Seventeenth-century Kyoto was the center of a flourishing publishing industry, and for the first time in Japan's history it became possible for writers to live exclusively on their earnings. Saikaku was the first to actually do so. As a popular writer, Saikaku wanted to entertain his readership. When he undertook the writing of Nanshoku okagami in 1687, it was with the express purpose of extending his readership and satisfying his ambition to be published in the three major cities of his day, Kyoto, Osaka, and Edo. He chose the topic of male homosexual love because it had the broadest appeal both to the samurai men of Edo and to the townsmen of Kyoto and Osaka, his regular audience. Homosexual relations between a man and a boy were a regular feature of premodern Japanese culture and carried no stigma. When a boy reached the age of nineteen, he underwent a coming-of-age ceremony, after which he took the adult role in relations with boys.

    The stories have been selected and introduced by Haruki Murakami.

    In this one celebratory volume, the reader is exposed to the free-ranging thoughts of one of the century's most brilliant minds--Kenzaburo Oe, winner of the 1994 Nobel Prize in Literature--who offers his message for mankind as well as a selection of his most penetrating essays on themes varying from Hiroshima to the state of modern fiction.

    This unusual school had old railroad cars for classrooms, and it was run by an extraordinary man--its founder and headmaster, Sosaku Kobayashi--who was a firm believer in freedom of expression and activity.

    It came to its real climax with the fall of the Tokugawa shogunate in 1868, the event which forms the centerpiece of this book. The Meiji Restoration -- as history calls it -- toppled the shogunate, and brought a seventeen-year-old boy emperor back from the secluded Imperial Palace in Kyoto to preside over what amounted to a political and cultural revolution. With this, Japan's extraordinary self-modernization began in earnest. Coming to power just as the Tokugawa regime was suffering the worst military defeat in its history, Yoshinobu strongly suspected that the rule of the Tokugawas -- the third and longest lived of Japan's three warrior governments - was swiftly becoming an anachronism. During a year of frenetic activity, he overhauled the military systems, reorganized the civil administration, promoted industrial development, and expanded foreign intercourse, with the farsighted aim of creating a unified Japan. Alarmed by these reforms, pro-imperial interests moved against him, precipitating the Boshin Civil War and the final defeat of the shogunal armies. To the surprise of his enemies, Yoshinobu capitulated. It was this surrender of authority at a crucial point that made the transfer of sovereignty relatively peaceful. He then retired to Mito and lived quietly for the rest of his life, studying the new art of photography. Ennobled a prince in the new European-style nobility of the Meiji era, he died in 1913.

    He takes students from the days of the shogunate--the feudal overlordship of the Tokugawa family--through the modernizing revolution launched by midlevel samurai in the late nineteenth century; the adoption of Western hairstyles, clothing, and military organization; and the nation's first experiments with mass democracy after World War I. Gordon offers the finest synthesis to date of Japan's passage through militarism, World War II, the American occupation, and the subsequent economic rollercoaster. But the true ingenuity and value of Gordon's approach lies in his close attention to the non-elite layers of society. Here students will see the influence of outside ideas, products, and culture on home life, labor unions, political parties, gender relations, and popular entertainment. The book examines Japan's struggles to define the meaning of its modernization, from villages and urban neighborhoods, to factory floors and middle managers' offices, to the imperial court. Most importantly, it illuminates the interconnectedness of Japanese developments with world history, demonstrating how Japan's historical passage represents a variation of a process experienced by many nations and showing how the Japanese narrative forms one part of the interwoven fabric of modern history. With a sustained focus on setting modern Japan in a comparative and global context, The Modern History of Japan is ideal for undergraduate courses in modern Japanese history, Japanese politics, Japanese society, or Japanese culture.

    Volume 1 addresses the development, through the eighteenth century, of Shinto, Buddhism, and Confucianism.

    With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself.

    Authentic samurai, farmers, craftsmen, merchants, courtiers, priests, entertainers and outcasts come to life in this magnificently illustrated portrait of a colorful society.

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."

    Sad Toys is a collection of 194 Tanka, the traditional 31-syllable poems that evoke Japan's misty past.

    This striking book contains full-color woodblock prints made during Japan's famous Edo Period, historic and contemporary photographs of geisha life, and images of the "floating world" Japan's mysterious artistic subculture. The accompanying text includes evocative Japanese poems and haikus. All celebrate the beauty and creativity of the geisha, who with her exquisitely detailed costume, elaborate make-up and hairstyle, and artfully ritualized behavior, chastely beguiles and entertains Japan's most powerful men.

    Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.

    Written when he too lay dying of leukemia, The Bells of Nagasaki is the extraordinary account of his experience. It is deeply moving and human story.

    Rescuing vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, he forces us to see Japan's “modern century” (from the beginnings of contact with the West to defeat in World War II) through fresh eyes. In doing so, he presents a formidable challenge to the success story of Japan's “economic miracle.”Starting with the Meiji restoration of 1868, Professor Hane shows how modernization actually widened the gulf, economically and socially, between the rich and the poor, between the mo-bo and the mo-ga (“modern boy” and “modern girl”) of the cities and their farm counterparts. He laces his scholarly narrative with sharply etched individual accounts that make us see what Japan looked like from the bottom up. We learn what the back-breaking labor of a typical farm family was like; what it was like for poverty-stricken parents to sell their daughters into Japan’s new mills, factories, and brothels; what it was to her in rural areas scourged by famine; to be on strike in a company town; in revolt in the countryside; or conscripted into the army.Professor Hane presents us with a unique people’s history of a hitherto unknown Japan, a story as powerful and grim as any ever told by a Mayhew or a Dickens about England’s Industrial Revolution.—from the back cover of the bookIncludes Notes, and an Index