An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    In a stark landscape where coyotes prowl and mysterious lights occasionally pass through the nighttime sky, Ahlam's imagination reigns. She battles chronic fever dreams and isolation. When she meets her tempestuous counterpart Laura, the two fall into infatuated partnership, experimenting with drugs and sex, and watching helplessly as a series of mysterious deaths claim high school classmates. The girls flee their pasts for New York City, but as their emotional bond heightens, the intensity of their lives becomes unbearable. In search of love, ecstasy, oblivion, and belonging, Ahlam and Laura's drive to outrun the ghosts of home threatens to undo them altogether.

    Aaron Greidinger, an aspiring Yiddish writer and the son of a distinguished Hasidic rabbi, struggles to be true to his art when faced with the chance at riches and a passport to America. But as he and the rest of the Writers' Club wait in horror for Nazi Germany to invade Poland, Aaron rediscovers Shosha, his childhood love-still living on Krochmalna Street, still mysteriously childlike herself-who has been waiting for him all these years.

    They’ve shared stolen kisses and romantic promises. But Iran is a dangerous place for two girls in love—Sahar and Nasrin could be beaten, imprisoned, even executed if their relationship came to light.So they carry on in secret—until Nasrin’s parents announce that they’ve arranged for her marriage. Nasrin tries to persuade Sahar that they can go on as they have been, only now with new comforts provided by the decent, well-to-do doctor Nasrin will marry. But Sahar dreams of loving Nasrin exclusively—and openly.Then Sahar discovers what seems like the perfect solution. In Iran, homosexuality may be a crime, but to be a man trapped in a woman’s body is seen as nature’s mistake, and sex reassignment is legal and accessible. As a man, Sahar could be the one to marry Nasrin. Sahar will never be able to love the one she wants, in the body she wants to be loved in, without risking her life. Is saving her love worth sacrificing her true self?

    Inspired by a true story, "People of the Book" is a novel of sweeping historical grandeur and intimate emotional intensity by an acclaimed and beloved author. Called "a tour de force" by the San Francisco Chronicle, this ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in fifteenth-century Spain. When it falls to Australian rare book expert Hanna Heath to conserve this priceless work, the tiny artifacts she discovers in its ancient binding—a butterfly wing fragment, wine stains, salt crystals, a white hair—only begin to unlock the book’s deep mysteries and unexpectedly plunges Hanna into the intrigues of fine art forgers and ultra-nationalist fanatics.

    Brezhnev sits like a stone in the Kremlin, Israel and Egypt are inching towards peace, and in the bustling, polyglot streets of Rome, strange new creatures have appeared: Soviet Jews who have escaped to freedom through a crack in the Iron Curtain. Among the thousands who have landed in Italy to secure visas for new lives in the West are the members of the Krasnansky family — three generations of Russian Jews. There is Samuil, an old Communist and Red Army veteran, who reluctantly leaves the country to which he has dedicated himself body and soul; Karl, his elder son, a man eager to embrace the opportunities emigration affords; Alec, his younger son, a carefree playboy for whom life has always been a game; and Polina, Alec's new wife, who has risked the most by breaking with her old family to join this new one. Together, they will spend six months in Rome — their way station and purgatory. They will immerse themselves in the carnival of emigration, in an Italy rife with love affairs and ruthless hustles, with dislocation and nostalgia, with the promise and peril of a new life. Through the unforgettable Krasnansky family, David Bezmozgis has created an intimate portrait of a tumultuous era. Written in precise, musical prose, The Free World is a stunning debut novel, a heartfelt multigenerational saga of great historical scope and even greater human debth. Enlarging on the themes of aspiration and exile that infused his critically acclaimed first collection, Natasha and Other Stories, The Free World establishes Bezmozgis as one of our most mature and accomplished storytellers.

    As Noone's friendship with the dying boy grows, he feels he can unlock his innermost feelings. But troubling questions arise, and he is forced to confront all his relationships - familial, romantic and erotic.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.