But leave the mimes outside in the cold where they belong."Praise for Jeremy C. Shipp:"I'm convinced Jeremy Shipp is a little bit crazy, in the best possible way."--Jeff VanderMeer, author of City of Saints & Madmen"Jeremy Shipp is a very good drug."--John Skipp, author of The Emerald Burrito of Oz"Two thumbs up!"--Midwest Book Review

    But when his brother inherits the viscountcy and pleads for his return, the opportunity to show his contempt and loathing for the Society who turned its back on him proves to be far too enticing to resist.When the dishonourable Lucas Dempsey steps into the ballroom after a four-year absence, Helena Ecclestone is quick to label the gentleman a murderous rogue. That is until she stumbles upon a secret conversation and feels a moral obligation to see justice done. But while the ladies swoon over his handsome countenance, Helena is determined to look beyond such superficial features, intrigued to find the true character of the gentleman he hides beneath his arrogant façade.

    The eight-year-old narrator of "An Ex-Mas Feast" needs only enough money to buy books and pay fees in order to attend school. Even when his twelve-year-old sister takes to the streets to raise these meager funds, his dream can't be granted. Food comes first. His family lives in a street shanty in Nairobi, Kenya, but their way of both loving and taking advantage of each other strikes a universal chord. In the second of his stories published in a New Yorker special fiction issue, Akpan takes us far beyond what we thought we knew about the tribal conflict in Rwanda. The story is told by a young girl, who, with her little brother, witnesses the worst possible scenario between parents. They are asked to do the previously unimaginable in order to protect their children. This singular collection will also take the reader inside Nigeria, Benin, and Ethiopia, revealing in beautiful prose the harsh consequences for children of life in Africa. Akpan's voice is a literary miracle, rendering lives of almost unimaginable deprivation and terror into stories that are nothing short of transcendent.

    Oak Ridge, Tennessee has sprung up in a matter of months—a town of trailers and segregated houses, 24-hour cafeterias, and constant security checks. There, June joins hundreds of other young girls operating massive machines whose purpose is never explained. They know they are helping to win the war, but must ask no questions and reveal nothing to outsiders.The girls spend their evenings socializing and flirting with soldiers, scientists, and workmen at dances and movies, bowling alleys and canteens. June longs to know more about their top-secret assignment and begins an affair with Sam Cantor, the young Jewish physicist from New York who oversees the lab where she works and understands the end goal only too well, while her beautiful roommate Cici is on her own mission: to find a wealthy husband and escape her sharecropper roots. Across town, African-American construction worker Joe Brewer knows nothing of the government’s plans, only that his new job pays enough to make it worth leaving his family behind, at least for now. But a breach in security will intertwine his fate with June’s search for answers.When the bombing of Hiroshima brings the truth about Oak Ridge into devastating focus, June must confront her ideals about loyalty, patriotism, and war itself.

    During the years when her husband F. Scott Fitzgerald was working on Tender is the Night—which many critics consider his masterpiece—Zelda Fitzgerald was preparing her own story. The novel strangely parallels events from her husband’s life, throwing a fascinating light on Scott Fitzgerald and his work. In its own right, it is a vivid and moving story—centered upon the confessional of a famous glamour girl of the affluent 1920s and an aspiring ballerina—that captures the spirit of an era.

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.

    While dining out with her husband and their friends, Kirshenbaum's protagonist—an acerbic, mordantly witty, and clinically depressed writer—fully unravels. Her breakdown lands her in the psych ward of a prestigious New York hospital where she refuses all modes of recommended treatment. Instead, she passes the time chronicling the lives of her fellow “lunatics” and writing a novel about how she got to this place. Her story is a hilarious and harrowing deep dive into the disordered mind of a woman who sees the world all too clearly. Propelled by stand-up comic timing and rife with pinpoint insights, her examination of what it means to be unloved, and loved; to succeed, and fail; to be, at once, both impervious and raw ultimately reveals how art can lead us out of—or into—the depths of disconsolate loneliness and piercing grief. Rabbits for Food, Kirshenbaum’s first novel in a decade, is a bravura literary performance. A heartbreaking, irreverent, laugh-out-loud funny meditation on what it’s like to lose your mind.

    She was hurt—angry, too—but she didn't cry woe is me. Nope, she hired herself a top-notch lawyer and ended up with a cool $275 million. Having been raised in the church, she knew that when much is given much is expected, so she asked God to send her a purpose.The purpose turned out to be a town: Henry Adams, Kansas, one of the last surviving townships founded by freed slaves after the Civil War. The failing town had put itself up for sale on the Internet, so Bernadine bought it. Trent July is the mayor, and watching the town of his birth slide into debt and foreclosure is about the hardest thing he's ever done. When the buyer comes to town, he's impressed by her vision, strength, and the hope she wants to offer not only to the town and its few remaining residents, but to a handful of kids in desperate need of a second chance. Not everyone in town wants to get on board though; they don't want change. But Bernadine and Trent, along with his first love, Lily Fontaine, are determined to preserve the town's legacy while ushering in a new era with ties to its unique past and its promising future.

    Depression & Other Magic Tricks explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living. Benaim's wit, empathy, and gift for language produce a work of endless wonder.

    Since she never did find the story she was looking for all those years ago, she decided to write it.In Book I of the trilogy, Tamras arrives in Merin's house to begin her apprenticeship as a warrior, but her small stature causes many, including Tamras herself, to doubt that she will ever become a competent swordswoman. To make matters worse, the Lady Merin assigns her the position of companion, little more than a personal servant, to a woman who came to Merin's house, seemingly out of nowhere, the previous winter, and this stranger wants nothing to do with Tamras.

    The story captures the struggles of a family as it was pulled apart by poverty and alcohol, yet bound by witty—and sometimes ribald—humor.The cast of characters reads like fiction, but it is actually truth. There’s the father, the sarcastic, anti-government, alcoholic, and general ne’er-do-well. He moved his family from state to state, only to leave them again for years at a time in search of construction work. He’d return with empty pockets and bizarre interests such as ESP, pyramid power, and telekinesis. The mother, an Irish Catholic, stayed devoted to him.Her lack of education and access to transportation in a small town led to a dependence upon welfare.Two older sisters complete the picture, acting as sources of tension and strength throughout the book. And then there’s the narrator, the youngest—the snoop, the clown, and the observer.In the spirit of memoirs such as Blackbird and Angela’s Ashes, the narrative addresses serious issues while avoiding self-pity. Don’t Spend it All on Candy continuously comes back to the humor that sustained them while celebrating the tenacity that led all three daughters to break the cycle of poverty.

    In the vein of Mary Ellen Taylor’s Honeysuckle Season this “amazing, breathtaking, and inspiring” (Jenny Colgan) novel is full of hope and heart.When Keira first receives her breast cancer diagnosis, she never expects to end up joining a running group with three women she’s only just met. Totally blind-sided, all she can think about is how she doesn’t want to tell her family or step back from work. Nor does she want to be part of a group of fellow cancer patients. Cancer is not her club.And yet it’s running – hot, sweaty, lycra-clad running in the company of brilliant, funny women all going through treatment – that unexpectedly gives Keira the hope she so urgently needs. Because Keira will not be defined by the C-word. And now, with the Cancer Ladies’ Running Club cheering her on, she is going to reclaim everything: her family, her identity, and her life.One step at a time.Moving, uplifting and full of hope, this is a beautifully crafted novel about love, family and the power of finding your tribe.

    Broken. Suffering. Learning to survive. These are not the clients Katie Collier expected to help when she went to work at the mental-health clinic.But Katie and her husband can't have children of their own, so her natural compassion flows. Still, Katie wonders why God gives babies to some women who seem unwilling to care, feed, love, shelter—even hold, and leaves other women barren.Then one day it happens. A little girl named Bailey walks into Main Street Clinic … walks straight into Katie’s broken heart.Forced to choose between her husband and her career, Katie fights to hold onto both in order to save Bailey. When her husband gives her the ultimate ultimatum, Katie finds the children of Main Street are not the only ones feeling cast out and lost.Written for the General Market (G): Contains little or no; sexual dialogue or situations, violence, or strong language.

    In this novel of a couple, and of passion, betrayal, and art, Georgia comes alive as never before. By the writer whose work Edna O’Brien called "shimmering, audacious."Georgia O’Keeffe is a young woman, painting and teaching art in Texas, when she travels to New York to meet Alfred Stieglitz, the married gallery owner of 291, modern art promoter, and photographer. Their instantaneous attraction and powerful hunger for each other draw her into his world of art, sex, and passion, and she becomes his mistress and his muse. As their relationship develops, so does Georgia’s place in the art world, but she becomes trapped in her role as the subject of Stieglitz’s infamous nude photographs of her; the critics cannot envision her as her own being. As her own artistic fervor begins to push the boundaries of her life, we see Georgia transform into the powerfully independent woman she is known as today.

    Two men meet. One is elderly, the other in his twenties. One will become the most revered man of his time, and the other known as the greatest of traitors.Winston Churchill met Guy Burgess at a moment when the world was about to explode. Now in his astonishing new novel, Michael Dobbs throws brilliant fresh light upon Churchill's relationship with the Soviet spy and the twenty months of conspiracy, chance and outright treachery that were to propel Churchill from outcast to messiah and change the course of history.