A. Corey . . . Somewhere in the vast expanse of space, a group of prisoners lives in permanent captivity.The only company they have is each other and the Belters who guard them. The only stories they know are the triumphs and crimes that brought them there. The only future they see is an empty life in an enormous room.And then the man from Mars came along . . .Set in the hard-scrabble solar system of the Expanse, The Vital Abyss deepens James S. A. Corey's acclaimed series.

    When one of her most gifted students elopes with a dreamer from the waking world, Vellitt must retrieve her.But the journey sends her on a quest across the Dreamlands and into her own mysterious past, where some secrets were never meant to surface.

    New issues are released on the first Tuesday of every month. EDITORIAL Words from the Editor-in-Chief—Jason Sizemore FICTION A Witch's Guide to Escape: A Practical Compendium of Portal Fantasies — Alix Harrow Work, and Ye Shall Eat — Walker McKnight Ghost Marriage — P. Djeli Clark Excerpt: Return to the Lost Level — Brian Keene NONFICTION Interview with Alix Harrow — Andrea Johnson Interview with Cover Artist Justin Adams — Russell Dickerson A Discussion with Tal M. Klein, Author of The Punch Escrow — Lesley Conner COLUMNS Between the Lines with Laura Zats and Erik Hane Page Advice with Mallory O'Meara and Brea Grant

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    There, fortunes are made and fortunes are broken over games of chess, backgammon and every other game under the sun.But those whom fortune favours may be invited to compete in the higher league... a league where the games played are of politics and empires, of economics and kings. It is a league where Capture the Castle involves real castles, where hide and seek takes place on a scale as big as the British Isles. Not everyone proves worthy of competing in the higher league. But one woman, who is about to play, may just exceed everyone's expectations.Though she must always remember: the higher the stakes, the more deadly the rules...

    As he approaches to help, he discovers that the lady is a Temple divine, servant to the five gods of this world. Her avowed god is The Bastard, "master of all disasters out of season", and with her dying breath she bequeaths her mysterious powers to Penric. From that moment on, Penric's life is irreversibly changed, and his life is in danger from those who envy or fear him.Set in the fantasy world of the author's acclaimed novels THE CURSE OF CHALION, PALADIN OF SOULS and THE HALLOWED HUNT, this novella has the depth of characterization and emotional complexity that distinguishes all Bujold's work.

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)

    The locals of Edda's Meadow, if they suspect it of her, say nary a word—Gideon has been good to them, and it's always better to keep on her good side. Just in case.When a foolish young shapeshifter goes against the wishes of her pack, and gets herself very publicly caught, the authorities find it impossible to deny the existence of the supernatural in their midst any longer; Gideon and her like are captured, bound for torture and a fiery end.Should Gideon give up her sisters in return for a quick death? Or can she turn the situation to her advantage?

    Featuring new fiction by Mary Robinette Kowal, E. Lily Yu, Shveta Thakrar, Charlie Jane Anders, Delilah S. Dawson, and Sarah Monette, classic fiction by Scott Lynch, essays by Natalie Luhrs, Sofia Samatar, Michael R. Underwood, and Caitlín Rosberg, poetry by C. S. E. Cooney, Bryan Thao Worra, and Sonya Taaffe, interviews with E. Lily Yu and Delilah S. Dawson by Deborah Stanish, a cover by Antonio Caparo, and an editoral by Lynne M. Thomas and Michael Damian Thomas.

    With rich and vibrant worldbuilding, readers are transported to antiquated realms to witness noble sacrifices and astonishing wonders. Gathering a comprehensive survey of beloved stories from the genre, this compilation includes stories by such luminaries as George R.R. Martin, Melanie Rawn, Ursula K. Le Guin, Robin Hobb, and Tad Williams, with a foreword by author Brent Weeks. Inspiring and larger-than-life, these tales offer timeless values of courage and friendship in the face of ultimate evil and express mankind's greatest hopes and fears.Stories:01 - Robin Hobb, Homecoming02 - Ursula K. Le Guin, The Word of Unbinding03 - Tad Williams, The Burning Man04 - Aliette de Bodard, As the Wheel Turns05 - Paolo Bacigalupi, The Alchemist06 - Orson Scott Card, Sandmagic07 - Patrick Rothfuss, The Road to Levinshir08 - Brandon Sanderson, Rysn09 - Michael Moorcock, While the Gods Laugh10 - Melanie Rawn, Mother of All Russiya11 - Kate Elliott, Riding the Shore of the River of Death12 - Mary Robinette Kowal, The Bound Man13 - N.K. Jemisin, The Narcomancer14 - Carrie Vaughn, Strife Lingers in Memory15 - Trudi Canavan, The Mad Apprentice16 - Juliet Marillier, Otherling17 - George R.R. Martin, The Mystery Knight

    . . . This twisty example of the new weird genre examines love, loss and loyalty, packing skilful world-building and a powerful emotional punch into a little over 200 pages."—The GuardianShe lived where the railway tracks met the saltpan, on the Ahri side of the shadowline. In the old days, when people still talked about her, she was known as the end-of-the-line woman.Vasethe, a man with a troubled past, comes to seek a favor from a woman who is not what she seems, and must enter the nine hundred and ninety-nine realms of Mkalis, the world of spirits, where gods and demons wage endless war.The Border Keeper spins wonders both epic—the Byzantine bureaucracy of hundreds of demon realms, impossible oceans, hidden fortresses—and devastatingly personal—a spear flung straight, the profound terror and power of motherhood. What Vasethe discovers in Mkalis threatens to bring his own secrets into light and throw both worlds into chaos.Praise for The Border Keeper"Beautifully and vividly imagined. Eerie, lovely, and surreal."—Ann Leckie“A labyrinth of demons, dead gods, cranky psychopomps, and broken all-too-human lives. Hall is by turns wry and lush, genuine and venomous. So can I have the next one already?”—Max Gladstone

    A short story about a younger Eugenides from the magazine Disney Adventures.

    Set in the world of the Song of Ice and Fire series eighty-nine years before the events of the main cycle, the story relates the adventures of Dunk (eponymously called Ser Duncan the Tall) and his squire, Egg.

    The people of Enith are not. The two countries have been at war for decades, but now peace has fallen, and Calla of Enith seeks to renew an unlikely friendship with Gaantish officer Valk over an even more unlikely game of chess, in Carrie Vaughn's novella That Game We Played During The War.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    A collection of scenes from Nezha's point of view throughout the first two novels in the trilogy, and in an opening scene of the final novel in the trilogy.