2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Who is the man he kills, the woman he shoots, and what is the Eden Plague? Fleeing the shadowy Company, Daniel turns to fellow soldiers. He fights back, seeks the woman, and wants answers. A secret threatens world stability and a conspiracy could change everything.

    My childhood wasn't like yours. I've never had friends, and in my whole life I've not met enough people to play a game of football. My parents told me how crowded the world used to be, but we were never lonely on our remote island. We had each other, and our dogs. Then the thief came. There may be no law left except what you make of it. But if you steal my dog, you can at least expect me to come after you. Because if we aren't loyal to the things we love, what's the point?

    Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet.

    Death takes us when it is ready. Nineteen-year-old Mora knows this all too well, living in a world where the dead have walked the Earth for the past 60 years. Mora is on a mission to save her village from the relentless greyskins, and there is only one man that can help her: Jeremiah of Screven. As she travels the wastelands, she discovers a power within herself, a power she believes no other human possesses. That is, until she meets others like her – the ones who call themselves the Starborn. These super-humans are on a mission also: to destroy the undead greyskins, and take down the greedy Jeremiah. Mora must now choose between the one who can keep her family safe, and those that can show her who she truly is.If It Kills MeOverconfidence has no place in a world where the dead rule. Nineteen-year-old Mora has learned this the hard way. After a conflict in the colony of Salem that left hundreds of people dead, Mora and her Starborn allies have been branded as fugitives by Jeremiah, the leader of Screven. Now, Mora must prove to the world that she isn't the enemy, and that hope for the future lies with the Starborns, not Jeremiah. To do that, she must find out the truth behind the origins of the dreaded greyskins that roam the Earth, attacking villages relentlessly.But more than that, she must protect her family. The Starborns attempt to set up a base at her home, Springhill, but it only brings more turmoil. With a mentor channeling her dreams of the past, and two rival brothers fighting for her love, Mora learns of a new enemy that threatens to bring them down before the revolution can even begin.Even In DeathGreen, you're clean. Red, you're dead. Nineteen-year-old Mora is haunted by the flashing red light that pronounces her doom. Now she knows she only has about twenty-four hours to defeat Jeremiah and finish the revolution she has started, before the greyskin virus claims her life. To do this, she must lead the other Starborns through the war-torn streets of Screven. But Jeremiah has a secret power that will test Mora in ways she could have never imagined.

    Around the same time, an Indian elephant was deliberately put to death by electricity in Coney Island.These are the facts.Now these two tragedies are intertwined in a dark alternate history of rage, radioactivity, and injustice crying out to be righted. Prepare yourself for a wrenching journey that crosses eras, chronicling histories of cruelty both grand and petty in search of meaning and justice.

    By dawn, only a dead city remains, eerily quiet and still, except for mutant beasts that hide from the light, multiply, and await the shadows of night to continue their relentless advance.Ordered to investigate the unfolding crisis, biowarfare specialist Carolyn Ridenour barely escapes the creatures’ nocturnal onslaught, saved in the nick of time by Colonel Garrett Hoffman, who lost hundreds of his troops to a swarm that neither bombs nor bullets can stop.As Carolyn and Garrett race to stop the plague, a battered and broken government prepares to release the fury of America’s nuclear arsenal on its own soil and its own citizens. The Gemini Effect was originally published as The Mengele Effect. This edition has been completely edited and revised, including significant plot changes.

    Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. Gramps Ford, his chin resting on his hands, his hands on the crook of his cane, was staring irascibly at the five-foot television screen that dominated the room. On the screen, a news commentator was summarizing the day's happenings. Every thirty seconds or so, Gramps would jab the floor with his cane-tip and shout, "Hell, we did that a hundred years ago!" Emerald and Lou, coming in from the balcony, where they had been seeking that 2185 A.D. rarity--privacy--were obliged to take seats in the back row, behind about a dozen relatives with whom they shared the house. All save Gramps, who was somewhat withered and bent, seemed, by pre-anti-gerasone standards, to be about the same age--somewhere in their late twenties or early thirties. Gramps looked older because he had already reached 70 when anti-gerasone was invented. He had not aged in the 102 years since. "Next one shoots off his big bazoo while the TV's on is gonna find hisself cut off without a dollar--" his voice suddenly softened and sweetened--"when they wave that checkered flag at the Indianapolis Speedway, and old Gramps gets ready for the Big Trip Up Yonder." He sniffed sentimentally, while his heirs concentrated desperately on not making the slightest sound. For them, the poignancy of the prospective Big Trip had been dulled somewhat, through having been mentioned by Gramps about once a day for fifty years.

