Many of the three thousand hardy souls who trudged across thirteen hundred miles of prairie, desert, and mountain from 1856 to 1860 were European converts to the Mormon faith. Without funds for wagons and oxen, they carried their possessions in two-wheeled carts powered and aided by their own muscle and blood. Some of the weary travelers would finally be welcomed by their brethren in Salt Lake City; others would go to wayside graves or get caught in early winter storms in the Rockies and hope to be rescued by the parties sent out by Brigham Young. The migration is described in Handcarts to Zion, which draws on diaries and reports of the participants, rosters of the ten companies, and a collection of the songs sung on the trail and at "The Gathering." LeRoy R. Hafen and Ann W. Hafen dedicated the book to his mother, Mary Ann Hafen, who wrote about the long journey in Recollections of a Handcart Pioneer of 1860: A Woman’s Life on the Mormon Frontier, also a Bison Book.

    The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.

    Charles Goodnight knew the West of Jim Bridger, Kit Carson, Dick Wooton, St. Vrain, and Lucien Maxwell. He ranged a country as vast as Bridger ranged. He rode with the boldness of Fremont, guided by the craft of Carson. His vigorous zest for life enabled him to live intensely and amply, and in this book by J. Evetts Haley, himself no stranger to the West, provides a fully readable and important western biography, vividly told, thrilling, witty, and completely authentic.

    A bold foray into the heart of the American West’s final frontier, the expedition was achieved without benefit of modern river-running equipment, supplies, or a firm sense of the region’s perilous topography and the attitudes of the native inhabitants towards whites.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It presents a chronology of the moments in history when the principles of government and law were corrupted by the vanity of the ambitious and unscrupulous.

    "-Washington Post Book WorldIn 1909 maps still identified eastern Montana as the Great American Desert.  But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many of them immigrants--went west to make their fortunes. Most failed. In Bad Land, Jonathan Raban travels through the unforgiving country that was the scene of their dreams and undoing, and makes their story come miraculously alive.     In towns named Terry, Calypso, and Ismay (which changed its name to Joe, Montana, in an effort to attract football fans), and in the landscape in between, Raban unearths a vanished episode of American history, with its own ruins, its own heroes and heroines, its own hopeful myths and bitter memories. Startlingly observed, beautifully written, this book is a contemporary classic of the American West. "Exceptional. . . .  A beautifully told historical meditation. "--Time"Championship prose. . . .  In fifty years don't be surprised if Bad Land is a landmark."--Los Angeles Times

    Amber orbs in formation. It was a massive triangular array of lights moving silently but in unison as though they were connected. Many people throughout Phoenix and across the state of Arizona saw them.Optical illusion? Unlikely. Military aircraft? That's what the U.S. government wanted her to think. UFOs? That's what her evidence and subsequent years of careful research, interviews, and documentation, including photographic proof, strongly suggest. The result is The Phoenix Lights, a sober, well-researched account, both personal and scientific, of the story behind the lights, of the theories and cover-ups, the facts and denials that surrounded this event.Kitei, a well-respected Phoenix physician, had always thought of herself as grounded and practical, not one to be taken up with new age interests. But her firsthand experience and the undeniable reality of the photographs she took changed all that. She found herself a key insider in a complex mystery that has baffled humanity for centuries. What are UFOs? Who are the beings presumed to fly them? What do they want? How does it change your life to see one?The answers to these questions and more are found in The Phoenix Lights. Over the years since the sightings, she's become an ardent, tireless researcher into the truth of the Phoenix Lights and an advocate for public disclosure by the government about the subject of unexplained phenomena.

    

    When Youngwolfe recants his confession, saying he was forced to confess by the authorities, his city condemns him, except for one man—public defender and Creek Indian Elliott Howe. Recognizing in Youngwolfe the life that could have been his if not for a few lucky breaks, Howe risks his career to defend Youngwolfe against the powerful county attorney’s office. Forgotten today, the sensational story of the murder, investigation, and trial made headlines nationwide.Oklahoma’s Atticus is a tale of two cities—oil-rich downtown Tulsa and the dirt-poor slums of north Tulsa; of two newspapers—each taking different sides in the trial; and of two men both born poor Native Americans, but whose lives took drastically different paths. Hunter Howe Cates explores his grandfather’s story, both a true-crime murder mystery and a legal thriller. Oklahoma’s Atticus is full of colorful characters, from the seventy-two-year-old mystic who correctly predicted where the body was buried, to the Kansas City police sergeant who founded one of America’s most advanced forensics labs and pioneered the use of lie detector evidence, to the ambitious assistant county attorney who would rise to become the future governor of Oklahoma. At the same time, it is a story that explores issues that still divide our nation: police brutality and corruption; the effects of poverty, inequality, and racism in criminal justice; the power of the media to drive and shape public opinion; and the primacy of the presumption of innocence. Oklahoma’s Atticus is an inspiring true underdog story of unity, courage, and justice that invites readers to confront their own preconceived notions of guilt and innocence.

    Remonstrating with her husband, Jack, that she had only three rooms and a kitchen instead of "a whole house," she was informed that "women are not reckoned in at all in the War Department," which also failed to appreciate that "'lieutenants' wives needed quite as much as colonels’ wives." In fact, Martha had only a short time to enjoy her new quarters, for in June her husband’s regiment was ordered to Arizona, "that dreaded and then unknown land." Although Martha Summerhayes’s recollections span a quarter of a century and life at a dozen army posts, the heart of this book concerns her experiences during the 1870s in Arizona, where (as Dan L. Thrapp observes in his introduction) the harsh climate and "perennial natural inconveniences from rattlesnakes to cactus thorns and white desperadoes, all made [it] a less than desirable posting for the married man and his wife." First privately printed in 1908, Vanished Arizona was so well-received that in 1910 Mrs. Summerhayes prepared a new edition (reprinted here), which was published in 1911, the year of her death. Among "the essential primary records of the frontier-military West," the book "retains its place securely because of the narrative skill of the author, her delight in life—all life, including even, or perhaps principally, army life and people—and because it is such a joy to read.

    Glensheen's Daughter is the story of Marjorie Congdon, the adopted daughter of heiress Elisabeth Congdon, and the brutal murders at Glensheen, one of America's great mansions.

    But the powerful influence of the blues, with its dramatic, artful storytelling about the elemental experience of being alive, is found in the works of some of our most important literary voices as well. This volume -- a companion to the groundbreaking seven-part documentary series "Martin Scorsese Presents The Blues" -- represents a literary sampler every bit as vibrant and original and diverse as the films and music that inspired it. Included in this stunning collection are newly commissioned essays by David Halberstam, Hilton Als, Suzan-Lori Parks, Elmore Leonard, Luc Sante, John Edgar Wideman, and others; timeless archival pieces by the likes of Stanley Booth, Paul Oliver, and Mack McCormick; evocative color illustrations and rare vintage photography; illuminating and in-depth conversations and portraits of musicians, ranging from Robert Johnson and Bessie Smith to John Lee Hooker and Eric Clapton; lyrics of legendary blues compositions; personal essays by the series directors Martin Scorsese, Charles Burnett, Richard Pearce, Wim Wenders, Marc Levin, Mike Figgis, and Clint Eastwood; and excerpts from such literary masters as James Baldwin and Ralph Ellison, Eudora Welty and Zora Neale Hurston, Langston Hughes and William Faulkner. The result is a unique and timeless celebration of the blues, from writers and artists as esteemed and revered as the music that moved them. In these pages one not only reads about the blues, one hears them, feels them, lives them. "Martin Scorsese Presents The Blues" is more than atimeless collection of great writing to be savored and shared: it is an unforgettable initiation into the very essence of American music and culture.

