In The Hope, his long-awaited return to historical fiction, he turns to one of the most thrilling stories of our time - the saga of Israel. In the grand, epic style of The Winds of War and War and Remembrance, The Hope plunges the reader into the major battles, the disasters and victories, and the fragile periods of peace from the 1948 War of Independence to the astounding triumph of the Six-Day War in 1967. And since Israelis have seen their share of comic mishaps as well as heroism, this novel offers some of Herman Wouk's most amusing scenes since the famed "strawberry business" in The Caine Mutiny. First to last The Hope is a tale of four Israeli army officers and the women they love: Zev Barak, Viennese-born cultured military man; Benny Luria, ace fighter pilot with religious stirrings; Sam Pasternak, sardonic and mysterious Mossad man; and an antic dashing warrior they call Kishote, Hebrew for Quixote, who arrives at Israel's first pitched battle a refugee boy on a mule and over the years rises to high rank. In the love stories of these four men, the author of Marjorie Morningstar has created a gallery of three memorable Israeli women and one quirky fascinating American, daughter of a high CIA official and headmistress of a Washington girls school. With the authenticity, authority, and narrative force of Wouk's finest fiction, The Hope portrays not so much the victory of one people over another, as the gallantry of the human spirit, surviving and triumphing against crushing odds. In that sense it can be called a tale of hope for all mankind; a note that Herman Wouk has struck in all his writings, against the prevailing pessimism of our turbulent century.

    With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer’s original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.

    Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.In “The Cartographers,” the main character works for a company that creates and sells virtual memories, while struggling to maintain a real-world relationship sabotaged by an addiction to his own creations. In “Saying Goodbye to Yang,” the robotic brother of an adopted Chinese child malfunctions, and only in his absence does the family realize how real a son he has become.Children of the New World grapples with our unease in this modern world and how our ever-growing dependence on new technologies has changed the shape of our society. Alexander Weinstein is a visionary new voice in speculative fiction for all of us who are fascinated by and terrified of what we might find on the horizon.

    These intimate portraits of people and relationships scour and soothe and blast a light on the nature of family, faith, forgiveness, consumption, and what we may, or may not, owe one another. A thirteen-year-old meditates on her sadness and the difference between herself and her white best friend when an unexpected tragedy occurs; a woman recovering from a miscarriage finds herself unable to let go of her daughter—whose body parts she sees throughout her daily life; a teenager resists her family’s church and is accused of courting the devil; servers at a supper club cater to the insatiable cravings of their wealthy clientele; and two estranged siblings take a road-trip with their father’s ashes and are forced to face the troubling reality of how he continues to shape them.Wise and subversive, spiritual and seductive, Milk Blood Heat forms an ouroboros of stories that bewitch with their truth.

    Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.

    Caught in extreme states of tension, in a world of shifting borders, of instability, Rao's characters must rely on their own wits. When Partition established Pakistan and India as sovereign states, the new boundary resulted in a colossal transfer of people, the largest peacetime migration in human history. This mass displacement echoes throughout Rao's story couplets, which range across the twentieth century, moving beyond the subcontinent to Europe and America. Told with dark humor and ravaging beauty, An Unrestored Woman unleashes a fearless new voice on the literary scene.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Morris apprenticed himself at twelve years old to a garment cutter in a clothing factory; Sol headed to college and became an accountant; and Harry, the youngest, fell in with a gang as a teenager and can’t escape. Morris steadily climbs through the ranks at the factory until he’s running the place and buys out the owner, and Sol comes to work with him. But Harry can’t be lured away from the glamour, the power, and the money that comes from working for mobster Louis Buchalter, an old bully from the neighborhood. And when Louis sets his sights on the unions that staff the garment makers’ factories, a fatal showdown is inevitable, and puts brother against brother.This new novel is equal parts historical thriller, rich with the detail of a vibrant New York City in the 1920s and 1930s, and family saga, based in part on Andrew Gross’s family history, and will cement his reputation as today’s most atmospheric and original historical thriller writer.

    But when thirteen-year-old Gittel learns of the abuse her best friend has suffered at the hands of her own family member, the adults in her community try to persuade Gittel, and themselves, that nothing happened. Forced to remain silent, Gittel begins to question everything she was raised to believe.A richly detailed and nuanced book, one of both humor and depth, understanding and horror, this story explains a complex world that remains an echo of its past, and illuminates the conflict between yesterday's traditions and today's reality.

