She’d confess her situation to her friends—if it wasn’t for those dreadful words of warning in his goodbye note: “I’ll tell them what you did.”Instead, she does her best to keep up appearances, even as months pass and she can barely put food on the table—much less replace a light bulb. While she looks for a job, she lives in fear that someone will see her stuffing toilet paper into her handbag or pinching basil from a neighbor’s window box.Soon, blindsided by catastrophe, surprised by romance, and stunned by the kindness of a stranger, Tabitha realizes she can’t keep her secrets forever. Sooner or later, someone is bound to figure out that her life is far from perfect.

    Katie’s life fell apart almost a decade earlier, during an idyllic summer at her family’s cabin on Eagle Lake when her best friend accused her father of sexual assault. Throughout his trial and imprisonment, Katie insisted on his innocence, dodging reporters and clinging to memories of the man she adores.Now he’s getting out. Yet when Katie returns to the shuttered lakeside cabin, details of that fateful night resurface: the chill of the lake, the heat of first love, the terrible sting of jealousy. And as old memories collide with new realities, they call into question everything she thinks she knows about family, friends, and, ultimately, herself. Now, Katie’s choices will be put to the test with life-altering consequences.

    Her mind is constantly buzzing with ideas and layouts, so much so that she is forgetting all about Sam.Can she learn to keep her work separate from her home life? Or will she lose everything...

    She is 34 weeks pregnant, her ankles are swollen, her hair is falling out and she's worried about the baby. Now she's been passed over for partnership in the firm of solicitors where she puts in more than 48 hours a week. And if that weren't enough it looks as if her husband, the piano-playing Conor, may have been running his fingers over more than the ivories while on tour in Germany.Depressed, demoted and about to deliver, Emily's not going to take this lying down...

    As the owner of Odd Jobs, she's gone from rags to riches...sort of. Because Lacey's harboring a secret -- she was born Lillian Dumont, and spent her childhood with a silver spoon in her mouth, until the deaths of her wealthy parents and the evil schemes of an abusive uncle forced her to take drastic measures. She'd never planned to return to her former life or her abandoned identity -- but when her childhood sweetheart, Ty, resurfaces and urges her to claim her rightful inheritance, she decides that maybe being the Dumont heiress wouldn't be so bad. Lacey's uncle doesn't see it that way, though -- and he's willing to do anything to stop her.Now, it's up to Ty to protect Lacey before that silver spoon becomes a silver bullet. But if they live through this, the future's looking bright for this downtown guy and his brand-new uptown girl!

    But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.Torn between loyalty to her family and dread of what she might find, Cara digs into the early years of her parents’ troubled marriage, hunting down long-lost relatives who might help unravel the mystery. But the picture that begins to emerge is not at all the one she’d expected—because as she soon discovers, lies have a habit of multiplying . . . Revised edition: This edition of Postcards from a Stranger includes editorial revisions.

    It was a Sunday Times Top Ten bestseller and won the Somerset Maugham Award.On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but instantly recognises. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revellers, Jake realises that things are becoming dangerous.They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand.

    Then real life got in the way when she left college and returned to her small Michigan hometown to care for her sick mother.Years later, stuck in a dead-end job and an unsatisfying relationship, Winnie has concluded that dreams were meant for others. She consoles herself with binge-watching the British television series that she loves, Beauchamp Hall, enthralled by the sumptuous period drama set on a great Norfolk estate in the 1920s. The rich upstairs-downstairs world brilliantly brought to life by superb actors is the ultimate in escapism. On the day Winnie is passed over for a long-overdue promotion, she is also betrayed by her boyfriend and her best friend. Heartbroken, she makes the first impulsive decision of her conventional life—which changes everything.She packs her bags and flies to England to see the town where Beauchamp Hall is filmed. The quaint B & B where she stays feels like home. The brother and sister who live in the castle where the show is filmed, rich in titles but poor in cash, are more like long-lost friends than British nobility. And the show itself, with its colorful company and behind-the-scenes affairs, is a drama all its own. Winnie’s world comes alive on the set of the show.What happens next is the stuff of dreams, as Winnie takes the boldest leap of all. Beauchamp Hall reminds us to follow our dreams. . . . You never know what magic will happen!