    Amélie Rives, from a Southern family and the goddaughter of Robert E. Lee, was a daring author, a stunning temptress, and a woman ahead of her time.Filled with glamour, mystery, and madness, their love affair and marriage made them the talk of society in the Gilded Age.Archie and Amélie seemed made for each other: both were passionate, intense, and driven by emotion; but the very things that brought them together would soon draw them apart. Their marriage began with a "secret" wedding that found its way onto the front page of the New York Times, to the dismay of Archie's relatives and Amélie's many gentleman friends.To the world, the couple appeared charmed, rich, and famous; they moved in social circles that included Oscar Wilde, Teddy Roosevelt, and Stanford White. But although their love was undeniable, they tormented each other, and their private life was troubled from the start. They were the F. Scott and Zelda Fitzgerald of their day —a celebrated couple too dramatic and unconventional to last— but their tumultuous story has largely been forgotten.Now, Donna M Lucey vividly brings to life these extraordinary lovers and their sweeping, tragic romance: "In the Virginia hunt country, just outside of Charlottesville, where I live, the older people still tell stories of a strange couple who died some two generations ago. The stories involve ghosts, the mysterious burning of a church, a murder at a millionaire's house, a sensational lunacy trial, and a beautiful, scantily clad young woman prowling her gardens at night as if she were searching for something or someone —or trying to walk off the effects of the morphine that was deranging her. I was inclined to dismiss all of this as tall tales Virginians love to spin out; but when I looked into these yarns I found proof that they were true… —Donna M Lucey on Archie and Amélie.

    Mackay was a penniless Irish immigrant who came of age in New York City, went to California during the Gold Rush, and mined without much luck for eight years. When he heard of riches found on the other side of the Sierra Nevada Mountains in 1859, Mackay abandoned his claim and walked a hundred miles to the Comstock Lode in Nevada. Over the course of the next dozen years, Mackay worked his way up from nothing, thwarting the pernicious “Bank Ring” monopoly to seize control of the most concentrated cache of precious metals ever found on earth, the legendary “Big Bonanza,” a stupendously rich body of gold and silver ore discovered 1,500 feet beneath the streets of Virginia City, the ultimate Old West boomtown. But for the ore to be worth anything it had to be found, claimed, and successfully extracted, each step requiring enormous risk and the creation of an entirely new industry. Now Gregory Crouch tells Mackay’s amazing story—how he extracted the ore from deep underground and used his vast mining fortune to crush the transatlantic telegraph monopoly of the notorious Jay Gould. “No one does a better job than Crouch when he explores the subject of mining, and no one does a better job than he when he describes the hardscrabble lives of miners” (San Francisco Chronicle). Featuring great period photographs and maps, The Bonanza King is a dazzling tour de force, a riveting history of Virginia City, Nevada, the Comstock Lode, and America itself.

    Cody—known across the land as Buffalo Bill—conceived of his Wild West show, an “equestrian extravaganza” featuring cowboys and Indians. The idea took off. For four months in 1885 the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration.Blood Brothers flashes back to 1876, when the Lakota wiped out Custer’s 7th Cavalry unit at the Little Big Horn. Sitting Bull did not participate in the “last stand,” but was nearby—and blamed for killing Custer. The book also flashes forward to 1890, when Sitting Bull was assassinated. Hours before, Cody rushed to Sitting Bull’s cabin at Standing Rock, dispatched by the army to avert a disaster.Deanne Stillman unearths little told details about the two men and their tumultuous times. Their alliance was eased by none other than Annie Oakley. When Sitting Bull joined the Wild West, the event spawned one of the earliest advertising slogans: “Foes in ’76, Friends in ’85”—referring to the Little Big Horn. Cody paid his performers well, and he treated the Indians no differently from white performers. During this time, the Native American rights movement began to flourish. But with their way of life in tatters, the Lakota and others availed themselves of the chance to perform in the Wild West. When Cody died in 1917, a large contingent of Native Americans attended his public funeral.An iconic friendship tale like no other, Blood Brothers is truly a timeless story of people from different cultures who crossed barriers to engage each other as human beings. And it foretells today’s battle on the Great Plains.