Simply constructed, the book explores 50 key works – from the realist painting of Courbet to a contemporary installation by Yayoi Kusama – and then links them to the most important movements, themes and techniques. Accessible, concise and richly illustrated, the book reveals the connections between different periods, artists and styles, giving readers a thorough understanding and broad enjoyment of modern art.

    Kotter shows with compelling evidence what leadership really means today, why it is rarely associated with larger-than-life charismatics, precisely how it is different from management, and yet why both good leadership and management are essential for business success, especially for complex organizations operating in changing environments.The critics who despair of the coming of imaginative, charismatic leaders to replace the so-called manipulative caretakers of American corporations don't tell us much about what leadership actually is, or, for that matter, what management is either. Leadership, Kotter clearly demonstrates, is for the most part not a god-like figure transforming subordinates into superhumans, but is in fact a process that creates change -- a process which often involves hundreds or even thousands of "little acts of leadership" orchestrated by people who have the profound insight to realize this. Building on his landmark study of 15 successful general managers, Kotter presents detailed accounts of how senior and middle managers in major corporations, in close concert with colleagues and subordinates, were able to create a leadership process that put into action hundreds of commonsense ideas and procedures that, in combination with competent management, produced extraordinary results. This leadership turned NCR from a loser to a big winner in automated teller machines, despite intense competition from IBM. The same process at American Express and SAS helped businesses grow dramatically despite the fact that they were "mature" and "commodity-like." Kotter also shows how leadership turned around operations at P&G and Kodak; produced huge business successes at PepsiCo, ARCO, and ConAgra; and made the impossible occasionally happen at Digital. Thousands of companies today are overmanaged and underled, John Kotter concludes, not because managers lack charisma, but because far too few executives have a clear understanding of what leadership is and what it can accomplish. Without such a vision, even the most capable people have great difficulty trying to lead effectively and to create the cultures which will help others to lead.

    The kidnappers demand a ransom; his rich father does not reply. The kidnappers threaten to cut off his son's foot and still hear nothing. They then slice off one of Juan Luis's toes and send it to his father, who still refuses to act. So the next day... The Good Cripple obsessively focused, chilling, allegorical is stunningly explosive. With its enigmatic beginning, however, and its circular relentless structure, the novel is also dense with ideas: can one be whole after mutilation? Can the injured transcend violence? Rodrigo Rey Rosa's style is of a lithe pristine clarity, but beneath that calm surface cruelty, revenge, and diffidence churn darkly away. The Good Cripple is an astonishingly intense book, and as unforgettable as the sight of "the place where the foot had been severed, where a circle of red flesh, now a little black along the edges, could be seen, with a concentric circle of white bone that was both milky and glassy..."

    His profound, innovative theatre has earned him success and respect since 1949. Each new play has been an exciting experiment with dramatic form as well as a powerful expression of a tragic view of human life and Spanish society. A Dreamer for the People was first performed in 1958. In this history play, the first of a remarkable series, culminating in La detonacion (The Shot also published by Aris & Phillips), the dreamer of the title is the often maligned Marquis of Esquilache, the reformist minister of Carlos III. Buero sets off Esquilache's relations with the king, the aristocracy, his wife and his maidservant against a lively re-creation of the build-up to the famous 1766 Capes and Hats Revolt in the streets of Madrid. Public history and private tragedy are brought together in a complex structure, bringing into clear focus the clash between forces of change and immobility that lay at the heart of both the 18th century and the Franco period in Spain. In returning his proofs, Buero compliments the author of this first translation into English of his play: 'La version de Mr Thompson es muy cuidada y fiel, asi como acertadas y oportunas sus notas'.

    It was filled with hundreds of niches, one over the other. There is a country in each one; they're like boys, they're dead." In this landmark poem, written at the height of the Pinochet dictatorship, major Chilean poet Raul Zurita protests with ferocious invention the extinguishment of a generation and the brutalization of a nation. Of the role of poetry and of his own treatment by the military under this regime, Zurita has said, "You see, the only thing that told me that I wasn't crazy, that I wasn't living in a nightmare, was this file of poems, and then when they threw them into the sea, then I understood exactly what was happening." This elegy refuses to be an elegy, refuses to let the Disappeared disappear.

    As Paul's two students progress, you progress alongside them. A native speaking Spanish expert helps Paul to deliver the course and to perfect your pronunciation.

    We think nothing of jumping on a plane to travel to another country or continent. The most exotic locations are now destinations for mass tourism. Small business people are dealing across frontiers and language barriers like never before. The Internet brings different languages and cultures to our finger-tips. English, the hybrid language of an island at the western extremity of Europe seems to have an unrivalled position as an international medium of communication. But historically periods of cultural and economic domination have never lasted forever. Do we not lose something by relying on the wide spread use of English rather than discovering other languages and cultures? As citizens of this shrunken world, would we not be better off if we were able to speak a few languages other than our own? The answer is obviously yes. Certainly Steve Kaufmann thinks so, and in his busy life as a diplomat and businessman he managed to learn to speak nine languages fluently and observe first hand some of the dominant cultures of Europe and Asia. Why do not more people do the same? In his book The Way of The Linguist, A language learning odyssey, Steve offers some answers. Steve feels anyone can learn a language if they want to. He points out some of the obstacles that hold people back. Drawing on his adventures in Europe and Asia, as a student and businessman, he describes the rewards that come from knowing languages. He relates his evolution as a language learner, abroad and back in his native Canada and explains the kind of attitude that will enable others to achieve second language fluency. Many people have taken on the challenge of language learning but have been frustrated by their lack of success. This book offers detailed advice on the kind of study practices that will achieve language breakthroughs. Steve has developed a language learning system available online at: www.thelinguist.com.

