But the evidence proves otherwise.When a state trooper named Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment - who else? He's been expecting such a call to come eventually. Sure, it has been years since any signs of an attack, but Arkeley knows what most people don't: there is one left. In an abandoned asylum she is rotting, plotting, and biding her time in a way that only the undead can.Caxton is out of her league on this case and more than a little afraid, but the fed made it plain that there is only one way out. But the worst thing is the feeling that the vampires want more than just her blood. They want her for a reason, one she can't guess; a reason her sphinxlike partner knows but won't say; a reason she has to find out - or die trying.Now there are only 13 bullets between Caxton and Arkeley and the vampires. There are only 13 bullets between us, the living, and them, the damned.

    government rounded up the people of Innsmouth and took them to the desert, far from their ocean, their Deep One ancestors, and their sleeping god Cthulhu. Only Aphra and Caleb Marsh survived the camps, and they emerged without a past or a future.The government that stole Aphra's life now needs her help. FBI agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant, and hasten the end of the human race.Aphra must return to the ruins of her home, gather scraps of her stolen history, and assemble a new family to face the darkness of human nature.

    Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation, but which haunts the Signalman.In a ranch house near the shore of the Salton Sea a cult leader gathers up the weak and susceptible—the Children of the Next Level—and offers them something to believe in and a chance for transcendence. The future is coming and they will help to usher it in.A day after the events at the ranch house which disturbed the Signalman so deeply that he and his government sought out help from ‘other’ sources, Johns Hopkins Applied Physics Laboratory abruptly loses contact with NASA’s interplanetary probe New Horizons. Something out beyond the orbit of Pluto has made contact.And a woman floating outside of time looks to the future and the past for answers to what can save humanity.

    When his father Montrose goes missing, twenty-two year old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned Atticus’s great grandmother—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of one black family, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.

    Right-wing evangelist Godwin Mann isn’t about to let that continue, and his intolerant brand of fundamentalism has struck a chord with the residents. But Mann goes too far when he descends into the pit where the ancient being who’s been worshipped by the Druids for centuries is said to dwell.What emerges is no longer Mann, but a demon in Mann’s shape, and only the town’s outcasts can see that something is horribly wrong. Slowly, as the evil spreads, Moonwell becomes cut off from the rest of the world. Telephone lines become disconnected. Roads no longer lead out of town. And the monster’s power only grows... and grows.

    Strange light fixtures. Mutant cockroaches. There are some odd things about Nate’s new apartment.Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much.At least, not until he meets Mandy, his neighbour across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...

    . . Amara was one the Princess of Egypt, the beautiful wife of Mentuhotem the First. Now, 4000 years later, she and her coffin are merely prized exhibits of the Charles Ward museum. Her lovely face and strong, young body are no more. If you were to look at her today, you would see only a brittle bundle of bones and dried skin. But looks can be very deceiving. . . . A missing mummy . . . Barney, the museum's night watchman, is the first to make the shocking discovery that the mummy's coffin has been broken open. He immediately assumes it's the work of grave-robbers who care nothing about the sanctity of the dead. But Barney doesn't have a chance to do anything about it. Then two security guards come upon the open coffin and they too believe that the mummy has been stolen. What else could sane men think? By the time they realize the unbelievable truth, it's far too late for them to do anything . . . ever again. The walking dead! Now Amara is once again freed from the cramped confines of her coffin, free to walk the earth, free to stalk her prey. Free to kill. Nothing can satisfy her deadly bloodlust. And no one can stop her. You cannot kill what is already dead.

    He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable. He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and demons, and broken them in his teeth.As Persons investigates the horrible McKinsey, he realizes that he carries something far darker. He’s infected with an alien presence, and he’s spreading that monstrosity far and wide. Luckily Persons is no stranger to the occult, being an ancient and magical intelligence himself. The question is whether the private dick can take down the abusive stepdad without releasing the holds on his own horrifying potential.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Stephen King has, in his time, played with both sources of the nightmarish and in Dreamcatcher, the first complete novel since his near-fatal accident, he gives us both.Four childhood friends, united by secrets, are caught in the quarantine zone when something crashes into the remote forests of Maine; and the question becomes who will avoid being eaten alive by alien fungi, torn from the inside by alien ferrets, possessed by alien minds or menaced by a psychotic military commander to whom ruthlessness has become a macho ego trip?The Earth is in peril as well, needless to say, but most of our attention is taken up with a few men caught on the edge, and where the most important thing in the world turns out to be the fact that four small boys saved a fifth from a beating.This has the hall-marks of a good King novel--memorable catchphrases whose meaning we only gradually learn and a sense of how it feels to be human. --Roz Kaveney

    To know them will be to know him. And thus we have decided to release a new and expanded third edition of Robert Bloch’s Mysteries of the Worm. This collection contains four more Mythos tales–”The Opener of the Way”, “The Eyes of the Mummy”, “Black Bargain”, and “Philtre Tip”–not included in the first two editions.

    Inferno is a town in trouble, driven to the brink by racial tension, gang violence, and a collapsing economy. But things can always get worse, and they do so with astonishing speed when an unidentified spacecraft crash lands in the desert outside of town, followed by a second craft bearing the alien being who will soon be known as Stinger. Stinger is a kind of interstellar hunter on a mission he intends to complete, whatever the cost. He brings with him an endless array of technological marvels and an infinite capacity for destruction that threaten the existence of Inferno, its inhabitants, and the larger world beyond"--Dust jacket flap.

    Lovecraft and the Cthulhu Mythos. With illustrations by Peter A. Worthy and color cover by James Oberschlake.

    Boats are found ravaged, a body torn in two, other people are missing and an injured victim cries of a monster. Chief of Police Morgan Sydney must face the reality that a huge monster is lurking in the lake. With bulletproof scales, territorial aggression, and an insatiable appetite, the beast causes mayhem in the peaceful town. To destroy the creature, Sydney must form an alliance with the sheriff, a local lodge employee, his ex-wife, and an eccentric biologist who has a theory on what the creature is and its origins.

    And then the deaths begin, attributed at first to the modern hazards of setting up a rich and teeming metropolis so close to the natural mountain habitat of bobcats and wolves. But something else is descending from on high, stalking at night, moving from prehistoric time toward modern civilization.Hannah Hughes, local newspaperwoman, and Jim Grand, a melancholy anthropologist, know the threat is real and more dangerous than anyone realizes. Their mission is to find the cats and confront living specimens before their nemesis, Sheriff Malcolm Gearhart, destroys what may be the last link to our ancestors' time. But the cats' preternatural sense of smell is guiding them closer and closer, because the cats are on a mission too.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch