Zicree's account of the series from inception to cancellation, through syndications and sunbsequent offshoots and remakes, is fascinating reading for even the mosts casual fan. Coverage of each episode includes a plot synopsis, Rod Serling's narrations, critical commentary, behind-the-scenes stories and anecdotes from the original artist who created the series, a complete list of cast and credits, and over 200 production photographs.This second edition also has an addendum covering the Twilight Zone movie and the CBS program from the 1980s.

    Here are the outrageous memoirs of an American original whose life was every bit as outlandish as his movies. Photographs. Filmography.

    This major collection of writings draws primarily upon two long out-of-print books--Metaphors on Vision and Brakhage Scrapbook. Brakhage examines filmmaking in relation to social and professional contexts, the nature of influence and collaboration, the aesthetics of personal experience, and the conditions under which various films were made. Brakhage discusses his predecessors and contemporaries, relates film to dance and poetry, and in "A Moving Picture Giving and Taking Book" provides a manual for the novice filmmaker. Lectures, interviews, essays, and manifestos document Brakhage's personal vision and public persona.

    From her treatment in the US and the wonderful care provided by the oncologists there to how she rebuilt her life once she returned home, the book takes us on an emotional roller-coaster ride through her many fears and struggles and shows how she eventually came out triumphant.Today, as she completes six years of being cancer-free, she shares her story-one marked by apprehensions, disappointments and uncertainties-and the lessons she learnt along the way. Through her journey, she unravels cancer for us and inspires us to not buckle under its fear, but emerge alive, kicking and victorious.

    Greenfield has traveled the world - from Los Angeles to Moscow, Dubai to China - bearing witness to the global boom-and-bust economy and documenting its complicated consequences. Provoking serious reflection, this book is not about the rich, but about the desire to be wealthy, at any cost.

    

    Hollywood has so many stories to tell and, unfortunately, so many of them do not have happy endings. From Marilyn Monroe to posthumous Oscar winner Heath Ledger, this book lays bare some of the myths and gets to the heart of some of Hollywood's Unhappiest Endings.

    Generally regarded by Bond fans as the definitive book on the subject, the "Bedside Companion" was nominated for an Edgar Award as the best biographical/critical work of 1984.

    The story of a group of thieves who specialize in invading the mind through one’s dreams, Inception explores the Nolan’s signature psychological themes of memory, paranoia, and self-doubt as the protagonist, Dom Cobb, is pitted against a hostile subconscious spurred on by personal demons and regrets from the past. In a conversational preface, Nolan discusses with brother and frequent collaborator, Jonah, the genesis of the idea for the film and the decade-long process it took to write it. Detailing the results of Nolan’s efforts, Inception: The Shooting Script includes key storyboard sequences, full-color concept art, and an appendix on the workings of the mysterious Pasiv Device that Cobb and his fellow extractors use to initiate the dream-share. An exclusive exploration of a highly original concept, Inception: The Shooting Script is the record of a writer-director at the height of his craft.

    It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. Most of us can recite without prompting the salient characteristics of the vampire: sleeping by day in its coffin, rising at dusk to feed on the blood of the living; the ability to shapeshift into a bat, wolf, or mist; a mortal vulnerability to a wooden stake through the heart or a shaft of sunlight. In this critically acclaimed excursion through the life of a cultural icon, David Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commidity, digging through the populist veneer to reveal what the prince of darkness says about us all.

    Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible. Presented as a set of inter-linked interviews, The Politics of Aesthetics provides the most comprehensive introduction to Rancière's work to date, ranging across the history of art and politics from the Greek polis to the aesthetic revolution of the modern age. Already translated into five languages, this English edition of The Politics of Aesthetics includes a new afterword by Slavoj Zizek, an interview for the English edition, a glossary of technical terms and an extensive bibliography.

    Adaptation, Hutcheon argues, has always been a central mode of the story-telling imagination and deserves to be studied in all its breadth and range as both a process (of creation and reception) and a product unto its own.Persuasive and illuminating, A Theory of Adaptation is a bold rethinking of how adaptation works across all media and genres that may put an end to the age-old question of whether the book was better than the movie, or the opera, or the theme park.

    It is the account of five ordinary Israelis, selected to vanish into "the cold" of espionage secrecy -- their mission to hunt down and kill the PLO terrorists responsible for the massacre of eleven Israeli athletes at the Munich Olympics in 1972. This is the account of that secret mission, as related by the leader of the group -- the first Mossad agent to come out of "deep cover" and tell the story of a heroic endeavor that was shrouded in silence and speculation for years. He reveals the long and dangerous operation whose success was bought at a terrible cost to the idealistic volunteer agents themselves. "Avner" was the leader of that team, handpicked by Golda Meir to avenge the monstrous crime of Munich. He and his young companions, cut off from any direct contact with Israel, set out systematically to find and kill the central figures of the PLO's Munich operation, tracking them down wherever they lived. The mechanics, the horror, the day-by-day suspense of what they did surpass by far anything John le Carré or Robert Ludlum could imagine, as they themselves were tracked in turn (and some killed) by PLO assassins, changing identities constantly, moving from country to country, devoting their young lives to the brutal task of vengeance. Vengeance is a profoundly human document, a real-life espionage classic that plunges the reader into the shadow world of terrorism and political murder. But it goes far beyond that, to explore firsthand the feelings of disgust and doubt that gradually came to torment each member of the Israeli team, and that in the end inexorably changed their view of the mission -- and themselves. Vengeance opens a window onto a secret world, a book that at the same time inspires and horrifies. For its subject is an act of revenge that goes to the very heart of the ancient biblical questions of good and evil.

    New edition of the 2000 winner of the prestigious Mao Dun Literature Prize. This is a saga of the disabled son between the Tibetan Kangba Tusi (head of the clan) and a Han woman, who, despite of his appearance, possesses a special gift of prescience and premonition. In Simplified Chinese. Distributed by Tsai Fong Books, Inc.