The story begins when Luz Avila's grandmother, the local butterfly lady, purchases an old, orange VW bug for a road trip home to Mexico. When she unexpectedly dies, Luz is inspired to take her grandmother's ashes home. In the manner of the Aztec myth of the goddess who brings light to the world, Luz attracts a collection of lost women, each seeking change in their lives. The Mexican people believe the monarchs are the spirits of the recently departed and Luz taps into ancient rituals and myths as she follows the spectacular, glittering river of orange monarchs in the sky to home.

    Rich, cheating financier Frank Howard wants his wife dead, and he's willing to pay Billie Earl Johnson whatever it takes, to the tune of $750,000. When his bullet misses the mark, Billie Earl and Frank will turn on each other in a fight for their lives . . . MOTHER OF ALL MURDERS. Dee Dee Blancharde is a local celebrity. Television reports praise her as a single mother who tirelessly cares for her wheelchair-bound, chronically ill daughter. But when the teenaged Gypsy Rose realizes she isn't actually sick and Dee Dee has lied all these years, Gypsy Rose exacts her revenge . . .

    The stories include:� REINCARNAL by Max Allan Collins: A young woman may be the reincarnated victim of a serial killer on the loose.� THE LATE SHIFT by Dennis Etchison: A company takes flesh-peddling to a whole new level.� A FUNGUS AMONG US by Steve Nubie: A mysterious fungus is causing people to act like zombies before their heads explode and spore�like snakes ooze out of their brains!� WOLF by Max Allan Collins: A modern�day werewolf whose appetite for beautiful young women vacationing at a lodge retreat has guests and workers panic�stricken.� LIVING SPACE by M. J. Elliott: A young couple can't believe how "lucky" they are when they find a luxury high�rise apartment in Manhattan for rent at a "slashed" price.

    Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.”Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns.The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “postracial” society, is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about.

    An eleven-year-old girl narrates the unfolding of the Fish Wars in the 1960s, as her family is gradually drawn to the front lines of the conflict. In 1890, as tensions escalate at Wounded Knee, two young men at college, one French and the other Lakota, each contemplate a death in the family. In the final, haunting piece, a Nez Perce/Cayuse family is torn apart as they debate the fate of ancestral remains in a moving revision of the Greek tragedy Antigone.Formally inventive, witty, and generous, the works in this singular debut collection draw on Indigenous aesthetics and forms to offer a powerful, sustaining vision of Native life in the Americas.

    

    Told with voices that are rarely recorded but need to be heard, and incorporating the language and history of her people, Leanne Simpson's Islands of Decolonial Love is a profound, important, and beautiful book of fiction.

    In this short book, he provides readers with a fictional account of how a real, new medical technology could revolutionize the future of medicine by curing with sound. THE TUMOR follows the present day experience of the fictional patient Paul, an otherwise healthy 35-year-old father who is diagnosed with a malignant brain tumor. Grisham takes readers through a detailed account of Paul’s treatment and his family’s experience that doesn’t end as we would hope. Grisham then explores an alternate future, where Paul is diagnosed with the same brain tumor at the same age, but in the year 2025, when a treatment called focused ultrasound is able to extend his life expectancy. Focused ultrasound has the potential to treat not just brain tumors, but many other disorders, including Parkinson’s, Alzheimer’s, hypertension, and prostate, breast and pancreatic cancer. For more information, you can visit The Focused Ultrasound Foundation’s website. Here you will find a video of Grisham on the TEDx stage with the Foundation’s chairman and a Parkinson’s patient who brings the audience to its feet sharing her incredible story of a focused ultrasound “miracle.” Readers will get a taste of the narrative they expect from Grisham, but this short book will also educate and inspire people to be hopeful about the future of medical innovation.

    This multi-voiced faithful rendering of the NKJV New Testament is presented in a compelling, dramatic audio theater format. The arresting world-class audio production immerses listeners in the dramatic reality of the Scriptures as never before. Complete with an original music score by prolific Italian composer Stefano Mainetti ( Abba Pater ), Contributions by Dove Award winners Michael W. Smith and Rebecca St. James, and ambient sound effects that are woven together with compelling narration by Michael York, the Bible comes to life for a new generation. The post-production, sound design and Foley (sound effects) are produced, engineered and mixed at Cerny American Creative in Chicago-an award-winning post-production facility ranked in the Top 3 in the nation for sound design. Cast includes: Jim Caviezel (The Passion of the Christ, Deja vu) - Jesus Michael York (Romeo & Juliet, Austin Powers) - Narrator Academy Award winner Richard Dreyfuss (Mr. Holland's Opus, The Goodbye Girl) - Quotes from Moses Academy Award winner Marisa Tomei (My Cousin Vinny, What Women Want) - Mary Magdalene Golden Globe winner Stacy Keach (Prison Break, Hemingway) - Paul Academy Award and Golden Globe winner Lou Gossett, Jr (An Officer and a Gentleman, Roots) - John Terence Stamp (Star Wars Episode I: The Phantom Menace, Superman II) - Voice of God Kimberly Williams-Paisley (According to Jim, Father of the Bride) - Mary, Mother of Jesus Golden Globe and Tony Award nominee, Lou Diamond Phillips (La Bamba, Young Guns) - Mark John Heard (Prison Break, Home Alone) - Matthew Ernie Hudson (Miss Congeniality, Ghostbusters) - Peter TV Guide's TV's 25 Greatest Teen Idols honoree Luke Perry (Beverly Hills 90210, Jeremiah) - Judas & Stephen John Schneider (Smallville, Dukes of Hazzard) - James Chris McDonald (Happy Gilmore, Quiz Show) - Luke

    Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” (Lana Del Rey) Lana Del Rey brings her breathtaking poetry to life in an unprecedented audiobook. In this stunning spoken word performance, Lana Del Rey reads 14 poems from her debut book Violet Bent Backwards over the Grass accompanied by music from Grammy Award-winning musician Jack Antonoff. Lana’s debut book solidifies her further as “the essential writer of her times” (The Atlantic). This audiobook features Lana reading select poems from the book, including "LA Who Am I to Love You?", "The Land of 1,000 Fires", "Past the Bushes Cypress Thriving", "Never to Heaven", "Tessa DiPietro", "Happy", and several others. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

    In this debut collection of stories, each of them navigate life’s “training school”—with its lessons on gentrification and respectability—while fighting to create a vibrant sense of self in this love letter to Washington, DC.

    "I am black--and brown, too," writes Emily Bernard. "Brown is the body I was born into. Black is the body of the stories I tell."The storytelling, and the mystery of Bernard's storytelling, of getting to the truth, begins with a stabbing in a New England college town. Bernard writes how, when she was a graduate student at Yale, she walked into a coffee shop and, along with six other people, was randomly attacked by a stranger with a knife ("I remember making the decision not to let the oddness of this stranger bother me"). "I was not stabbed because I was black," she writes (the attacker was white), "but I have always viewed the violence I survived as a metaphor for the violent encounter that has generally characterized American race relations. There was no connection between us, yet we were suddenly and irreparably bound by a knife, an attachment that cost us both: him, his freedom; me, my wholeness."Bernard explores how that bizarre act of violence set her free and unleashed the storyteller in her ("The equation of writing and regeneration is fundamental to black American experience").She writes in Black Is the Body how each of the essays goes beyond a narrative of black innocence and white guilt, how each is anchored in a mystery, and how each sets out to discover a new way of telling the truth as the author has lived it. "Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably . . . Race is the story of my life, and therefore black is the body of this book."And what most interests Bernard is looking at "blackness at its borders, where it meets whiteness in fear and hope, in anguish and love."

    . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment. At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.  I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

    why? But Abbi had always found comfort in solitude, and needed space to step back and hit the reset button. As she spent time in each city and town on her way to Los Angeles, she mulled over the big questions -- What do I really want? What is the worst possible scenario in which I could run into my ex? How has the decision to wear my shirts tucked in been pivotal in my adulthood? In this collection of anecdotes, observations and reflections--all told in the sharp, wildly funny, and relatable voice that has endeared Abbi to critics and fans alike--readers will feel like they're in the passenger seat on a fun and, ultimately, inspiring journey. With some original illustrations by the author.

    The tale tells of lost love, beauty, and the magic of a foggy Christmas Eve night that leads to an unexpected event. An earlier version of this story appeared about 20 years ago in Lake Superior Magazine. Since then it has only been published in Italian and German.© 2011 Brian Freeman