, teenage bisexuality and bisexuality through the years, the media’s approach to bisexual celebrities, and fictional bisexual characters. Filled with raw, honest, first-person accounts as well as comments from leading bisexual activists in the UK, this is the book you’ll buy for your friend who’s just come out to you as bi-curious, or for your parents who think your bisexuality is weird or a phase, or for yourself, because you know you’re bi but you don’t know where to go or what to do about it.

    A month later, an aggressive virus, HIV, would be identified and a climate of panic and fear would spread across the nation, marginalising an already ostracised community. Yet, out of this terror would come tenderness and 30 years later, the long road to gay equality would climax with the passing of same sex marriage.Paul Flynn charts this astonishing pop cultural and societal U-turn via the cultural milestones that effected change—from Manchester’s self-selection as Britain’s gay capital to the real-time romance of Elton John and David Furnish’s eventual marriage. Including candid interviews from major protagonists, such as Kylie, Russell T Davies, Will Young, Holly Johnson and Lord Chris Smith, as well as the relative unknowns crucial to the gay community, we see how an unlikely group of bedfellows fought for equality both front of stage and in the wings.This is the story of Britain’s brothers, cousins and sons. Sometimes it is the story of their fathers and husbands. It is one of public outrage and personal loss, the (not always legal) highs and the desperate lows, and the final collective victory as gay men were final recognised, as Good As You.

    The first collection of its kind, Eric A. Stanley and Nat Smith bring together current and former prisoners, activists, and academics to offer new ways for understanding how race, gender, ability, and sexuality are lived under the crushing weight of captivity. Through a politic of gender self-determination, this collection argues that trans/queer liberation and prison abolition must be grown together. From rioting against police violence and critiquing hate crimes legislation to prisoners demanding access to HIV medications, and far beyond, Captive Genders is a challenge for us all to join the struggle."An exciting assemblage of writings—analyses, manifestos, stories, interviews—that traverse the complicated entanglements of surveillance, policing, imprisonment, and the production of gender normativity.... [T]he contributors to this volume create new frameworks and new vocabularies that surely will have a transformative impact on the theories and practices of twenty-first century abolition."—Angela Y. Davis, professor emerita, University of California, Santa Cruz"The purpose of prison abolition is to discover and promote the countless ways freedom and difference are mutually dependent. The contributors to Captive Genders brilliantly shatter the assumption that the antidote to danger is human sacrifice."—Ruth Wilson Gilmore, author of Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California"Captive Genders is at once a scathing and necessary analysis of the prison industrial complex and a history of queer resistance to state tyranny. By queering a prison abolition analysis, Captive Genders moves us to imagine the impossible dream of liberation."—Mattilda Bernstein Sycamore, author of So Many Ways to Sleep BadlyEric A. Stanley is a radical queer activist, outlaw academic, and experimental filmmaker.Nat Smith is a member of Trans/gender Variant in Prison Committee and is an organizer with Critical Resistance.

    This anthology collects all of Constantine's stories set in the world of her acclaimed Magravandias trilogy--"Sea Dragon Heir, Crown of Silence" and "The Way of Light." Spanning different periods in the history of that world, these tales of dark desire include a revised Introduction.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

    Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

    ""This is Berlin"" gathers together two-and-a-half years worth of his daily CBS radio broadcasts that described the menacing steps Germany took toward World War II, just as America and the world heard them. Here is a vivid, compelling, and urgent narrative, one of the great first-hand documents of the Second World War. An introduction by noted historian John Keegan and a preface by Shirer's daughter, Inga Shirer Dean, put Shirer's life and work into context. "It would be almost impossible to overstate the importance of William L. Shirer's broadcasts from Germany . . . Mr. Shirer's descriptions . . . read as well as they were heard 60 years ago." ("Dallas Morning News") "Shirer's broadcasts . . . are models of eloquence and subterfuge . . . any reader will find it hard to put down." ("Publishers Weekly," starred review) "His broadcasts . . . have an enduring freshness." ("Sunday Times")

    Norris and Goodbye to Berlin, which make up The Berlin Stories are recognized today as classics of modern fiction.A charming city of avenues and cafés, a grotesque city of night-people and fantasts, a dangerous city of vice and intrigue, a powerful city of millionaires and mobs - all this was Berlin in 1931, the period when Hitler was beginning his move to power.Here are Mr. Norris, the improbable old debauchee mysteriously caught in the struggle between Nazis and Communists; plump Fräulein Schroeder, who thinks an operation to reduce the scale of her Büste might relieve her heart palpitations; the Landauers, a distinguished and doomed Jewish family; Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and screen by Julie Harris in "I Am a Camera" and by Liza Minelli in "Cabaret."

    Part-fable, part-manifesto, the book takes place in Ramrod, an empire in decline, and introduces us to the communities of the faggots, the women, the queens, the queer men, and the women who love women who are surviving the ways and world of men. Cherished by many over the four decades since its publication, The Faggots and Their Friends Between Revolutions offers a trenchant critique of capitalism, assimilation, and patriarchy that is deeply relevant today.

    Among the most important works ever to address the relationship between homosexuality, homophobia and capitalism, Mieli's essay continues to pose a radical challenge to today's dominant queer theory and politics. With extraordinary prescience, Mieli exposes the efficiency with which capitalism co-opts 'perversions' which are then 'sold both wholesale and retail'. In his view the liberation of homosexual desire requires the emancipation of sexuality from both patriarchal sex roles and capital.Drawing heavily upon Marx and psychoanalysis to arrive at a dazzlingly original vision, Towards a Gay Communism is a hitherto neglected classic that will be essential reading for all who seek to understand the true meaning of sexual liberation under capitalism today.