Tired of pushing. Tired of being pushed. Tired of feeling alone. Tired of so much.So she gathered together a pack of wolves, a band of mothers, sisters, wives, daughters, partners, friends, lovers, survivors, victors and brilliant, shining things, and she told them to sing.And sing they did.The result is We Are Wolves, a chorus of of terrifying, moving and heart-breaking stories from some of horror’s finest contemporary writers including Gemma Amor, Laurel Hightower, Cina Pelayo, Sarah Read, Hailey Piper, V Castro, Sara Tantlinger, Sonora Taylor and many more.All proceeds from the sale of this charity anthology will go towards helping the survivors of abuse and assault.

    The pale and secretive Lavinia wanders through the woods, Asenath is a precocious teenager with an attitude, and the Ancient Egyptian pharaoh Nitocris has found a new body in distant America. And do you have time to hear a word from our beloved mother Shub-Niggurath?Defiant, destructive, terrifying, and harrowing, the women in She Walks in Shadows are monsters and mothers, heroes and devourers. Observe them in all their glory. Iä! Iä!TABLE OF CONTENTS“Bitter Perfume” Laura Blackwell“Violet is the Color of Your Energy” Nadia Bulkin“Body to Body to Body” Selena Chambers“Magna Mater” Arinn Dembo“De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful“Hairwork” Gemma Files“The Head of T’la-yub” Nelly Geraldine García-Rosas (translated by Silvia Moreno-Garcia)“Bring the Moon to Me” Amelia Gorman“Chosen” Lyndsey Holder“Eight Seconds” Pandora Hope“Cthulhu of the Dead Sea” Inkeri Kontro“Turn out the Lights” Penelope Love“The Adventurer’s Wife” Premee Mohamed“Notes Found in a Decommissioned Asylum, December 1961″ Sharon Mock“The Eye of Juno” Eugenie Mora“Ammutseba Rising” Ann K. Schwader“Cypress God” Rodopi Sisamis“Lavinia’s Wood” Angela Slatter“The Opera Singer” Priya Sridhar“Provenance” Benjanun Sriduangkaew“The Thing in The Cheerleading Squad” Molly Tanzer“Lockbox” E. Catherine Tobler“When She Quickens” Mary Turzillo“Shub-Niggurath’s Witnesses” Valerie Valdes“Queen of a New America” Wendy N. Wagner

    Marked. Don’t think about the kid you used to be when you’re homeless and dumpster-diving in the rain. Just eat whatever you find to keep your engine full. Because the shadow with too many teeth wants you tired.You’re easier to catch when you’re tired.It has hunted you since the summer of 1994, back when we confessed who we were through mixtapes. When every movie at the video store had dirty heads. You were thirteen and thought you knew who you were. Only the shadow with too many teeth knew you better. It still does. And it won’t stop. Not until you come home.Back to where it all began.Part cosmic horror, part coming-of-age monster story, DIRTY HEADS is a terrifying read from the author of HOUSE OF SIGHS, THE FALLEN BOYS, and A PLACE FOR SINNERS

    As the night progresses, the snowfall shows no signs of relenting, ice begins to build up on the roads, and the temperature seems to be dropping by the hour. But the worst has nothing to do with the weather, and everything to do with the sixth visitor coming to the diner.The jolliest time of the year quickly turns bloody as the diners find themselves fighting for their lives. This Christmas won’t just be white. It’ll be red, too.

    A place to recover from his personal demons, and pursue his academic career. But when he moves into the newly refurbished Rookwood Apartments, he soon finds himself trapped in a living nightmare. A series of terrifying events forces Paul to question his sanity. Strange messages scrib-ble themselves across the walls. His beautiful neighbor seems to vanish without a trace. And a deadly accident tears away the veil from Rookwood’s dark past. As these violent incidents escalate, residents call in a paranormal expert, hoping to end the strange accidents once and for all. But only Paul understands the chilling truth. The pain and torture of Rookwood’s blood-soaked past can no longer be contained… And a terror beyond anything they have ever experienced is about to be unleashed.

    The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha's release, Malcolm must attempt to find out whether he's assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish and Norse mythology, with a dark imagined history of the hidden corners of the American West.Maria Dahvana Headley and Kat Howard have forged a fairytale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they've created a new kind of Beast, longing, centuries later, for Beauty.

    . . desperate enough to resort to the darkest means. But just how much is he willing to pay the Slender Man in order to save her?Told through a variety of narrative devices, including photos, journal entries, e-mails, articles, and other artifacts, this unique spine-tingling story is a brilliant and terrifying look at one of the most fascinating—and diabolical—mythical figures in modern times.

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    When we danced into the night, my mind raced far ahead, entertaining all the possibilities I’d longed for. And later, when Cooper told me he’d won the starting quarterback job before he shared the news with anyone else, I started to believe we could be more.But I didn’t want to lose him as a friend, so I chose to focus on him solely as my buddy. That worked well enough for a while.Until that night, in front of everyone, when he shocked my world to its core.Most Irresistible Guy is a prequel novella to Most Valuable Playboy!

    Cities abandoned. Dreams invade waking minds. An invisible threat lures those who oppose its otherworldly violence to become acolytes of a nameless cult. As a teenage girl struggles for autonomy, a female weapons director in a secret research facility develops a living neuro-cognitive device that explodes into self-awareness. Discovering their hidden emotional bonds, all three women unveil a common enemy as their dissonant realities intertwine in a cosmic battle across hallucinatory dreamscapes.Time is the winning predator, and every moment spirals deeper into the heart of the beast.

    She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

    The mean girls made sure of it. To this day, for a haunted local mother, the most unsettling Halloween costume of all is an urban legend they call Hannah-Beast. It’s a reminder of the past she can’t forget. Especially tonight when it’s come back, so close to home.Jennifer McMahon’s Hannah-Beast is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    P. Lovecraft's "Pickman's model" - was nominated for a World Fantasy Award, while "Proboscis" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

    Its arteries run throughout the country. Its lifeblood flows into Westminster, into Scotland Yard, into every village and every city. It flows into you, and into your mother. It keeps you alive. It makes you feel safe. Those same arteries tangle you up and night and make it hard for you to breathe. But come morning, you thank it for what it has done for you, and you sip from its golden cup, and kiss its perfect feet, and you know that all will be right in this godforsaken world as long as it is there to watch over you.Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.