    Outrageous evaluations of Picasso, Turner, Cézanne, many more. Text includes 15 renderings of paintings discussed and 44 of Dalí's calligraphic decorations. Will delight anyone who enjoys the artist's unconventional opinions and egotistical posturing.

    Expect characters who leap off the page and a chilling border scenario that could be tomorrow’s headlines. As presidential elections near, Mexico City attorney Eduardo Cortez Castillo discovers evidence of collusion between a powerful government official and Mexico's most dangerous drug cartel. Coded messages . . . A secret website . . . Clever money laundering. The conclusion is terrifying. With deep state help, a ruthless druglord is poised to buy Mexico’s presidency. As he digs for evidence and violence spills across the US-Mexican border, Eduardo is marked for death by cartel assassins. Instead of abandoning the dangerous investigation, he follows the money trail deep into drug smuggling territory where violence buys loyalty and votes are for sale. The odds are against survival. Back in Mexico City, a woman whose name means Light of Mary faces a painful choice. Wait for Eduardo or join the immigration train? But the cartel is looking for her, too. * Get your copy today * This brilliant political thriller takes you on a riveting ride through Mexico's rigid class system and the country's spiraling drug violence, to the harsh realities of the US-Mexican border. Authentic and revealing, much of the action is drawn from the author’s own experiences. "Enthralling political drama" -- Literary Fiction Review “Captivating and thrilling” – InDTale Magazine Love international thrillers by Nelson DeMille, Andrew Gross, Ken Follett, Lee Child and David Morrell? Riveted by AMERICAN DIRT or Don Winslow’s cartel and border thrillers set in Mexico? You won't want to miss THE HIDDEN LIGHT OF MEXICO CITY. Author Carmen Amato is a former CIA intelligence officer who uses her own counterdrug and espionage experiences to craft intrigue-filled crime fiction that keeps you guessing until the very end. Amato is a recipient of both the National Intelligence Award and the Career Intelligence Medal. Her award-winning Detective Emilia Cruz police series pits Acapulco’s first female police detective against cartels and corruption.

    An insightful look at the life of an author which will surely delight her millions of fans.

    As young women, Ver?nica and Rebeca were intimately close, but their lives took completely different paths. Ver?nica became a successful journalist with a stable marriage, adoring son, and passionate lover on the side. Rebeca, conversely, has led a solitary life. A large, corpulent woman, she obsesses about her weight and, as the years go by, she also develops a fixation for her long lost friend. Rebeca slowly devises a plan to revenge an offense Ver?nica has long forgotten.

    Thompson, Charles Bukowski, and William S. Burroughs, and has been called “a grand storyteller” (Diario Jornada) and “an icon” (Frente). In these seven surreal and unsettling tales, he portrays the comedy and brutality of a region that has captivated the North American imagination.Akin to Márquez’s Macondo or Faulkner’s Yoknapatawpha County, Velázquez’s PopSTock! is a fictional territory in a familiar but strange northern Mexico. Throughout the stories is woven the Cowboy Bible—a mystical and protean object that first appears as the talisman of a Santería-practicing luchador, DJ, and art critic, then later morphs into an unbeatable marathon drinker, a scion of a fried-chicken vendor dynasty who becomes a Communist guerilla freedom fighter, and the leather for a pair of boots so coveted that it leads a man to grant the devil a night with his wife. With such otherworldly scenarios, pop-culture panache, and Velázquez’s linguistic inventiveness, The Cowboy Bible is a brazen commentary on modern Mexican reality.

    Drawing on fourteen years of research; more than a hundred letters unknown to prior biographers; exclusive interviews with Lorca's friends, family, and acquaintances; and dozens of newly discovered archival material, Stainton has brought her subject to Life as few writers can. She describes his carefree childhood in rural Andalusia; his residencies in Madrid and Granada, then in New York, Havana, and Buenos Aires; his potent interaction with other Spanish artists, such as Salvador Dali, Luis Bunuel, and the composer Manuel de Falla; and, finally, Stainton shows how Lorca's marginal political activity during the Spanish Civil War still cost him his life.Throughout, Stainton meticulously but unobtrusively relates the oeuvre to the life. Her biography is quickly becoming the standard one-volume work on the poet.

    Alone in the devastated city of Málaga she makes friends with two young men, Juan, an idealistic Spaniard and Alex, a pragmatic Englishman. Together they make their escape from the war-torn city along the coast to Almeria. Amongst the death and carnage she falls in love with Juan, only to lose him shortly afterwards when he is badly wounded. Believing he is dead she returns to England with Alex, whom she later marries.Seventy years later Kate, Elizabeth´s granddaughter, is left a legacy following the death of her grandfather, a legacy that opens a Pandora´s box of secrets and lies which Kate can only unravel by returning to Spain.

    But when the old man falls sick and dies, Boga abandons himself entirely to the river and the life of solitary drifting he has long yearned for.Echoes of John Berger sound throughout the evocative prose of this great Argentian writer. A twentieth-century classic, Southeaster is a central work in Haroldo Conti’s oeuvre.