    Unfolding over four tumultuous weeks in present-day Washington, D.C., Here I Am is the story of a fracturing family in a moment of crisis. As Jacob and Julia Bloch and their three sons are forced to confront the distances between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the Middle East. At stake is the meaning of home - and the fundamental question of how much aliveness one can bear. Showcasing the same high-energy inventiveness, hilarious irreverence, and emotional urgency that readers loved in his earlier work, Here I Am is Foer's most searching, hard-hitting, and grandly entertaining novel yet. It not only confirms Foer's stature as a dazzling literary talent but reveals a novelist who has fully come into his own as one of our most important writers.

    Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos. In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains - of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming. Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.

    When she begins to bleed from her hands, feet, and side, the entire community is thrown into turmoil. Is Mariette a cunning sham, or sexually hysterical, or does God stalk her like a pitiless lover? Mariette in Ecstasy is a stunning immersion into the society of a small convent at the turn of the century, where a mysterious and ultimately harrowing world lies beneath the lovely, placid surface of everyday life. With Mariette In Ecstasy, critically acclaimed author Ron Hansen again powerfully demonstrates his gift for brilliantly recreating time and place. As intriguing as The Name Of The Rose, as sensually hypnotic as Marguerite Duras' The Lover, this is an intimate portrait of a fascinating young woman in the grip of an intractable fate, and it raises provocative questions about the complex nature of passionate faith. Exquisitely crafted, Mariette in Ecstasy is a spellbinding novel that marks a new level of achievement in one of our most gifted writers.~ from 1991 hardcover dustjacket

    So begins Reva's "darkly hilarious" (Anthony Doerr) intertwined narratives, nine stories that span the chaotic years leading up to and immediately following the fall of the Soviet Union. But even as the benighted denizens of 1933 Ivansk Street weather the official neglect of the increasingly powerless authorities, they devise ingenious ways to survive.In "Bone Music," an agoraphobic recluse survives by selling contraband LPs, mapping the vinyl grooves of illegal Western records into stolen X-ray film. A delusional secret service agent in "Letter of Apology" becomes convinced he's being covertly recruited to guard Lenin's tomb, just as his parents, not seen since he was a small child, supposedly were. Weaving the narratives together is the unforgettable, chameleon-like Zaya: a cleft-lipped orphan in "Little Rabbit," a beauty-pageant crasher in "Miss USSR," a sadist-for-hire to the Eastern Bloc's newly minted oligarchs in "Homecoming."

    “Stunning . . . Bari Weiss is heroic, fearless, brilliant and big-hearted. Most importantly, she is right.”—Lisa Taddeo, #1 New York Times bestselling author of Three Women On October 27, 2018, eleven Jews were gunned down as they prayed at their synagogue in Pittsburgh. It was the deadliest attack on Jews in American history. For most Americans, the massacre at Tree of Life, the synagogue where Bari Weiss became a bat mitzvah, came as a total shock. But anti-Semitism is the oldest hatred, commonplace across the Middle East and on the rise for years in Europe. So that terrible morning in Pittsburgh raised a question Americans can no longer avoid: Could it happen here? This book is Weiss’s answer. Like many, Weiss long believed this country could escape the rising tide of anti-Semitism. But now the luckiest Jews in history are beginning to face a three-headed dragon known all too well to Jews of other times and places: the physical fear of violent assault, the moral fear of ideological vilification, and the political fear of resurgent fascism and populism. No longer the exclusive province of the far right, the far left, and assorted religious bigots, anti-Semitism now finds a home in identity politics and the reaction against identity politics, in the renewal of America First isolationism and the rise of one-world socialism, and in the spread of Islamist ideas into unlikely places. A hatred that was, until recently, reliably taboo, anti-Semitism is migrating toward the mainstream, amplified by social media and a culture of conspiracy that threatens us all. Weiss’s cri de couer is an unnerving reminder that Jews must never lose their hard-won instinct for danger, and a powerful case for renewing Jewish and American values in uncertain times from one of our most provocative writers. Not just for the sake of America’s Jews, but for the sake of America.