    Outside the walls of Consilience, half the country is out of work, gangs of the drug-addicted and disaffected menace the streets, warlords disrupt the food supply, and overcrowded correctional facilities churn out offenders to make room for more.The Consilience prison, Positron, is something else altogether. The very heart of the community and its economic engine, it’s a bold experiment in voluntary incarceration. In exchange for a house, food, and what the online brochure hails as “A Meaningful Life,” residents agree to spend one month as inmates, the next as civilians, working as guards or whatever’s required.Stan and Charmaine have no complaints—until the day Stan discovers an erotic note under the fridge of the house he and Charmaine must share with another couple while they’re back inside Positron. It’s a missive of erotic longing, pressed with a vivid lipstick kiss: “I’m starved for you!” it breathes. If Stan rarely thought about the house’s other residents before—they’ve never met them and don’t know their names; it’s not allowed—now he can’t stop thinking about them, especially the note’s sex-addled author, a woman apparently named Jasmine, so unlike his girlish wife, Charmaine. He HAS to meet her, but in this highly ordered and increasingly surveilled world, disorderly thoughts are a risk, and breaking the rules has dire consequences.

    Two years after the end of the world, she talks to herself and smashes heads with her favorite sledgehammer. This is not the life she imagined for herself as her eighteenth birthday rolls past.It’s time for her to look beyond her safe, little hiding place to the world beyond. The madness of the apocalypse is ending, the dangerous in-betweeners - those no longer quite human, but not yet dead - are few and far between. The deaders that cover the world are going still, their senses dulled by time and the elements. The problem is that there are no people...none. Emily has found not a single living human when she's dared to step outside her safe-zone.As Emily weighs the heavy cost of surviving alone and begins to accept the inevitable, everything changes once again. One of the deaders at her gate turns out not to be a deader at all. He’s an in-betweener different from any other she has seen before, and he carries a message. If Emily has the courage to step beyond her gate and the skills to survive a perilous trip in a dead world, she might just have a chance at life...a life with humans...after all.The In-Betweener is book one in the thrilling post-apocalyptic adventure series, Between Life and Death.

    Smart, dedicated, gorgeous, and, thanks to her last movie before she hung up on Hollywood, rich, she's a pleasure to oblige when she says Rob has to witness this channeler Ariaura's act--on her, not the Eye's, nickel--despite channelers being so last year. It's quite a show, all right, for in the midst of Ariaura's particular ancient wise guy's basso spiel, a gravelly baritone interrupts (both voices emanate from the channeler's female mouth) to berate the audience as "yaps" and the act as "claptrap." Why is Ariaura undermining herself? Or is she? After all, she angrily accuses Rob and Kildy of scheming to destroy her. Could the baritone belong to a genuine channeled spirit? Willis, one of sf's most spirited writers, rounds on the New Age; pays tribute to a great, skeptical journalist; and affectionately parodies pulp fiction at its best in this irresistible entertainment.

    She is cleaning cages and floors at Pope Pharmaceuticals when the President of the United States announces that human beings are no longer a viable species. When Zoe realizes that everyone she loves is disappearing, she starts running. Scared and alone in a shockingly changed world, she embarks on a remarkable journey of survival and redemption. Along the way, Zoe comes to see that humans are not defined by their genetic code, but rather by their actions and choices.

    Short flashback that occurs between "The Scorch Trials" and "The Death Cure."

    When he returns home, there’s no one to greet him. Earth has fallen silent. Now he must decide—stay in orbit, watching a dead planet roll slowly by beneath his windows, or land on Earth and fight for life?

    But as adults they both wind up in near-future San Francisco, where Laurence is an engineering genius and Patricia works with a small band of other magicians to secretly repair the world’s ever growing ailments. But something is determined to bring them back together—to either save the world, or end it.