It tells a story of love, loss, and rebirth.

    Beeswax. Pollinate. Hive. Colony. Work. Dance. Communicate. Industrious. Buzz. Sting. Cooperate.Where would we be without them? Where would we be without one another?In eighty-two poems and paragraphs, Naomi Shihab Nye alights on the essentials of our time—our loved ones, our dense air, our wars, our memories, our planet—and leaves us feeling curiously sweeter and profoundly soothed.

    "there are so many words I've left unsaidso instead of going another year or five or tenin brutal, crushing silencedon't waste this opportunitydon't be scared when the full weight of my hearttests the strength of your handsI'm trusting you with something I barely trust myself withthis knowingthis tellingthis momentous uprootingI'm hereI amI am right here in these words"A debut poetry collection about love, heartbreak, body image, how absolutely breathtaking girls are, flower blooms and starlight.

    The poems compiled inside this often hilarious, sometimes heartbreaking volume are reprinted verbatim from the Missed Connections section of craigslist, with only line and stanza breaks added.-Knock Knock books: fun gifts for internet friends, IRL friends, or missed connections-Paperback; 4 x 6 inches; 136 pages-Written by Alan Feuer and published by Knock Knock

    Smith, the Poet Laureate of the United StatesIn Wade in the Water, Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith’s signature voice—inquisitive, lyrical, and wry—turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.

    "They make us pay attention in new ways." In his second new and selected collection, Dunn subtly enlarges our sense of possibility. His new poems, suffused with affection and rue for our world, occasionally address the metaphysical, as in these lines—from “Talk to God”Ease into your misgivingsAsk him if in his weaknesshe was ever responsiblefor a pettiness—some weather, say,brought in to show who’s bosswhen no one seemed sufficiently movedby a sunset or the shape of an egg.Ask him if when he gave us desirehe had underestimated its power.

    The poems in The Book of Endings try to make sense of, or at least come to some kind of reckoning with absence--the death of the author's mother, the absence of the beloved, the absence of an accountable god, cicadas, the dead stars arriving, the dead moon aglow in the night sky.

    It is a meditation on the benefits of appreciating love, loss, relationships, and fleeting moments of kindness.

    She starts visiting a website for “completers”— www. through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?National Book Award finalist Julie Anne Peters shines a light on how bullying can push young people to the very edge.

    This collection introduces a fresh and bold voice into the rich current that is emerging from young African millennial artists.

    Take it from someone who learned the hard way: nineteen-year-old Lysander Shepherd – son of movie stars, spoiled brat, enthusiastic proponent of drugs and orgies... and now, unwilling resident of Oak Hill Manor, a retreat for troubled teenagers.Before he knows what's happening, his designer duds have been switched for tie-dye shirts in therapy team colors, and he is surrounded by an assortment of misfits: a timid nerd, a mute girl, a hyperactive kid... and captivating loner Cai Fields, who is admittedly pretty hot, but seems to hate the world in general and Lysander in particular.Soon Lysander struggles with lies, withdrawal, and several uncomfortable revelations that he never intended to make, but he also gains surprising amounts of support right in the middle of secret late-night parties, fisticuffs over doing the dishes, and, of all things, croissant blackmail. Even as Cai and Lysander finally give in to the irresistible attraction between them and make a grasp for happiness, their darkest secrets remain – secrets with the power to destroy everything they've fought so hard to have.

    Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).

    But nothing is ever as it seems, and this family is hiding a dark secret.Hadley McCauley will do anything to keep her sister safe from their father. But when Hadley’s forbidden relationship with Charlie Simmons deepens, the violence at home escalates, culminating in an explosive accident that will leave everyone changed.When Hadley attempts to take her own life at the hospital post-accident, her friends, doctors, family, and the investigator on the case want to know why. Only Hadley knows what really happened that day, and she’s not talking.

    Ever since her dad left, it’s been one let down after another. But no one—not even her best friend—gets all the pain she’s going through. So Dell hides behind self-deprecating jokes and forced smiles.Then the one person she trusts betrays her. Dell is beyond devastated. Without anyone to turn to for comfort, her depression and self-loathing spin out of control. But just how far will she go to make all of the heartbreak and name-calling stop?

    As every verse jockey worth their meter knows, there are no snakes in poems.