Plagued with doubt, the artist is confronted by setbacks punctuated with occasional glimpses of recognition. Based on Haifisch’s own experiences as an illustrator in Germany and the US, The Artist has most recently run as a serialised comic in Vice Magazine to critical acclaim. Her work has also been published in the anthologies Two Fast Colour and Smoke Signal as well as the storytelling studio Narratively.

    Cassie Hamasaki embodies a Japanese flower arrangement, and then, trailing her confused art class, she silently walks into the city, through a public utterly unaware of what she is doing.

    These people are known as alchemists. The basic law of alchemy states that to gain something you have to sacrifice something of the same value; Edward Elric found this out the hard way, a dangerous ritual costing him his leg and almost the life of his brother, Alphonse. As a result of their risk, the two chose to embark on a journey to find the Philosopher's Stone, which is said to amplify the powers of an alchemist... and it could possibly be the answer to all of their problems.

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    A few pages later, a couple fight for the custody of their daughter until she's cut in two. In Pieces is a beautiful book of visual poetry, in which all common metaphors are explained through images only.

    Tolkien. Over the course of the story we meet Peace Punk, a punker on the verge of a bourgeois lifestyle; Tom Chief, a beat cop with an identity crisis; and Groomfiend, a daffy creature who leads the narrative. The serial has earned Thurber rave reviews from, among others, cartoonist Ben Katchor, who writes: "Matthew Thurber has singlehandedly revived the Surrealist program of revolutionary politics through dreamwork. What more can you ask for in a comic-book?" This edition collects five issues of "1-800-MICE," plus 48 pages of new material.

    The Dungeon is attacked by a swarm of flying venomous toads so large it almost succumbs as the perpetrators look to get free rein inside! In the second story, Herbert is sent on a mission to… clear out the septic tank where a whole beautiful ecology has evolved.

    Telling the story of humanity's first attempts to colonise distant planets, this is the tale of Kim and his companions and the strange creatures and perilous dangers they face in the unknown worlds.

    Bahlool who lived in Baghdad, circa the 8th century AD, feigned madness to escape the oppression of the ruling class. Now free of the burden of normalcy he dispensed wisdom in strange and amusing ways.The Wise Fool of Baghdad is a collection of these true stories, richly illustrated in the Turkish-Iranian miniature style. Every story is followed by sacred verses of the Qur'an and traditional sayings, inscribed in Arabic By Muqtar Ahmed, one of India's finest Islamic calligraphers.Get the book. In the crazy times we live in, you'll probably need a fool to make sense of it all.http://www.suficomics.com

    These crisply rendered images reflect his life-long obsession with hidden worlds, alternate realities and the inexplicable resonance of the unprecedented and irrational in lucid art.Seeing Things collects the most toothsome of these drawings and arranges them in four sections. "Lazy Robinson" is a series of portraits of forms taken by a cognizant object during the course of a specific and identifiable stream of thought. "Frogs" celebrates the tender proclivities of the most noble of all animals, by placing them in situations that would dismay a horde of saints. "The Visible World" is a roundup of appalling scenes of sub-rational political activity involving catalytic entities with a high ratio of motivation to altruism. And "The Portfolio in Color" appears like a rainbow at the end of all this exalted storminess to send readers out into the world whistling with delight. Many of these images were created for "Mysterio Sympatico," Woodring's multimedia stage collaboration with guitarist Bill Frisell. There is plenty of echoless, glowing furniture to add to that already crowded storeroom which is briefly, but brilliantly, illuminated in the pages of this stately book.

    Each volume in the collection contains about 100 illustrations.

    Drechsler pulls no punches in her depiction of incest, and many scenes are hard to read, but this book shows that comics can be a vehicle for serious subjects; the drawings pull the reader into her world more completely than the written word ever could. Drechsler's depiction of childhood is perfect, and there are happy moments within the horror of Lily's life. In one chapter, Lily and a friend contemplate suicide, then walk into the woods, away from their problems. In the last panel, as they sit eating tiny wild strawberries, there is a moment of hope which resonates long after the book is finished.

    Only Skin is a grim exploration of the hallucinatory and tragic landscape of modern rural America, as seen through the eyes of a pair of orphaned siblings, searching for answers in a world filled with terrible, terrible questions.

    A gifted equestrian, Coyote Doggirl is half dog, half coyote, and a whole lot of attitude. She and her steed Red are on the run from a trio of vengeful bad guys when Coyote gets clobbered by a few well-placed arrows. Her attackers, a clan of wolves, take her in and nurse her back to health so she can get back on the road, track down Red, and evade the men who are hunting her. By turns delightfully absurd and intensely emotional, Coyote Doggirl charts one weird woman's escape into the wild.

    A sought-after illustrator, she has racked up accolades and awards from the Society of Illustrators and Society of Publication Designers, and has a client list that includes The New York Times, The New Yorker, and Esquire. Her breathtaking talent was further established with the debut of the graphic novel Skim–selected by The NewYork Times as a Best Illustrated Children's Book of 2008–which was written by her cousin Mariko Tamaki, and drawn with moody black-and-white nuance by Tamaki. Skim completely reinvented the young adult graphic novel genre with an utterly original and sincere portrait of being a teenage outsider.Indoor Voice collects pen, brush, ink, watercolor, and collage experiments that show how Tamaki arrives at her illustration work, as well as more polished and personal comics work examining her relationship to her parents and their influence on her art.