    For a while, she found a safe haven in her marriage to bestselling crime novelist Stephen Ludlow—until his car skidded into Echo Bay. But Stephen’s wasn’t the only body pulled from the icy waters that night. When details about a mysterious violet-eyed blonde become public, a media circus ensues, and Christy-Lynn runs again.Desperate for answers, she’s shattered to learn that Stephen and his mistress had a child—a little girl named Iris, who now lives in poverty with her ailing great-grandmother. The thought of Iris abandoned to the foster care system—as Christy-Lynn once was—is unbearable. But she’s spent her whole life running—determined never to be hurt again. Will she finally stand still long enough to open herself up to forgiveness and love?

    Two, she's only ever been good at one thing – her job helping business start-ups.So when she’s sacked and put on gardening leave, Jasmine realises that she has nothing else to fill her life. Insomnia keeps her staring out of her bedroom window, and she finds herself watching the antics of her neighbour, shock jock Matt, with more than a casual eye. Matt is also taking a forced leave of absence from work, after one of his controversial chat shows went too far…Jasmine has every reason to dislike Matt, and the feeling appears to be mutual. But not everything is as it seems, and soon Jasmine and Matt are forced to think again…

    When she finds out she is pregnant, he decides the relationship is most definitely off and leaves her before she has time to say 'Mothercare'.Desperate to get him back – and convinced she can – Aoife doesn’t tell her family back home in Derry about her impending arrival until she is cradling newborn Maggie in her arms. She then has to return home to face the music – baby in tow and sanity absent without leave.Meanwhile her best friend has been keeping a secret of her own. Beth and her husband Dan have been trying to get pregnant for the past two years. According to the doctors there is no medical reason for their failure to conceive. And if there is no reason, there can’t be a problem, can there? Add a gorgeous gardener, an overbearing mother, a perfectly annoying sister-in-law and a well meaning aunt – all with secrets of their own – into the mix and you have 'Feels Like Maybe'.

    One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    I’m thirty-six years old. It’s September. I know what I’m doing and why I am here…for now.Ten years ago, Claire Hines lost her unborn child—and her short-term memory—following a heartrending tragedy. With notebooks, calendars, to-do lists, fractured pieces of the past, and her father’s support, Claire makes it through each day, hour by hour, with relative confidence. She also has a close-knit community of friends in the remote Alaskan town where she teaches guitar to the local children. It’s there, in the reminders.As determined as Claire is to regain all that’s disappeared, she’d prefer to live without some memories of her before life—especially those of her mother, Alice, who abandoned her, and Tate, the ex-boyfriend who broke her heart.But when Alice and Tate return from the past, there’ll be so much more for Claire to relive. And to discover for the very first time. Through healing, forgiveness, and second chances, Claire may realize that what’s most important might not be re-creating the person she was, but embracing the possibilities of being the person she is.

    From a distance, their lives look picture perfect. But after the girls leave home, Jack and Elizabeth quietly drift apart. When Jack accepts a wonderful new job, Elizabeth puts her own needs aside to follow him across the country. Then tragedy turns Elizabeth’s world upside down. In the aftermath, she questions everything about her life—her choices, her marriage, even her long-forgotten dreams. In a daring move that shocks her husband, friends, and daughters, she lets go of the woman she has become—and reaches out for the woman she wants to be.--back cover

    A single mother, she has struggled to do everything right. She sees the pregnancy as an unimaginable tragedy for both Lily and herself. Then comes word of two more pregnancies among high school juniors who happen to be Lily's best friends-and the town turns to talk of a pact. As fingers start pointing, the most ardent criticism is directed at Susan. As principal of the high school, she has always been held up as a role model of hard work and core values. Now her detractors accuse her of being a lax mother, perhaps not worthy of the job of shepherding impressionable students. As Susan struggles with the implications of her daughter's pregnancy, her job, financial independence, and long-fought-for dreams are all at risk. The emotional ties between mothers and daughters are stretched to breaking in this emotionally wrenching story of love and forgiveness. Once again, Barbara Delinsky has given us a powerful novel, one that asks a central question: What does it take to be a good mother?